| Display title | The Wall/WMG |
| Default sort key | Wall, The/WMG |
| Page length (in bytes) | 9,025 |
| Namespace ID | 0 |
| Page ID | 22595 |
| Page content language | en - English |
| Page content model | wikitext |
| Indexing by robots | Allowed |
| Number of redirects to this page | 1 |
| Counted as a content page | Yes |
| Number of subpages of this page | 0 (0 redirects; 0 non-redirects) |
| Edit | Allow all users (infinite) |
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| Page creator | prefix>Import Bot |
| Date of page creation | 21:27, 1 November 2013 |
| Latest editor | Dai-Guard (talk | contribs) |
| Date of latest edit | 18:53, 11 April 2017 |
| Total number of edits | 6 |
| Recent number of edits (within past 180 days) | 0 |
| Recent number of distinct authors | 0 |
| Magic word (1) | |
| Transcluded templates (4) | Templates used on this page:
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Description | Content |
Article description: (description)
This attribute controls the content of the description and og:description elements. | In Tommy's version of events, the father survived the war in a POW camp and returned, only to engage his wife's new husband in a fight to the death, which traumatized Tommy and made him enter into a near-catatonic state. When cured of this state, he briefly becomes a quasi-religious figure, protected by guards that assault Sally Simpson when she tries to get up on stage with him. In Pink's version of the events, the father died, and Pink's many negative experiences led him to build a "wall" around himself to keep others out. As he descends deeper into psychosis, he imagines himself as a fascistic dictator. This sequence grew out of Roger Waters' concern at having once spit at a disruptive fan at a concert, similar to the incident with Sally Simpson depicted in The Who's rock opera. |