Display title | The Prisoner of Zenda (film) |
Default sort key | Prisoner of Zenda (film), The |
Page length (in bytes) | 9,167 |
Namespace ID | 0 |
Page ID | 120732 |
Page content language | en - English |
Page content model | wikitext |
Indexing by robots | Allowed |
Number of redirects to this page | 0 |
Counted as a content page | Yes |
Number of subpages of this page | 1 (0 redirects; 1 non-redirect) |
Page image | |
Edit | Allow all users (infinite) |
Move | Allow all users (infinite) |
Delete | Allow all users (infinite) |
Page creator | m>Import Bot |
Date of page creation | 21:27, 1 November 2013 |
Latest editor | Looney Toons (talk | contribs) |
Date of latest edit | 20:19, 10 October 2017 |
Total number of edits | 9 |
Recent number of edits (within past 180 days) | 0 |
Recent number of distinct authors | 0 |
Transcluded templates (6) | Templates used on this page:
|
Description | Content |
Article description: (description ) This attribute controls the content of the description and og:description elements. | The Prisoner of Zenda is the 1937 David O. Selznick Swashbuckling film adaptation of the classic Adventure novel by Anthony Hope. Of the numerous adaptations of the novel (1913, 1915, 1922, 1952, 1979, and, in a TV version, 1984), this version, directed by John Cromwell, is generally considered the best, and, indeed, one of the greatest swashbucklers ever made. The film stars Ronald Colman in the dual role of Rudolf Rassendyll, English gentleman, and Rudolph V, the ne'er-do-well king (the name is spelled both ways in the film); and co-stars Madeleine Carroll, as the lovely and lively Princess Flavia, and Douglas Fairbanks, Jr., as the wicked but engaging Count Rupert of Hentzau. Raymond Massey as the saturnine and ambitious Duke Michael, Mary Astor as his beautiful but hapless mistress Antoinette de Mauban, C. Aubrey Smith as the crusty, Macchiavellian Colonel Zapt [sic], and David Niven as the faithful though feckless Fritz von Tarlenheim lend sterling support. The sweeping romantic score, supported by use of Wagnerian leitmotives is by Alfred Newman. |