Display title | Shamus Culhane |
Default sort key | Shamus Culhane |
Page length (in bytes) | 4,150 |
Namespace ID | 0 |
Page ID | 48873 |
Page content language | en - English |
Page content model | wikitext |
Indexing by robots | Allowed |
Number of redirects to this page | 0 |
Counted as a content page | Yes |
Number of subpages of this page | 1 (0 redirects; 1 non-redirect) |
Page image | |
Edit | Allow all users (infinite) |
Move | Allow all users (infinite) |
Delete | Allow all users (infinite) |
Page creator | prefix>Import Bot |
Date of page creation | 21:27, 1 November 2013 |
Latest editor | Dai-Guard (talk | contribs) |
Date of latest edit | 09:15, 5 October 2014 |
Total number of edits | 7 |
Recent number of edits (within past 180 days) | 0 |
Recent number of distinct authors | 0 |
Transcluded templates (3) | Templates used on this page:
|
Description | Content |
Article description: (description ) This attribute controls the content of the description and og:description elements. | James "Shamus" Culhane (1908-1996) was a veteran animator and director. Considered one of the finest of the era, Culhane worked at almost every studio of the time, starting at Hearst and Bray Studios, moving on to Fleischer Studios and the Ub Iwerks studio, secured a job at Disney, made a brief return to Fleischers, had a very brief stint at Warner Bros. in the Chuck Jones unit, but the most important part of his career would have to be his tenure at the Walter Lantz cartoon studio, where he directed some of the best shorts of the studio, including the Woody Woodpecker short "The Barber Of Seville", no. 43 on The 50 Greatest Cartoons list. |