| Display title | Last Supper Steal |
| Default sort key | Last Supper Steal |
| Page length (in bytes) | 7,249 |
| Namespace ID | 0 |
| Page ID | 69610 |
| Page content language | en - English |
| Page content model | wikitext |
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| Counted as a content page | Yes |
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| Page creator | prefix>Import Bot |
| Date of page creation | 21:27, 1 November 2013 |
| Latest editor | InternetArchiveBot (talk | contribs) |
| Date of latest edit | 15:47, 7 January 2023 |
| Total number of edits | 9 |
| Recent number of edits (within past 180 days) | 0 |
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Description | Content |
Article description: (description)
This attribute controls the content of the description and og:description elements. | Imitating Leonardo da Vinci's painting "The Last Supper", often for promotional art. This works for a variety of different plots or events. If there is a character who is an example (or a subversion, or an ironic inversion) of a Messianic Archetype, or otherwise has some kind of plot-related parallel with the story of the betrayal of Christ, he or she will be placed in Jesus' position, frequently complete with downcast eyes and spread arms. The scene itself often has some thematic connection to the biblical Last Supper, whether it is a group shot of the series' team with a betrayer in their midst, or a gathering of friends that is a metaphorical "last supper" (like a group of coworkers planning to go their separate ways), a leader and his/her followers or supporters, or foreshadowing the death/persecution of the character in Jesus's spot. |
