| Display title | Faces (film) |
| Default sort key | Faces (film) |
| Page length (in bytes) | 1,227 |
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| Page ID | 456441 |
| Page content language | en - English |
| Page content model | wikitext |
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| Page creator | Robkelk (talk | contribs) |
| Date of page creation | 16:10, 12 January 2019 |
| Latest editor | Robkelk (talk | contribs) |
| Date of latest edit | 17:29, 2 October 2020 |
| Total number of edits | 4 |
| Recent number of edits (within past 180 days) | 0 |
| Recent number of distinct authors | 0 |
Description | Content |
Article description: (description)
This attribute controls the content of the description and og:description elements. | Writer-director John Cassavetes described Faces, considered by many to be his first mature work, as "a barrage of attack on contemporary middle-class America." The film depicts a married couple, "safe in their suburban home, narrow in their thinking," he wrote, who experience a break up that "releases them from the conformity of their existence, forces them into a different context, when all barriers are down." An example of cinematic excess, Faces places its viewers inside intense lengthy scenes to allow them to discover within its relentless confrontations emotions and relations of power between men and women that rarely emerge in more conventionally structured films. In provoking remarkable performances by Lynn Carlin, John Marley and Gena Rowlands, Cassavetes has created a style of independent filmmaking that has inspired filmmakers around the world. |
