Deconstructing Harry

Everything About Fiction You Never Wanted to Know.
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"Who are you?"
"It's me, Ken!"
"...Ken?"
"Look at this guy! You created me, now you doesn't recognize me?"

Deconstructing Harry is a film by Woody Allen.

Successful author Harry Block has been routinely mining his real life for material. After his latest divorce, he's been dating a young fan of his work - who just left him. Now he has to deal with an upcoming trip to his alma mater, and some of his characters start checking up on him in real life. A pretty poignant case of Family-Unfriendly Aesop follows.


Tropes used in Deconstructing Harry include:

"To Evil! It keeps things hummin'."

  • Author Avatar: To some degree, each and every main character from Harry's stories resembles him.
  • Brick Joke: One of Harry's (perhaps unfinished) short stories deals with an actor (Mel) going out of focus as he's shooting what appears to be a TV commercial. Later on, the same thing happens to Harry, in lieu of a panic attack.
  • The Cameo: Robin Williams as the out-of-focus actor, Tobey Maguire as a young Author Avatar.
  • Canon Sue: In-universe: "Ken", the main character in Harry's last novel, comes off as a charming, laid-back guy, all too happy to explain what went wrong in Harry's life. He's right every time.

Harry: "How do you know so much?"
Ken: "Well... I'm just you. Thinly disguised. You gave me a little more maturity. And a different name."

  • A Chat with Satan
  • Critical Psychoanalysis Failure: Joan might have needed a lot of help after being cheated on with one of her patients and getting divorced; we know she didn't take it well.
  • Death by Childbirth: Happened to Harry's mom; his father never quite forgave him for that.
  • Family-Unfriendly Aesop: Whatever it is.
  • Functional Addict: Harry sees himself as one, as far as booze and anti-anxiety pills are concerned. Other characters don't agree.
  • The Fundamentalist: Played with, twice:
    • In one of Harry's stories, this is the reason his marriage to his former psychoanalyst failed: after the birth of their son, she rediscovered her Jewish roots, became obsessed with faith and tradition, and ended up leaving Harry for a dashing Israeli patient. In real life, though, Harry cheated on Joan with one of her patients.
    • Then there's Bert, Harry's brother-in-law; an observant Jew who Harry despises to the point of becoming estranged from his sister. They later briefly reconnect.
  • High-Class Call Girl: The Asian prostitute in one of the stories-within-a-story.
  • Hollywood Atheist: Mostly played for laughs, of the smug variety.
  • Hooker with a Heart of Gold: Cookie.
  • Ironic Hell
  • The Lancer: Larry.
  • Laser-Guided Karma: Borrow a sick friend's apartment, pretend it's your bachelor pad, use his name to introduce yourself to a High-Class Call Girl... hey, that's The Grim Reaper at the door. And he won't believe you're not the guy.
  • May-December Romance: Applied twice. Fay, Harry's last girlfriend, left him for Larry, who's older than her as well: the key difference here is Larry's positive outlook on life. They're married by the end of the movie.
  • Meaningful Name: Harry Block, although Writer's Block is just a symptom of his depression.
  • Morality Pet: Played with. Harry's very fond of his young son Hilliard, who he enjoys spending time with; too bad all his life lessons to the kid are variations on Good Is Boring.
  • Muse Abuse:
  • Pygmalion Plot: Seems to have played a major role in Harry and Fay's romantic relationship; he considered her "a fan, then a pupil", but in the end he fell in love and she didn't truly reciprocate his feelings.
  • Show Within a Show: Harry's stories within the film - and then The Reveal that the entire movie is the new story by Harry about himself.
  • The Shrink: Joan and her fictional counterpart.
  • Sidekick: Harry's friend and colleague Richard.
  • Unproblematic Prostitution: Played with: Cookie comes off as a self-assured, reasonably content sex worker, who accepts Harry's offer of money in exchange for accompanying him to his old college even if she met him a couple hours before (and therefore has no idea whether he could posit a danger to her). She's also treated far more nicely than any other female character in-universe.

Harry: "Every hooker I ever speak to tells me that it beats the hell out of waitressing. Waitressing's gotta be the worst fucking job in the world."

  • Villainous BSOD: Once the group arrive at Harry's alma mater, they find out his friend Richard - who they thought was simply dozing off - has died in his sleep, presumably of a heart attack; Harry panics and briefly goes out of focus.
  • What the Hell, Hero?: Happens at least twice, with characters from Harry's stories ("Ken" and "Helen", the latter being a mix between his ex-wife and his sister) lecturing him on the mistakes he made in his personal life.
  • Write Who You Know: With almost no exception, Harry's characters are thinly-veiled versions of people he knows; considering in real life he's a bit of a Magnificent Bastard, every time he's got a new novel out, at least one of his personal relationships goes very sour.

"And of course there's Jane, or, as you pathetically disguised her... Janet."

    • Even he occasionally can't tell the difference between real life and fiction.

Lucy: "Oh big fucking deal, you gave her large breasts!"
Harry: "Leslie, please..."
Lucy: "Lucy. I'm Lucy, motherfucker. Not Leslie."