Display title | Compact Cassette |
Default sort key | Compact Cassette |
Page length (in bytes) | 6,724 |
Namespace ID | 0 |
Page ID | 466957 |
Page content language | en - English |
Page content model | wikitext |
Indexing by robots | Allowed |
Number of redirects to this page | 0 |
Counted as a content page | Yes |
Number of subpages of this page | 0 (0 redirects; 0 non-redirects) |
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Page creator | DartzIRL (talk | contribs) |
Date of page creation | 23:02, 27 July 2020 |
Latest editor | Robkelk (talk | contribs) |
Date of latest edit | 00:28, 7 September 2020 |
Total number of edits | 7 |
Recent number of edits (within past 180 days) | 0 |
Recent number of distinct authors | 0 |
Description | Content |
Article description: (description ) This attribute controls the content of the description and og:description elements. | For a long time, recording either voice or music at home was impossible. You either went to the shop and bought the latest single on a shellac record, or listened to the radio. Although proposed towards the end of the 19th century, with magnetic wire recording being introduced as early as 1898, magnetic recording didn't really become a thing until some scientists working for a German chemical company[1] discovered a method involving magnetised metal oxides bonded to a polymer tape. The Allies suspected Germany had a way of making high-quality recordings for propaganda broadcasts, but it wasn't until the end of WW2 that magnetic tape as a media became widely known. |