| Display title | Coleman Francis |
| Default sort key | Coleman Francis |
| Page length (in bytes) | 5,787 |
| Namespace ID | 0 |
| Page ID | 58554 |
| Page content language | en - English |
| Page content model | wikitext |
| Indexing by robots | Allowed |
| Number of redirects to this page | 0 |
| Counted as a content page | Yes |
| Number of subpages of this page | 1 (0 redirects; 1 non-redirect) |
| Edit | Allow all users (infinite) |
| Move | Allow all users (infinite) |
| Delete | Allow all users (infinite) |
| Page creator | prefix>Import Bot |
| Date of page creation | 21:27, 1 November 2013 |
| Latest editor | Dai-Guard (talk | contribs) |
| Date of latest edit | 01:38, 11 April 2017 |
| Total number of edits | 10 |
| Recent number of edits (within past 180 days) | 0 |
| Recent number of distinct authors | 0 |
| Transcluded templates (5) | Templates used on this page:
|
Description | Content |
Article description: (description)
This attribute controls the content of the description and og:description elements. | Imagine the worst possible film you can. Pretty awful, right? Now imagine that film is just the best film in an achingly bad film trilogy linked only by the director (who also happens to be writer, producer and star), and a bizarre emphasis on coffee, light aircraft and soul-crushing tragedy. You now have an inkling of what the Coleman Francis trilogy is like. |