| Display title | Castro Street |
| Default sort key | Castro Street |
| Page length (in bytes) | 1,236 |
| Namespace ID | 0 |
| Page ID | 456778 |
| Page content language | en - English |
| Page content model | wikitext |
| Indexing by robots | Allowed |
| Number of redirects to this page | 0 |
| Counted as a content page | Yes |
| Number of subpages of this page | 0 (0 redirects; 0 non-redirects) |
| Page image |  |
| Edit | Allow all users (infinite) |
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| Page creator | Robkelk (talk | contribs) |
| Date of page creation | 23:05, 26 January 2019 |
| Latest editor | Robkelk (talk | contribs) |
| Date of latest edit | 16:10, 2 October 2020 |
| Total number of edits | 4 |
| Recent number of edits (within past 180 days) | 0 |
| Recent number of distinct authors | 0 |
Description | Content |
Article description: (description)
This attribute controls the content of the description and og:description elements. | Castro Street (The Coming of Consciousness), a non-narrative 10-minute experimental example of poetic cinema by Bruce Baillie, was filmed on the streets of Richmond, California — most notably Castro Street — near the Standard Oil Refinery. Its bright, primary colors and lateral tracking shots illustrate Baillie's fascination for opposites, as he described, "that are one, both in conflict and harmony, opposing each other and abiding together and requiring each other." |
