View source for Tough Act to Follow

{{trope}}
{{quote|''"If there's one thing history has taught us, besides [[Genghis Khan|not to piss off people called Genghis]] or put [[The Roman Empire|lead in your water pipes]], it's that if you're going to make something incredibly good that becomes frighteningly popular, make sure it's the last thing you ever make in your entire life because otherwise you get to spend the rest of your creative career struggling under the weight of high expectations and bricks."''
|'''Ben [[Zero Punctuation|'Yahtzee']] Croshaw''', ''[[Spore]] [http://www.escapistmagazine.com/videos/view/zero-punctuation/218-Spore Review]''}}

Say, you're an author. You've created a work (let's call it "Opus A") you're proud of and publish it. Turns out that pride was justified. You've created a great work. Even more: An epic. Your work grows to huge proportions, creating something that [[Cash Cow Franchise|prints money]]. You become one of the world's most renowned authors. You bathe in the glow for a few years, but then you feel a familiar itch: The author in you demands his right once more. You create a new work. Once again, you're proud of it. You publish it. It's good.

And it bombs. And so does your next work. And the one after it. You've become a one-hit wonder, but that's not because of the quality of your works. In fact, the one single flaw of your new works is: "[[Replacement Scrappy|It isn't 'Opus A']]". You've had your personal [[Crowning Moment of Awesome]], but it overshadows everything you will ever do from this point on.

Essentially the creative version of [[Typecasting]].

Contrast [[Protection From Editors]], for when the new creations ''do'' suck but get published anyway, or need more work if they're not going to suck but no one dares tell you this. Compare with [[Glory Days]]. See also [[First Installment Wins]] and [[One-Hit Wonder]]. If a [[Fan Dumb]] becomes split over this it causes a [[Broken Base]]. This trope will often lead to [[Sequelitis]] and/or [[Contested Sequel]]s. Frustration over this trope may cause [[Creator Backlash]]. Compare [[Establishing an Unreachable Baseline]].

{{examples}}
== Anime and Manga ==
* Believed to be the reason why ''[[Rurouni Kenshin]]'' author Nobuhiro Watsuki was not (and likely will never be) able to have another series which runs longer than 10 volumes, the magic number where ''[[Busou Renkin]]'' ended publication. ''[[Gun Blaze West]]'' was cancelled after only three.
* ''[[Saint Seiya]]'' fell victim to this. Kurumada's first runaway hit was ''Ring Ni Kakero'', a boxing drama although with its share of Shonen elements. ''[[Saint Seiya]]'' was the closest he got, but it lost popularity and was forced to conclude with a [[Bittersweet Ending]]. A few of his works have tanked and the only series post-Kakero he was able to end on his terms was ''[[B't X]]''.
** On the other hand, ''[[Saint Seiya]]'' is the only one of Kurumada's works that enjoys worldwide popularity (even more than twenty years after it was first published,) and it continues to generate spinoffs and prequels, and in 2012 even a reboot. ''Ring Ni Kakero'' is all but unknown outside of Japan.
* Likewise, [[Naoko Takeuchi]] was less than well received after having completed ''[[Sailor Moon]]'', and never managed to ''finish'' anything else afterwards, leaving several [[Orphaned Series]] behind.
* [[Yoshiyuki Tomino]] had this problem with ''[[Mobile Suit Gundam]]''. [[Creator Backlash|He became very bitter over this]], but has lightened up considerably since working on ''[[Turn A Gundam|Turn a Gundam]]''.
* Yudetamago ran into this after concluding ''[[Kinnikuman]]''.
* Tetsuo Hara never illustrated another manga series that was as wildly popular as ''[[Fist of the North Star]]''. ''Hana no Keiji'' (a fictionalized biography of Keiji Maeda) was somewhat of a moderate success, but most of his other titles (''Cyber Blue'', ''Takeki Ryusei'' and ''Rintaro Nakabo'') never managed to last more than a couple of volumes. Even ''[[Fist of the Blue Sky]]'', a prequel to ''North Star'' set during the early 20th century, concluded in a rather lukewarm matter after the magazine that was publishing it folded and Hara went on to work on a different title.
* Quick, name a manga [[Akira Toriyama]] has drawn since ''[[Dragon Ball]]''. He's actually created quite a few short manga since then, but they've barely registered on most people's radars. It might be because they're almost all single-volume series, though. He's never even attempted a long series since ''Dragon Ball'' ended, partially for fear of this trope.
** He does, however, avert this trope in the video game realm, where he remains quite popular as the head artist for the cult classic games ''[[Chrono Trigger]]'', ''[[Blue Dragon]]'', and the ''[[Dragon Quest]]'' series.
* Office Academy, the company behind ''[[Space Battleship Yamato]]'', made several forgettable series such as ''[[Space Carrier Blue Noah]]'' that failed to gain recognition inside or outside of Japan, unlike ''Yamato''.
* Quite possibly the reasoning for nothing but more ''[[Yu-Gi-Oh!]]'' from Kazuki Takahashi. And even then, his input has fallen from writing the manga (''Yu-Gi-Oh!''), to having major input and plot work on the anime (''[[Yu-Gi-Oh! GX|GX]]''), to... pretty much doing character designs (''[[Yu-Gi-Oh! 5D's|5Ds]]'' and ''[[Yu-Gi-Oh Ze Xal|Zexal]])''.
* [[Tite Kubo]], ''[[Bleach]]''{{'}} creator, naturally hasn't seen much success in his other manga works ever since this magnum opus' popularity. ''[[Zombie Powder]]'' from the same artist, never got to see volume five.

== Comic Books ==
* Art Spiegelman when it comes to his "comix" duology ''[[Maus]]''. He has been quite vocal about how he never expected the "monument to my father" to become so popular, nor did he expect that his later works would be greeted by wishes for ''Maus III''.
* Jim Starlin, who thanks to his masterful work crafting ''[[Infinity Gauntlet]]'', has every comic book given to him compared to it and rarely in a favorable light.
* Mark Millar has suffered this with his post-''[[The Authority]]''. Taking over the book just as it became popular (Ellis left the book just as it was catching on in order to focus on ''[[Planetary]]'' and ''[[Transmetropolitan]]''), the book made Millar a household name and his fights with DC over content made him a ''cause celebre'' among comic fans for creative freedom. He went on to Marvel but his career was never ever the same; ''Ultimates'' and ''Civil War'' were widely panned by critics (though commercially successful), he lost all of his creative freedom street cred when he sided against Mark Waid when Waid was fired from ''Fantastic Four'' over creative issues and his creator-owned books were widely panned and had to be extensively rewritten by Hollywood to make them palatable for non-comic fans.
* Marvel's had this with ''The Avengers'': Kurt Busiek's run was widely acclaimed but when he left the book, the comic could never recovered. Geoff Johns left the comic due to editorial micromanaging him while Brian Michael Bendis and Chuck Austen were given free reign and produced widely reviled runs.
* [[Chris Claremont]] on the ''[[X-Men]]''; only a bare handful of writers have managed to carve an identity out on the X-books that did not have Claremont's shadow hanging over them.
* ''[[Green Lantern]]'' has Ron Marz, who made the book a hit with the introduction of Kyle Rayner. When he left the book, he was replaced with [[Judd Winnick]], whose run was so reviled that many Rayner fans blame him for sinking the sales of title and basically forcing DC to bring Hal Jordan back as Green Lantern to stop the bleeding.

== Film ==
* Since ''[[The Sixth Sense]]'', [[M. Night Shyamalan]] has been trying to replicate his success with low-key supernatural horror and the [[Twist Ending]]. So far, each film has had a progressively worse critical reception, though it's arguably not because fans want another ''Sixth Sense'' and simply because his later works actually ''have'', overall and despite a couple successes, gotten worse and worse.
** The poor guy has become a "verb" on [[Urban Dictionary]]: To pull something spectacular off once, and then fail miserably each time you try to do it again.
* The ''[[Star Wars]]'' prequels. Regardless of what you think of their quality, would they have gotten anywhere ''near'' the level of hate if not for the extremely popular original trilogy?
** It didn't start with the prequels. ''[[Return of the Jedi]]'' is often derided for not being as good as the fan favorite and [[Even Better Sequel]] ''[[The Empire Strikes Back]]''.
** Likewise, ''[[Indiana Jones and the Kingdom of the Crystal Skull]]''.
* [[Orson Welles]] never had a prayer of producing another film that would live up to the reputation ''[[Citizen Kane]]'' enjoyed, although this is partly because he was never again allowed the degree of creative control he had with ''Kane''. A later Welles film, ''[[Touch of Evil]]'', is nowadays regarded by critics as a great artistic work, though it's nowhere near as well known to the public at large as ''Kane'' is.
* Most of [[Quentin Tarantino]]'s films have been financial and critical successes, but none of them will probably ever top his first major release, ''[[Pulp Fiction]]'', at least in terms of mainstream reinvention of the medium.
* [[Tobe Hooper]] never was able to replicate the success of ''[[The Texas Chainsaw Massacre]]'' as well as the his subsequent films. The closest he ever came was probably ''[[Poltergeist (film series)||Poltergeist]]'', but the involvement of executive producer Steven Spielberg overshadowed Hooper's work.
* Austrian actress Luise Rainer won the Best Actress Oscar twice in a row in 1937 and 1938, (a feat repeated only by [[Katharine Hepburn]]). She once said about her awards that nothing worse could have happened to her, as audience expectations from then on would be too high to fulfill. Her career waned at the end of the 30s, and she retired in 1943.
* There is a large group of people who said [[Kevin Smith]] never did anything good after ''[[Clerks]]''. He's said multiple times the film "hangs over [my] whole career."
* Donald Cammell spent his career trying to make another film as well-received as his debut, ''Performance'' (co-directed by Nicolas Roeg). He eventually committed suicide after dealing with [[Executive Meddling]] one too many times.
* [[Christopher Nolan]] has expressed anxiety over the prospects of the third film in the [[The Dark Knight Saga|Dark Knight saga]], noting that after the massive accolades ''The Dark Knight'' received it will be difficult to write a satisfying follow-up, and pointing out "how many good third parts in a franchise can you think of?"
* ''[[Star Trek II: The Wrath of Khan]]'' had it all: an edge-of-your-seat plot, tremendous music, fantastic (for its time) visual effects, literary references galore, a true [[Tear Jerker]] ending, and great timeless themes interspersed throughout. With every new movie since, they've been trying to measure up to that - and always fell short.
* John Singleton's directorial debut ''[[Boyz N the Hood]]'' was critically acclaimed, and made him the youngest [[Academy Award]] nominee for Best Director at the age of 24. Twenty years later, it's still regarded his best work.

== Literature ==
* ''[[Ender's Game]]'' was [[Orson Scott Card]]'s first novel, which received major critical accolades and has sold millions of copies. His later novels, including a number of sequels, have not reached nearly its popularity or acclaim. In spite of it all, Card has still enjoyed a long, successful career, and his novels generally sell very well.
* This trope is (probably) the reason Harper Lee never wrote another book after ''[[To Kill a Mockingbird]]'', and the book that she wrote before it, ''[[Go Set a Watchman]]'', languished unpublished until after her death.
* The idea that everyone has a moment which overshadows the rest of their life becomes a major theme of the novel ''[[Foucault's Pendulum]]''. (And some would say the work is itself an example!)
* William Golding's first novel was ''[[Lord of the Flies]]''. He wrote many others afterwards, but none of them matched its success.
* The success of ''[[The Wonderful Wizard of Oz]]'' haunted [[L. Frank Baum]] for the rest of his career. Although he tried to make forays into other stories, he was never very successful and ended up penniless, forced to write more ''Oz'' books. Although he didn't enjoy it, the continuation of the ''Oz'' series resulted in some wonderful stories, making this an example of [[Tropes Are Not Bad]]... at least not for the reader.
** In the intro to one book he actually says that he knows many stories ''not'' about Oz, and wishes he had a chance to tell them.
*** He used the fourth book of the series, ''The Road to Oz'', as a sort of [[Massive Multiplayer Crossover]] by inviting characters from his other books to attend Princess Ozma's birthday party, hoping to get his Oz readers interested in those other stories.
** Similarly, Gregory Maguire has had trouble digging his way out from under ''[[Wicked (novel)|Wicked]]''.
* Like the ''Oz'' examples above, Sir Author Conan Doyle could never escape the popularity of his flagship series [[Sherlock Holmes|about a certain 19th century detective]]. Despite Doyle's attempts to move on by killing off the iconic protagonist, he later bowed to public pressure to bring him back. Also, like Frank Baum, Doyle got fed up with having to continue the series, but financial necessity and failed outside novels prevented him from branching out.
* [[Frankenstein|Mary Shelley]] once said something to the effect that: "some people only have one really good novel in them." She would probably know a little about this trope, given that most people can only name one thing she ever wrote. [[Frankenstein|Guess what it might be...]]
* [[Peter S. Beagle]] unintentionally displayed the upside of this trope in an introduction to one edition of ''[[The Last Unicorn (novel)|The Last Unicorn]]''. He stated that the book would always haunt him "even as ''[[The Crock Of Gold]]'' came to haunt [[James Stephens]]." Notice that Stephens and ''The Crock of Gold'' don't have entries on the wiki—but ''[[The Last Unicorn (novel)|The Last Unicorn]]'' does, and Beagle got a stub primarily because of it.
* ''[[Watership Down]]'' was Richard Adams's first novel. He wrote several others, but none of them became nearly as successful.
* Similarly, Joseph Heller never again came close to the success of The Great American Novel, ''[[Catch-22]]''. Some of his later works playfully reference this.
** Heller has a wonderful (possibly apocryphal) quote on the subject: "They say I haven't written anything as good as Catch-22 since. Well, neither has anyone else."
* This is entirely why ''[[The Silmarillion]]'' was unfinished at [[J. R. R. Tolkien]]'s death. He knew the ''[[The Lord of the Rings]]'' was impossible to follow, especially since ''[[The Silmarillion]]'' was never intended for mass consumption.
* [[Chuck Palahniuk]] exploded onto the scene with ''[[Fight Club]]'', which became a major success after the highly popular and influential film adaptation. While his other novels sell well, none of them have come close to the success of ''Fight Club''. His other novels usually advertise the fact that they are written "by the author of ''Fight Club'', and reviews typically describe his work in relation to it.
* Walter Miller Jr. After publishing his magnum opus ''[[A Canticle for Leibowitz]]'', Miller isolated himself for 40-odd years and never published another book again, only stating in an interview that his reasons for not publishing were "not for the public to know." The posthumously published follow-up to ''Canticle'', "Saint Leibowitz and the Wild Horse Woman", is universally regarded as inferior.
* Andrzej Sapkowski, writer of ''[[The Witcher]]'' saga, has published few other books in his native Poland after the last volume of the series, but cannot top its popularity. In fact, his last book is hated by many for being ''too different'' from ''The Witcher''.
* Amy Tan admits in her memoirs that she felt a lot of this after the runaway success of ''[[The Joy Luck Club]]''. Her eventual solution was to write ''many'' novels until she came up with one she thought could stand on its own (''The Kitchen God's Wife''). In the end, she thinks [[Averted Trope|it's better]] than ''The Joy Luck Club''.
* [[Stephenie Meyer]] had a huge hit with the ''[[Twilight (novel)|Twilight]]'' series. Her next novel, ''[[The Host (novel)|The Host]]'' sold very well, but has nowhere near the same level of hype. She has stated she has many other ideas for novels, so it remains to be seen if anything she does will come close to her first.
* Japanese author Koushun Takami has not written another novel since ''[[Battle Royale]]''. After the original book received much international acclaim, and a film and manga adaptation a mere year after its 1999 release, it's hard not to see why.
* [[J. K. Rowling]]'s attempts to write ''anything'' other than ''[[Harry Potter]]'' have for the most part not succeeded terribly well, and as of the late 2010s she seems content to spend her time revising and extending the ''Potter'' [[Canon]] on her website, [[Pottermore]].

== Live-Action TV ==
* After the success of ''[[The Office]]'', creators Ricky Gervais and Stephen Merchant actively parodied/dared people to invoke this trope in the lead-up and advertising for their next series ''[[Extras]]'', which was essentially billed as "the show people are already calling 'the disappointing follow-up to ''[[The Office]]''". Although ''Extras'' was largely praised as being just as good as their original series, comments of this nature could still nevertheless be heard from time to time.
* On ''[[Saturday Night Live]]'', when [[Norm MacDonald]] was fired in the midst of a mild controversy, Colin Quinn's first episode as the [[Weekend Update]] anchor acknowledged this trope essentially saying "don't shoot the new guy."
* Everyone's favorite [[Doctor Who|Doctor]] is a tough act to follow (not to name names; you know where the [[Broken Base|bases are broken]].)
* Chris Carter is a variant of this trope. He tried three different times to premiere new shows while his most famous show, and ultimately the only one that's remembered, ''[[The X-Files]]'' was on the air. These shows are: ''[[Millennium (TV series)|Millennium]]'', a conspiracy show in a similar vein as ''The X-Files'' minus the paranormal angle; ''[[The Lone Gunmen]]'', a spin-off of ''The X-Files'' featuring three of its most popular supporting characters; and ''[[Harsh Realm]]'', a critically derided effort featuring characters trapped in a virtual reality. All three featured an attempt at crafting a [[Myth Arc]] much like that of ''The X-Files'' but all three failed to catch on and lasted less than one season (with the exception of ''Millennium'' which lasted three, with the show being retooled beyond recognition each season). ''Millennium'' and ''[[The Lone Gunmen]]'' both received [[Fully-Absorbed Finale|Fully Absorbed Finales]] on ''The X-Files'' and neither is remember as fondly. ''[[Harsh Realm]]'' on the other hand is almost not remembered at all. Since ''The X-Files''{{'}} conclusion, Carter, who was once a well-known show runner on the same level as [[Joss Whedon]], has mostly faded into obscurity, coming out of semi-retirement to write and direct an ''X-Files'' film which was not well received and failing (or possibly not attempting) to get any other series or films off the ground as of 2011.
* [[Tony Hancock]] apparently sunk into a deep depression after his famous "Blood Donor" sketch. Most people couldn't understand why this could be, given how brilliant the sketch had been, but it was apparently because Hancock believed he would never ever top it.
* The ''[[Super Sentai]]'' series experienced this throughout the early and mid 90's--''[[Choujin Sentai Jetman]]'' was so immensely popular, that nearly every season that came after it in the next 9 years was seen as a huge step down (although ''[[Gosei Sentai Dairanger]]'' has been [[Vindicated by History]] as being a spectacular season in its own right). In 2000, when ''[[Mirai Sentai Timeranger]]'' began airing, the ''Jetman'' hype had finally died down, and even the hardcore ''Jetman'' fanbase was satisfied with ''Timeranger''s drama and story rivaling ''Jetman'''s.
** Though [[Your Mileage May Vary]] on which post-''Jetman'' sentai were the ones that suffered - general consensus was that ''Zyuranger'' and to a lesser extent ''Kakuranger'' were the only ones affected. ''Dairanger'' was an awesome series in its own right, and the other series were no slouches either (except for ''[[Ohranger]]'', but it was because of other factors.)
** Played straight, however, by ''[[Tensou Sentai Goseiger]]'', coming immediately after the dripping-with-awesome ''[[Samurai Sentai Shinkenger]]''. It doesn't help matters that ''[[Kaizoku Sentai Gokaiger]]'' came after it.
*** And now{{when}} ''[[Tokumei Sentai Gobusters]]'' is in exactly the same position, coming right off of the immense success that was ''Gokaiger''.
* Keeping with the Sentai trend, ''[[Power Rangers Samurai]]''. The show isn't without its faults, but the series would have likely been better received had it not been adapted from ''[[Samurai Sentai Shinkenger]]'' (a '''very''' well-received ''Sentai'') and following ''[[Power Rangers RPM]]'' (considered one of—if not '''the'''--best season that ''[[Power Rangers|Rangers]]'' has ever done). Similar things could be said about ''[[Power Rangers Wild Force|Wild Force]]'' coming behind ''[[Power Rangers Time Force|Time Force]]'', and ''[[Power Rangers Turbo|Turbo]]'' never stood a chance after ''[[Power Rangers Zeo|Zeo]]''.
** The same could be said of pretty much ''every'' series set after ''[[Power Rangers in Space|In Space]]'' (with some exceptions, [[Your Mileage May Vary|depending on who you ask]]), which not only managed to [[Win Back the Crowd]] after ''Turbo'''s lukewarm reception, but was the [[Grand Finale]] of a [[Story Arc]] starting with the original ''[[Mighty Morphin Power Rangers]]'' (remember, ''In Space'' was originally going to be the last ''Rangers'' season, so it ''needed'' to end with a bang). As all subsequent seasons are ([[Reunion Show|mostly]]) self-contained, standalone works with only about 30 episodes to develop character and whatnot, they tend to fall short of a saga that had a ''six'' season buildup and was more or less at the apex of the [[Cerebus Rollercoaster]] by its end.
* There's the infamous "Seinfeld Curse" that allegedly prevents any of ''[[Seinfeld]]''{{'}}s main cast members from achieving future success:
** Jason Alexander had two failed sitcoms, ''[[Listen Up]]''and ''[[Bob Patterson]]''. He's consistently found supporting work in various movies but is always seen as George Costanza, a fact he disdains so much that as of 2011 he started wearing a hairpiece to open up his acting opportunities.
** The biggest victim is arguably, Michael Richards (Kramer) who basically retired from acting after ''[[The Michael Richards Show]]'' failed to catch on in 2000 because the main character was turned into a cheap Kramer clone thanks to [[Executive Meddling]].  Then Richards almost completely destroyed his reputation in 2006 when he hurled racial slurs at a heckler during his stand-up act. In the years since ''The Michael Richards Show'' Richards has only returned to acting for a voice part in the [[Jerry Seinfeld]]-written ''[[Bee Movie]]'' and an appearance as himself on co-creator [[Larry David]]'s ''[[Curb Your Enthusiasm]]''.
** [[Julia Louis-Dreyfus]] appears to have escaped or broken the "curse".  After ''Seinfeld'' she took a break to be a mother to her children. Her 2005 series ''[[The New Adventures of Old Christine]]'' won her an Emmy but then the show's ratings steadily plummeted until it was cancelled and forgotten. ''[[Veep]]'', though, was a success and kept her in the public eye.
** Jerry Seinfeld himself largely sidestepped this, returning to stand-up and only doing the occasional one-off voice acting job.
** Co-creator Larry David subverted this when his film ''[[Sour Grapes]]'' bombed critically and commercially but his second series ''[[Curb Your Enthusiasm]]'' became a hit in its own right.
* Averted ''and'' played straight with ''[[Star Trek: The Next Generation]]''. It managed to step out of the shadow of [[Star Trek: The Original Series|the original show]], but it made every subsequent ''Trek'' franchise feel rather lacking.  ''[[Star Trek: Deep Space Nine]]'' could also be said to have made the following shows feel lacking.
* Surely the most obvious Tough Act to Follow in television was ''[[The Prisoner]]''? Actor [[Patrick McGoohan]] actually left the UK shortly after the controversial final episode aired and settled in the US, and his only television series since then (Rafferty) has been long forgotten except by die-hard cult fans. He did have some sporadic success in the US, notably when working with Peter Falk on some episodes of ''Columbo'' but ''The Prisoner'' completely overshadows all his other work.
* This seems to be rule of thumb for the star of any critically-acclaimed cable series, particularly on HBO. For instance James Gandolfini (''[[The Sopranos]]''), Ian McShane (''Deadwood'') and most people in the cast of HBO's ''[[The Wire]]'' (with the exception of Idris Elba and possibly Michael Kenneth Williams) have found all of their other roles eclipsed by the parts that made them famous. This is probably due to the fact its easier to shed association with a film role than with a lead part that is stretched over multiple seasons or in some cases the better part of a decade.
* Subverted and played straight with ''[[The Shield]]'': the series reinvented the careers of Michael Chiklis, Glenn Close, and Anthony Anderson while launching the careers of many writers who have since gone on to show-run shows such as ''[[The Walking Dead (TV series)|The Walking Dead]]'' and ''[[Sons of Anarchy]]''. However, however writer Shawn Ryan's career has staggered (his follow-up shows ''[[The Chicago Code]]'' and ''[[Terriers]]'' and his time working as show-runner of ''[[Lie To Me]]'' was largely ignored by most).
* Speaking of ''[[The Wire]]'', after many critics and viewers dubbed David Simon's magnum opus as the "greatest TV show of all time", it's inevitable that ''[[Treme]]'' would never live up to his masterpiece.

== Music ==
* ?uestlove, drummer for The Roots, said this about the trope in an interview:
{{quote|"For anyone that's ever had a musical breakthrough in their career, it's always followed by the departure period right after. [[Stevie Wonder]]'s ''Songs in the Key of Life'' gave you ''Journey Through the Secret Life of Plants''. [[Prince]]'s ''Purple Rain'' gave you ''Around the World in a Day''. [[The Beatles]]' ''Revolver'' gave you ''Sgt. Pepper's'' -- which kind of backfired and made them even bigger."}}
* Any [[One-Hit Wonder]].
* [[Don McLean]] may be the biggest example, never being able to create anything close to the success of "American Pie".
** Part of the problem was that it was a different type of song from the rest of what he did, so his other good songs were legitimately worse than "American Pie" by the measures of the people who preferred it, and many of the people who would have liked his other songs didn't bother listening to the further discography of "that guy who wrote 'American Pie'".
* [[Bone Thugs-n-Harmony]] can't make a album without people bitching about it not being like ''E.1999 Eternal'' (or ''The Art Of War'', depending on who you ask).
* Nas is always in the shadow of his classic debut ''Illmatic''. Nothing he has made after that has been as acclaimed. He came close with ''Stillmatic'', though.
** Some go as far to say that none of his songs top "Live at the BBQ".
* [[Michael Jackson]]'s ''Thriller''. There are some who believe he grew as a artist afterward, but his personal life and ''Thriller'' overshadowed that growth.
* [[Hootie and the Blowfish]]'s ''Cracked Rear View'' is their dark cloud.
** Possible aversion, as lead singer Darius Rucker is having a great deal of success in country music.
* Alt/Rap group Arrested Development went through this after their debut album. Most credit their downfall mostly to [[Hype Backlash]] rather than a lack of good music.
* The (semi-)collective and solo careers of [[The Beatles]], certainly after their 1970 breakup, can count. Paul McCartney's every step of late qualifies, particularly after John Lennon's death, not only for the Beatles, but his past solo/Wings glories (''Band On The Run'', for example). Possibly much of the negative criticism he has received is magnified by his participation in one of the 20th century's most successful pop songwriting teams. Lennon likely fared not much better in his solo career.
** Lennon does fare slightly better, largely owing to his tragic and untimely death and his tendency towards [[Creator Breakdown]] fostering a [[True Art Is Angsty]] mindset to his work. However, it's notable that on compilation albums of Lennon's solo material, the same songs tend to appear; general consensus remains that neither Lennon or McCartney were as good solo as they were together.
* Pietro Mascagni and his career after ''Cavalleria Rusticana'' (Countryside Knighthood). He was once interviewed and asked why he never made another Opera after Cavalleria Rusticana. He had a sad moment and then melancholically said "I did. I made a lot of other works. But no one seems to care."
* One of [[Felix Mendelssohn]]'s first works was the Op. 21, the overture for ''[[A Midsummer Night's Dream]]'', and some claimed it indicated talent greater than that of Mozart. While not a failure, none of his later works ever reached the prominence of this one, composed when he was 17 years old.
** Except for the [[Lohengrin and Mendelssohn|wedding march]] from Op. 61, incidental music for the same play expanding on the overture he already wrote.
** Mendelssohn had a number of other works that are also very popular and successful, including his symphonies and violin concerto, but most of these were written several years after ''A Midsummer Night's Dream''. ([[Author Existence Failure|And then he died young.]]) This tends to be common among composers; since they often produce many individual works instead of a smaller number of collections (e.g. albums) like pop musicians do, it is unlikely that two consecutive works will be considered among their best.
* [[Oasis]] averted this with their second album ''(What's The Story) Morning Glory?'', which sold better and as well-received by critics as their debut ''Definitely Maybe''. The ones that followed, however, spawned successful singles but weren't in the standards of the first two.
** Their third album, ''Be Here Now'', not only failed to live up to the hype but also managed to kill the Britpop movement.
* Also a problem of [[Pearl Jam]] after the release of ''Ten''; the albums that came after couldn't really live up much to the success of it.
** In fact Pearl Jam were consciously aware of this, and more or less intentionally sabotaged their own career to a certain extent so they wouldn't become major rock stars. ''Vitalogy'', their third album, was initially released on vinyl, and only released on CD and cassette two weeks later, meaning it was only available on an effectively dead format for the first several weeks of its release.
* Country music singer Cyndi Thomson stopped recording because she couldn't handle the pressure of a second album.
* Carl Orff disowned everything he had written before ''Carmina Burana''. His later works, while not entirely unknown, are largely overshadowed (and it doesn't help that some of them quote words from ''Carmina Burana'').
* Arguably Natalie Imbruglia and "Torn". Not to mention the fact unbeknownst to most it was a cover, almost everything she's done afterwards has never quite lived up to the massive success of her debut single. It even holds a place as the most played track on Australian radio since 1990 as of [http://www.heraldsun.com.au/entertainment/torn-between-20-singles/story-e6frf96f-1225707024364/ May 2009,] about 11 years after its release.
* The [[Eagles]] certainly realised that ''Hotel California'' was going to be a Tough Act to Follow. Not only did their next album, ''The Long Run'', fail to live up to that challenge, but the stress of striving to make it do so was one of the main factors in the subsequent breakup of the group.
* Mayhem will always be remembered primarily for their debut album, ''De Mysteriis Dom Sathanas''. Every subsequent album has been nowhere near as widely acclaimed.
* [[Slayer]] knew that they couldn't follow up their 1986 album ''Reign In Blood'' with faster guitar work, so they made a deliberate decision to slow down for 1988's ''South Of Heaven''.
* The Strokes. Their first album, ''Is This It'', was released to massive critical acclaim and is often named as one of the greatest albums ever created. While both of their follow-up albums are very good, they will forever be eclipsed by it.
* [[The Cars]], after a successful run of singles in the late 70's and early 80's, had one of the top-selling albums of the decade with their 1984 album, ''Heartbeat City''. The innovative video for "You Might Think", won the first [[MTV]] Video Music Award for "Best Video", and they followed that up with hits (promoted with groundbreaking videos) like "Drive" (their first Top 10 hit in the UK), "Magic", "Why Can't I Have You", the title track, and "Hello Again". A successful tour followed which brought them to Live Aid. Aside from a [[Greatest Hits]] album with the single "Tonight She Comes", they took a hiatus from 1985-1987, they released one more album, ''Door To Door'', which largely failed to make an impact, and they were unable to fill arenas. Only one major hit was released, "You Are The Girl". They broke up amicably in 1988. Bandleader Ric Ocasek maintained a low-profile solo career, bassist/vocalist Benjamin Orr [[Author Existence Failure|died of pancreatic cancer]], and drummer David Robinson retired. guitarist Elliot Easton and keyboardist Greg Hawkes largely laid low, except to form "The New Cars" with [[Todd Rundgren]] [[Replacement Scrappy|replacing]] Ocasek. Ocasek, Easton, Hawkes and Robinson did finally get back together in 2010, releasing ''Move Like This'' a year later - instead of drafting a new member, Easton and Hawkes alternated playing bass and Ocasek sang lead for the whole album. Of course, ''Move Like This'' didn't match the success of their earlier material, but it did meet with generally positive reviews and debuted at #7 on the Billboard 200 albums chart.
* It's been argued by some that Mike Oldfield has never done anything else as brilliant as his debut album ''Tubular Bells'' (which made Richard Branson very, very rich). There was certainly a radical change after ''Incantations'' and only ''Tubular Bells 2'' (a very clever rewrite of the original) and ''Amarok'' have been anything like it.
* [[George Michael]] and his ''Faith'' album of 1987. It didn't help to have [[True Art Is Incomprehensible|more challenging and introspective follow-up albums]], constant [[Take That]]s at his sex symbol image in later videos, a scandal which [[Invisible to Gaydar|outed him]] in the mid-1990's, problems with his record labels, and drug- and alcohol-related run-ins with the law over the years.
* Even the kindest reviews of [[Weezer]]'s latest material will usually have the aside: "It's not as good as ''The Blue Album'' or ''Pinkerton'', but...".
* [[Jay Z]] is a weird hybrid of this trope and [[Broken Base]]. His first album ''Reasonable Doubt'' is considered a hip-hop classic. But he has since made albums that is at least five times more popular ''financially''. But people still put ''Reasonable Doubt'' as his top record ''artistically'', and ''critically'', even above his second best album ''The Blueprint''.
* [[Dream Theater]]'s ''Falling Into Infinity'' isn't a terrible album by any means, but the fact that it came on the heels of ''Images and Words'' and ''Awake'' (two of the most acclaimed [[Progressive Metal]] albums ever) meant that just about everyone was disappointed by it. To a degree, pretty much every subsequent album (except for maybe ''Scenes from a Memory'') is inevitably compared to ''Images and Words'' and ''Awake''.
* Natasha Bedingfield's two singles "Single" and "I Bruise Easily" underperformed, partially because they were both released after her '''monster''' hit "Unwritten", which radio stations simply refused to let die. It wasn't until "Pocketful of Sunshine" that things got back on track.
* [[Delta Goodrem]]'s Innocent Eyes is exactly this, 4.5 million copies world wide, number one at the ARIA's for 29 weeks, coupled with the [[Tall Poppy Syndrome]] when her second album came out. She may be justified in wanting a break now and again. Still Australia's princess never the less.
* [[Evanescence]]'s ''Fallen'' is still the go-to record for a lot of people's "teen angst" stage and was a ''huge'' success for the band, selling 17 million copies worldwide and making the top three in the ''Billboard'' charts. Sadly everything Evanescence released afterwards has only been received at a temperature of lukewarm or ignored outright.
* [[Boston (band)|Boston]]'s [[Self-Titled Album]] was the (then) highest selling debut album of all time with 17 million copies sold and spawned songs that are played repeatedly on any classic rock station. None of the four albums since have reached that amount of success and aren't well remembered out of some of the band's more hardcore fans.
* In 2006, a country music band called Heartland had a number one hit with "I Loved Her First". This was quite a feat, as a.) it was the first top 40 hit ''ever'' for their label, Lofton Creek Records, and b.) they became only the second band in the history of country music to send a debut single to #1 (Diamond Rio was the first). Then the label dropped the ball massively by flip-flopping on what the second single would be. The original plan was for "Let's Get Dirty", but the label heads changed their minds and went with "Built to Last", very similar in sound to "I Loved Her First". After "Built to Last" amassed a single week at #58, they went with "Let's Get Dirty" but it went nowhere. Heartland ended up changing labels twice but still have nothing to show for it.
* [[Metallica]] has had plenty of trouble following up "Master of Puppets", especially thanks to the tragic death of Cliff Burton and introduction of [[Replacement Goldfish]] Jason, who, no matter your opinion of him, was nowhere near the musical force that Cliff was.
* Most older [[Mariah Carey]] fans will tell you that 1995 until 2000 was both her creative, commercial and critical peak. During that time period, she had 3 platinum-selling hit albums (one of which has since gone DIAMOND), a special compilation that featured every #1 hit she had up until that point (13 of them, only 8 years in to her career), and amassed 7 number one hits (which gave her a #1 for every year of the 1990s). All of her post-comeback work has been compared by the fandom to that period in her career, with the consensus being that her 2009 "Memoirs of an Imperfect Angel" is the closest she has ever come to returning to her late-90s peak—well, at least creatively. Critically and commercially speaking, that would have to be her 2005 comeback, "The Emancipation of Mimi", where not only did she almost break her own record that she set 10 years prior (her 1995 hit, "One Sweet Day" spent a record-breaking 16 weeks at #1 and her 2005 hit, "We Belong Together" spent 14 weeks at #1), but she also set a Billboard achievement by being the first female artist to occupy the top 2 positions on the charts (her #2 hit was "Shake It Off").
* Sir [[Elton John]] had a critically winning period from 1970's [[Self-Titled Album]] until 1973's classic [[Double Album]] ''Goodbye Yellow Brick Road''. Even when the reviews got worse (and he occasionally delivered relatively lackluster albums that still produced hits), he had a financially successful streak from 1972 to 1976, when he was the biggest-selling most popular male solo act in [[The Seventies]]. His friend [[John Lennon]] was quoted in an interview as saying that Elton was biggest thing to come along since [[The Beatles]] came along. The period was also marked with Elton wearing elaborate, crazy costumes, glasses, theatrics and wardrobe, and he even reached [[Teen Idol]] status. Following [[Invisible to Gaydar|his self-outing]] in [[Rolling Stone]] magazine in 1976, and a [[Ten-Minute Retirement]] a year later, his popularity fell fast. He's been largely unable to repeat his 1970-76 success since. He's had a few career comebacks, a sobering-up in the early [[The Nineties|'90s]], and even an Oscar for co-writing songs for [[The Lion King]], but nothing compared to his glam period.

== Newspaper Comics ==
* Though they were both as funny as their predecessor, neither one of Berkeley Breathed's post-''[[Bloom County]]'' comics—''[[Outland]]'' and ''[[Opus]]''—had the same wide circulation and notability that ''Bloom County'' enjoyed in its heyday.

== Sports ==
* Any team that was led to success by a standout athlete has trouble after he goes away - best examples being the Wayne Gretzky-less Edmonton Oilers and the Michael Jordan-less Chicago Bulls.
** Or the Denver Broncos without John Elway. It's actually eerie how similar those two turned out: Jordan was universally regarded as basketball's greatest player, while Elway was arguably football's greatest quarterback. Both retired in 1999 after winning championships, and neither team has truly recovered. (Of course, Jordan came back with another team, but [[Dork Age|we prefer to not think about that]])
*** Elway was NEVER considered the greatest quarterback, he was always in Joe Montana's shadow. A better example would be the 49ers without Jerry Rice or Montana.
*** In some ways this can be subverted, for instance Kobe Bryant is just as beloved as Magic Johnson. How? Because he has a completely different playing style and personality. Same for Larry Bird and Bill Russell.
** In [[Formula One]], Ferrari after Michael Schumacher.
*** ''Anyone'' after Michael Schumacher. Even the man himself.
*** In Brazil, anyone after Senna - Rubens Barrichello in particular got some flack from being the new Brazilian driver but unlike Senna not having [[Butt Monkey|his prowess, powerful car or luck.]]
** Every Brazilian National Football (Soccer) Team after the Pelé-led team of 1970. Teams of 1982 and 2002 have come close.
** The New York Yankees will never be as loved as when they had Babe Ruth. They probably will never even be as loved as when they had Mickey Mantle. ''Feared'', yes...
** Bill Mazeroski, the Hall of Fame second baseman for the Pittsburgh Pirates, called his walk-off home run to win the 1960 World Series to complete an upset of the Yankees "a curse in disguise". He was never a prolific hitter, and outside of Pirates fans, people saw only that home run, not realizing he is arguably the best defensive second baseman to have ever played the game.
** Roger Maris, after breaking Babe Ruth's single season record for home runs claimed the rest of his career would have been "a helluva lot more fun" had he never done that.
** Any league with a salary cap essentially forces this as any team with a surprisingly good year is forced to get rid of half their players since they're now demanding pay raises, especially if they win the championship. Aversions happen in teams that are centered around a few key players or have excellent general managers.
* Any sensational record in any sports.
** At the 1968 Summer Olympics, Bob Beamon set a world record for the long jump with a jump of 8.90 m. Prior to this, the world record had been broken thirteen times since 1901, with an average increase of 6cm; Beamon's jump bettered the existing record by 55cm. The defending Olympic champion, Lynn Davies told Beamon, "You have destroyed this event". The record stood until 1991. Beamon himself never won another Olympic medal.
* As for personal tough acts to follow, quintuple Olympic ski jumping champion [[wikipedia:Matti Nykänen|Matti Nykänen]] is a particularly sad case - not only did his sports career plummet with his failure in adopting the modern V style, so did his life. From [[The Other Wiki]]: ''since the 1990s, his status as a celebrity has mainly been fuelled (...) by his colourful personal relationships, his "career" as a "singer", and various incidents often related to heavy use of alcohol and violent behaviour''.

== Theater ==
* [[Gilbert and Sullivan]] struggled with this after the mega-hit, ''[[The Mikado]]''. Gilbert darkly suggested renaming their next operetta (''Ruddigore'') ''Kensington Gore: Or, Not Quite So Good as The Mikado''. Given that it was greeted with shouts of "BRING BACK THE MIKADO!" from the galleries, his bitterness was arguably justified.
** ''[[Ruddigore]]'' was erroneously considered a flop in Gilbert's lifetime; [[Special Effect Failure]] on its opening night may have contributed to its underwhelming reception. 20th century revivals restored the work's reputation.
* Meredith Willson's first Broadway musical, ''[[The Music Man]]'', achieved great popular and critical success. Of his three subsequent musicals, each was less successful and less distinguished than the previous one, with his final show (''1491'') closing before reaching Broadway.
* Mitch Leigh had an even worse record: all the musicals he wrote after ''[[Man of La Mancha]]'' were atrocious flops.
* Pietro Mascagni, whose fame rests on his debut ''Cavalleria Rusticana'', went on to compose another 14 operas. All are forgotten by the time of his death. It is especially lamentable because, as the rare revivals attest, some of these works (like ''Iris'' and ''Il piccolo Marat'') show great artistic vision and experimentation. But sorry, the public is looking for another ''Cav''.
* ''[[The Phantom of the Opera]]'' is this for [[Andrew Lloyd Webber]]—while several of his subsequent shows did decent/fine business in his native England (''Sunset Boulevard'' also did well in the U.S.), he's never had another international sensation along the lines of ''[[Evita]]'', ''[[Cats]]'', ''[[Starlight Express]]'', or ''Phantom''. In 2010 he brought out a sequel to ''Phantom'', ''Love Never Dies'', but its reception has been extremely mixed.
* For Lerner and Loewe, one reason ''[[Camelot (theatre)|Camelot]]'' disappointed so many people was that it was their follow-up to the sensation that was ''[[My Fair Lady]]''.
* Boublil and Schonberg followed up ''[[Les Misérables (theatre)|Les Misérables]]'' with ''[[Miss Saigon]]'', a critical and popular smash that introduced the world to a seventeen-year-old Filipina phenom named Lea Salonga. But not even ''[[Miss Saigon]]'' can top the longest-running, best-written, best-loved, best-known, and quite possibly ''best'' musical ever produced. Interestingly, ''Les Mis'' is '''so good''' that no one really cares what Boublil and Schonberg have gotten up to since - they wrote ''Les Mis'' and are therefore entitled to write whatever else they damn please.
* Even though [[Stephen Schwartz]] was well known at the time, this could almost be said to apply to ''[[Wicked (theatre)|Wicked]]''. Nothing he did before it even comes close to ''Wicked''{{'}}s level of popularity and revivals of some of his older work (notably ''[[Godspell]]'') now carry the advertisement "From the creator of ''Wicked''" (with occasionally ''[[Pippin]]'' being mentioned as an afterthought).

== Toys ==
* The story of ''[[Bionicle]]'' was so, well, ''huge'', that its successor line ''[[Hero Factory]]'' gets a considerable amount of hate for its bare-bones, simple-to-follow plot and minimalistic characterization. Complainers tend to overlook the fact that even so, HF's story is still a tad more complex than that of an average, non-licensed [[LEGO]] line, and its characters are among the most developed of any original-LEGO characters (if still far from ''Bionicle'''s). LEGO themselves consider HF a wholly separate entity -- a line that occupies the same niche as ''Bionicle'', but it's not a follow-up, nor, strictly speaking, a replacement.

== Video Games ==
* While still being good, [[Pokémon Ruby and Sapphire|Generation 3]] of ''[[Pokémon]]'' had to follow up [[Pokémon Gold and Silver|Gen 2]], which is widely regarded as the best in the series (until their gen 4 remakes). The fact that they downplayed the time factor and the exclusion of many Pokemon didn't help matters either. [[Pokémon Black and White|Gen 5]] is said to be a new tough act to follow as well.
* ''[[Chrono Cross]]'' was cursed from the beginning to never be as popular as ''[[Chrono Trigger]]'', one of the most beloved games ever made.
* Games designer Will Wright seems to be heading in this direction, considering the general reaction to his latest game, ''[[Spore]]'' (along with most recent entries to the ''[[SimCity]]'' franchise), hasn't been nearly as warm as with his seminal masterpiece, ''[[The Sims]]''. (The quote from Yahtzee up top is from ''[[Zero Punctuation]]''{{'}}s review of ''Spore''.)
** Wright [[Misblamed|wasn't responsible]] for the latest iterations of ''[[SimCity]]''; he and Maxis haven't been involved with the series since ''SimCity 4'', which is often regarded as its apex.
* The ''[[Final Fantasy]]'' fandom is "[[Broken Base|divided]]", but it's probably safe to say that ''[[Final Fantasy VIII]]'' didn't live up to what was expected after ''[[Final Fantasy VII]]''. Whether or not ''[[Final Fantasy VII]]'' lived up to what was expected after ''[[Final Fantasy VI]]'' is [[Fandom Rivalry|the source of many]] [[Flame War|flame wars]].
** And then there's [[Nobuo Uematsu]]: he has since produced many solid and great video game soundtracks, but after the [[Final Fantasy/Awesome Music|dozens of anthems to video game awesomeness]] that pervade the sixth installment, for some people, everything he composed since is fated to be seen as "not as good as FFVI's soundtrack"
** Even more so, ''[[Final Fantasy XI]]'' never came close to the popularity of [[Final Fantasy X|its predecessor]], most likely due to the massive [[Genre Shift]].
* ''[[Super Metroid]]'' [[Trope Codifier|set a standard]] for every subsequent game in the series and (by extension) the [[Metroidvania]] genre in general. This was the only reason we didn't get ''Metroid 64'', as [[Word of God|the creator said almost word for word that]] ''Super Metroid'' was a Tough Act to Follow.
* ''[[Metroid Prime]]'' was fantastically well-received, smashing through the [[Polygon Ceiling]] ''and'' successfully switching genres from platformer to FPS while appeasing the fans. Once the ''Prime'' subseries ended, the next 3D ''Metroid'' title was ''[[Metroid: Other M]]'', which had a very hard time following up both Retro Studios' games and ''Super Metroid''.
* ''[[Deus Ex]]'', naturally. Provided you accept that there ''were'' acts that followed it at all; [[Fanon Discontinuity|quite a lot of fans don't]].
* ''[[Hotel Dusk: Room 215]]'' has a fictional example: Each of Martin Summer's works are worse than the one before, with his first being a smash hit. It is later revealed that {{spoiler|he plagiarized the manuscript from a former friend.}}
* The original ''[[Yoshi's Island]]: Super Mario World 2'' was a great game, seen as a classic entry in the Mario series in all respects. However, ''Yoshi's Story'' and ''Yoshi's Island DS'', despite being good games on their own, got incredibly badly overshadowed by the original, to the point of the former being ripped apart for not being the same style and general gameplay as Yoshi's Island (and the latter was [[Your Mileage May Vary]] for many, and being [[Nintendo Hard]] didn't help).
* One of the reasons why ''[[Duke Nukem Forever]]'' festered as long in development as it did, according to a [http://www.wired.com/magazine/2009/12/fail_duke_nukem/ ''Wired'' article], was simply because 3D Realms wanted their game to be as groundbreaking as ''[[Duke Nukem]] 3D'' was back in its day. As a result, they were constantly adding more and more new features into the game, upgrading the technology and occasionally starting the entire project from scratch because what they had wasn't up to par, until they ran out of funding in 2009 and Gearbox finished off what they had two years later.
* Arguably, the reason less like ''[[Donkey Kong Country]] 3'' compared to the second game. The second game was (and still is) the generally most well received in the series, and the very different style of the third is something that seems to have not quite lived up it in the same way.
* In hindsight, Harmonix choosing to craft their first single-artist ''[[Rock Band]] game'' around the musical output of [[The Beatles]] might have been a poorly considered move in the long term, because no matter how great your music is, it's very, very difficult to find another group as universally beloved as [[The Beatles]]. So who did they pick for their next game? [[Green Day]].
* At this point, the entire ''[[Castlevania]]'' series is trapped in the shadow of the ''[[Castlevania: Symphony of the Night|Symphony of the Night]]''.
** Fans will agree, however, that the ''[[Castlevania: Chronicles of Sorrow|Sorrow]]'' series and ''[[Castlevania: Order of Ecclesia|Order of Ecclesia]]'' do come very close. Fans will also argue that ''[[Castlevania: Rondo of Blood|Rondo of Blood]]'' is the series' [[Magnum Opus]] instead of ''SotN'', or at least hold both titles on an equal footing.
* The original ''[[Uncharted]]'' was good. ''Uncharted 2'' was a [[Even Better Sequel|fantastic game]] adored by critics and gamers alike and is currently ranked the sixth-best game ''of all time'' according to gamerankings.com. The newly announced ''Uncharted 3'' is going to have to be [[Beyond the Impossible|pretty damn spectacular.]]
** And if the trailer is any indication, it won't disappoint... [[Crowning Moment of Awesome|and it didn't.]] It received critical acclaim across the board.
* Most of the Classic ''[[Mega Man (video game)|Mega Man]]'' series' sequels (and their soundtracks) generally aren't considered quite as good and memorable as ''[[Mega Man 2]]'' (with the only arguable contenders being ''[[Mega Man 3]]'' and ''V''). ''9'', however, was good enough to revive the series and surpass ''2'''s level of quality and popularity (which had reached the [[Quality by Popular Vote|level]] [[Awesomeness Withdrawal|of]] [[Hype Aversion|oversaturation]], by that point). This naturally became apparent, once '10'' came out, [[Broken Base|divided the fanbase again]] and performed below sales expectations.
* ''[[The Legend of Zelda: Ocarina of Time|Ocarina of Time]]'' is generally considered in the ''[[The Legend of Zelda|Zelda]]'' fanbase to be one of the greatest games in the franchise, and by many outside of it one of the greatest games ever. Future games in the series, while still very good, garner complaints because of how unlike (or, sometimes, how ''like'') ''Ocarina of Time'' they are.
* The ''[[Silent Hill]]'' series has struggled in the shadow of its second incarnation through four sequels, numerous comics and its film release. Silent Hill 2 is widely regarded as the definitive installment, which tragically influenced its subsequent media by having various elements recur when they were either unwelcome or poorly implemented (Sexy Monster Nurses, Pyramid Head, Soliptical protagonists fighting through suppressed trauma). While Team Silent's third and fourth games didn't fall into this trap and were generally liked by the fanbase, they failed to enthrall the wider public as their predecessor did.
* Infinity Ward's first two games were critical and commercial successes. Then they released ''Call of Duty 4: [[Modern Warfare]]''. They turned a good-selling series into a [[Cash Cow Franchise]], perfected the single player experience, changed the perception of the "generic shooter" from World War II to modern, and created the possibly the most addictive multiplayer system of all time. Both [[Base Breaker|Treyarch]] and I-Dub have had trouble following that act.
* [[Tecmo Bowl]] had this happen after ''Tecmo Super Bowl'' was released for the NES. In 1993, they released a sequel (not a port, contrary to popular belief), also named ''Tecmo Super Bowl'', for the SNES and [[Mega Drive]] (Genesis). One of the main reasons was because of the roster changes from the 1990 season to the 1993 preseason. Many teams and players got better or worse, such as Dallas improved the most and Chicago arguably got worse. One common complaint was the Three-season mode, where you play three seasons in a row with one team to get a better ending. Of course, it's an optional feature.
* ''[[Saints Row 2]]'' was beloved by so many that ''[[Saints Row the Third]]'' almost had to be a letdown. On its own, there's not a lot wrong with The Third, but when compared to its predecessor, there's a lot missing. For every new great thing that The Third introduced, it gave up something else from its predecessor. Better looking models but way less character customization. Better action, less reason to care about the characters. Shaundi becoming a completely different character from her original to the point of being unrecognizable. The optional side-activities becoming mandatory, and a lot of the popular ones from the past (like FUZZ or Septic Avenger) completely gone. So on and so forth.
** Don't forget the most fanbase splitting moment of the game, By Killing off {{spoiler|Johnny Gat, the series [[Memetic Badass]] who last game got stabbed in the chest and then managed to shoot his way out of the emergency room the very next mission. He is killed in this game within the first 30 minutes, [[Crossing the Line Twice|''off screen'']]. At first it was supposed to show how dangerous The Syndicate really was, however this is instantly null and void when you kill their Leader at the end of the first act.}} While to be fair they also made up for it by improving on the other characters including last game's [[Butt Monkey]], Pierce. However this is hit and miss for some, especially Shaundi as previously mentioned.
* This is one of many ways one can describe what's happened to ''[[Sonic the Hedgehog]]''. The original three games (this is taking ''Sonic 3'' and ''Sonic & Knuckles'' together as the complete title) and ''Sonic CD'' are hailed effectively universally as the shining gems of the series (and fantastic examples of high speed platforming in general). ''Every. Single. Sonic. Game. Since. Then.'' has been trying to get out of this shadow, some to far better results than others, and even then each one has an unfortunately strong [[Fandom Rivalry]] to go with it. The series has gone on to become an exemplary sample of [[Broken Base]] (amongst other things) as a result of this very trope.
* ''[[Super Mario 64]]'' is considered to be the best Mario 3D platforming game in the history of the Super Mario series, despite it [[Base Breaker|dividing the fans over whether or not the 3D games are better than the 2D games.]] ''[[Super Mario Sunshine]]'' had an extremely hard time living up to everyone's expectations that was set by ''64''. ''Sunshine'' wasn't a bad game by any means, but many fans prefer ''64'' because the game was more open compared to Sunshine. ''[[Super Mario Galaxy]]'' also was met with high expectations and it generally succeeded.

== Web Comics ==
* Sean Howard [http://www.squidi.net/blog/2010/2010.05.php#05.03.10 has provided this]{{Dead link}}, as the reason why he's not writing any more web comics. ''[[A Modest Destiny]]'' got very popular for [[Creator Breakdown|getting]] [[Cerebus Syndrome|very dark]], and when he entered emotional recovery he didn't feel he could write like that any more. However, when he tries to write anything more lighthearted, he gets hate letter after hate letter from people demanding that he [[Left Hanging|finish AMD]] rather than "waste time" on his new project.

== Web Original ==
* ''[[Cracked.com]]'''s "[http://www.cracked.com/blog/5-works-art-so-good-they-ruined-their-whole-genre/ 5 Works of Art So Good, They Ruined Their Whole Genre]" calls ''[[2001: A Space Odyssey]]'', [[David Bowie]]'s ''The Rise and Fall of Ziggy Stardust'', the film of ''[[Fight Club]]'', two [[Bob Marley]] albums, and ''[[Animal House]]'' tough acts to follow in their respective genres.

== Western Animation ==
* ''[[Beast Wars]]'' had such a devoted and passionate fanbase that when ''[[Beast Machines]]'' premiered, it was held to an impressively high standard and unfortunately, in the eyes of many fans, did not meet expectations. And since then, ''Beast Wars'' has become almost like a measuring stick for newer Transformers shows to be compared to.
** The Transformers franchise suffers from this as a whole. Despite numerous reboots the 1984 series is considered the definitive version. Any new version is compared to it and rarely passes. Even Beast Wars the most successful reboot had hatedom for a while ([[They Changed It, Now It Sucks|"Trukk not munky"]], ''et all'').
** One of the reasons why this situation results in numerous arguments among fans is because the ''Generation 1'' show and ''Beast Wars'' are seen as "the standard" for different reasons by different people. G1 for many fans ''is'' the definition of Transformers -- its concepts, the characters, the designs, the overall "feeling" of the show is what hard-core fans want to re-experience in every new cartoon. ''Beast Wars'', on the other hand (and nowadays ''[[Transformers Animated]]'' as well), is used as a comparison point because it is a generally good, solid, quality production. In short, [[Broken Base|part of the fandom]] strives for the preservation of details between the different TF iterations, while the other isn't so concerned about these, just want a show that's ''good'' in its own right.
* One of [[Walt Disney]]'s early successes was the cartoon short ''[[Three Little Pigs (Disney film)|The Three Little Pigs]]'' (which featured the song "Who's Afraid Of The Big Bad Wolf?") Other follow-up cartoons with the same characters were less successful, which prompted Walt to comment, "You can't top pigs with pigs."
** He actually made that comment before he made the other two cartoons. He made them anyway as a sort of proof-of-point.
* [[Pixar Regulars|Lee Unkrich]] admitted to waking up physically ill from worry while directing ''[[Toy Story 3]]'', afraid he would screw up the series.
* Many of the revivals of ''[[Looney Tunes]]'' have suffered from trying to live up to the quality of the original [[The Golden Age of Animation|Golden Age]] theatrical cartoons. That said, ''[[The Looney Tunes Show]]'' has tried to avert this by intentionally going in a different direction from the original shorts (sans the new Wile E Coyote CG shorts)--the producers even admitted that they did this because they realized by that point that trying to imitate the original cartoons would only lead to more failures. Some were happy, [[They Changed It, Now It Sucks|many were not.]]
* [[Walt Disney]] suffered this after his attempts at surpassing ''[[Snow White and the Seven Dwarfs (Disney film)|Snow White]]''{{'}}s success [[Pinocchio|with]] [[Fantasia|several]] [[Bambi|experimental films]] ended in disaster in the 40's,<ref>the only success he had in the 40's was ''[[Dumbo]]'', a budget feature</ref> not having another big hit until 1950's ''[[Cinderella (Disney film)|Cinderella]]'' gave the company the kick in the pants it needed.
** In [[The Nineties]], ''[[Pocahontas]]'', ''[[The Hunchback of Notre Dame (Disney film)|The Hunchback of Notre Dame]]'' and ''[[Hercules (1997 film)||Hercules]]'' were the three films immediately following ''[[The Lion King]]''. These are also the three 90s [[Disney Animated Canon]] entries on which [[Your Mileage May Vary]] the most, although ''Herc'' was received much better than ''Hunchback'', and both were received better than the decidedly [[So Okay It's Average]] ''Pocahontas''. ''[[Mulan]]'' and ''[[Tarzan (Disney film)|Tarzan]]'' were received very well, as well. All five, however, are usually as fondly remembered by children of the nineties as the earlier canon installments.
* Check a video on [[YouTube]] for ''[[The Batman]]'' or ''[[Batman: The Brave And The Bold]]'' and see how long it takes to scroll through the comments and find someone complaining it isn't as good as ''[[Batman: The Animated Series]]'' or that [[Kevin Conroy]] or [[Mark Hamill]] do a better Batman and Joker.
* As a whole, ''[[My Little Pony: Friendship Is Magic]]'' averts this, being far and away the most popular incarnation of the franchise, but this trope still holds true for individual episodes (although all of them have been [[Vindicated by History]] to varying degrees):
** "Look Before You Sleep" was a [[Bottle Episode]] [[Absentee Actor|with only half the cast present]] that followed "Dragonshy", an adventurous ensemble episode that's often considered the point where the series started [[Growing the Beard]].
** "Owl's Well that Ends Well" is generally considered lackluster compared to ''The Cutie Mark Chronicles''.
** "Sisterhooves Social" suffered the triple whammy of featuring only two of the six main cast members (making it the first episode [[Absentee Actor|without Twilight Sparkle]]), being the first "down to earth" episode of the season after all the extremely flashy previous episodes, and following right after "Luna Eclipsed", which gave a proper introduction to one of the show's [[Ensemble Darkhorse|most popular characters]].
** "Lesson Zero" is regarded as [[Your Mileage May Vary|either season 2's best high energy episode, or a half-hour of mindless]] [[Pandering to the Base]]. Either way, it remained as the seasons' most popular episode (and one of the two that features Twilight Sparkle), much so that a much later episode with a similar premise, "It's about time", was passed by some for being "Lesson Zero-lite".
** Season 2 is often debated as to if it's better or worse than season 1. [[First Installment Wins|While some may argue that the first season beats the second,]] [[Art Evolution|most fans agree that the animation really improved in season 2. (Not that the first's animation was bad mind you...)]]
* ''[[The Spectacular Spider-Man]]'' adapted [[Spider-Man]] and his adventures with a good balance of drama and humor, updated characters and stories for the 21st century while retaining their likable traits, and managed to fit a relatively high amount of depth. Unfortunately, Sony Pictures Television's rights to Spidey expired, which resulted in a premature cancellation, and the rise of a new cartoon: ''[[Ultimate Spider-Man (animation)|Ultimate Spider-Man]]''. Several Marvel fans find that while this show has a more universally appealing visual style than ''Spectacular Spider-Man'', it doesn't take itself very seriously, and the characters don't seem as endearing. The high level of [[Cutaway Gag]]s and running gags in ''Ultimate Spider-Man'' can make it unbearable to sit through for viewers wanting more drama and/or characterization.
* The first animated ''[[Peanuts]]'' special, ''[[A Charlie Brown Christmas]]'', attracted half of the nation's TV viewers of its time, won a Pulitzer Prize, and continues to air every winter to this day. The second, ''Charlie Brown's All-Stars'', didn't win any awards, and only airs sporadically these days. The fact [[It's the Great Pumpkin, Charlie Brown|Charlie Brown's second most popular TV special]] came a few months afterward probably pushed it even deeper into obscurity.
* [[The Avengers (Comic Book)|The Avengers]]' upcoming{{when}} animated series, ''Avengers Assemble'', will air after the end of ''[[The Avengers: Earth's Mightiest Heroes]]''. Fans ''[[Complaining About Shows You Don't Watch|already]]'' feels like cursing Marvel Animation for not going beyond 52 episodes of ''Earth's Mightiest Heroes''.

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