The Undead (film)

Everything About Fiction You Never Wanted to Know.

Two psychiatrists and a hooker walk into an office. Set up to a bad joke or set up of a bad Roger Corman movie?

You don't have to choose!

An ethically challenged "psychical researcher" by the name of Quintis has hired a Brooklyn streetwalker named Diana for $500. But in this movie, she'll be turning the trick of Time Travel. See, Quintis believes he can put Diana into a hypnotic trance and send her back into her past lives. His colleague, a somewhat homely bald man, is skeptical. Turns out that Quintis is kind of an evil genius. He succeeds in putting Diana into that trance and he succeeds in sending her back in time to a past life as "Helene," who is wrongfully accused of being a witch and thus faces execution in the morning. Score one for Quintis.

What follows is a somewhat mangled string of plots, counter-plots, knights, witches, "enchanted" gravediggers, imps, taverns, more time travel and princes of darkness. Yes, Satan is an important player in Mr. Corman's little production. As Quintis explains a few times, never very clearly, Diana/Helene is left with a choice: because Diana helped Helene escape prison before her execution as a witch, Helene can either live out her life in Dark Age Europe with her mediocre love interest, and in doing so snuff out the existence of her future lives from the time paradox, or go back and allow herself to get beheaded at dawn on schedule, thus ensuring all future iterations of Diana will exist and flourish.

For the Mystery Science Theater 3000 version, please go to the episode recap page.

Tropes used in The Undead (film) include:

Quintis: Please, Professor, we must hurry. (Looks at watch) The time here probably matches the time then, which means that it's close to midnight, the time before the Witch's Sabbath.