| Display title | The Thin Man (film) |
| Default sort key | Thin Man (film), The |
| Page length (in bytes) | 7,660 |
| Namespace ID | 0 |
| Page ID | 49433 |
| Page content language | en - English |
| Page content model | wikitext |
| Indexing by robots | Allowed |
| Number of redirects to this page | 0 |
| Counted as a content page | Yes |
| Number of subpages of this page | 3 (0 redirects; 3 non-redirects) |
| Page image |  |
| Edit | Allow all users (infinite) |
| Move | Allow all users (infinite) |
| Delete | Allow all users (infinite) |
| Page creator | prefix>Import Bot |
| Date of page creation | 21:27, 1 November 2013 |
| Latest editor | Robkelk (talk | contribs) |
| Date of latest edit | 23:25, 21 November 2022 |
| Total number of edits | 18 |
| Recent number of edits (within past 180 days) | 0 |
| Recent number of distinct authors | 0 |
Description | Content |
Article description: (description)
This attribute controls the content of the description and og:description elements. | The Thin Man is a 1934 (and thus, pre-Hays Code) movie based on a Dashiell Hammett novel of the same name, and features William Powell and Myrna Loy as Nick and Nora Charles, a pair of hard-drinking, wisecracking, socializing types -- except that Nick is also famous for being a tough detective, and no matter how hard he tries, he can't quite stop people (most especially including Nora) expecting him to solve crimes. Almost every single modern crime-solving-duo owes something to this film -- everything from Castle to Warehouse 13, from Hart to Hart and Remington Steele to Moonlighting is, in part, a riff on a theme established in The Thin Man. |
