The Thin Blue Line (1988 film)

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In The Thin Blue Line, his third feature documentary, director Errol Morris uses abstract re-creations to reconstruct the investigation of the 1976 murder of a Dallas policeman. Morris spent more than two years tracking down the various players in the case and convincing them to appear in the film, eventually uncovering a miscarriage of justice in the conviction of Randall Adams. The film was instrumental in overturning the verdict and Adams' release from prison in March 1989.

The score was one of the first by minimalist composer Philip Glass, known for his music style of "repetitive structures," who would become one of the most influential musicians in the late 20th century.

The Thin Blue Line was added to the National Film Registry in 2001.

Tropes used in The Thin Blue Line (1988 film) include: