Information for "The Renaissance Age of Animation"

Basic information

Display titleThe Renaissance Age of Animation
Default sort keyRenaissance Age of Animation, The
Page length (in bytes)39,759
Namespace ID0
Page ID53935
Page content languageen - English
Page content modelwikitext
Indexing by robotsAllowed
Number of redirects to this page1
Counted as a content pageYes
Number of subpages of this page0 (0 redirects; 0 non-redirects)
Page imageRenaissance 6935 6462.jpg

Page protection

EditAllow all users (infinite)
MoveAllow all users (infinite)
DeleteAllow all users (infinite)
View the protection log for this page.

Edit history

Page creatorprefix>Import Bot
Date of page creation21:27, 1 November 2013
Latest editorRobkelk (talk | contribs)
Date of latest edit22:51, 2 June 2023
Total number of edits47
Recent number of edits (within past 180 days)0
Recent number of distinct authors0

Page properties

Transcluded templates (20)

Templates used on this page:

SEO properties

Description

Content

Article description: (description)
This attribute controls the content of the description and og:description elements.
The return of animation to a point of artistic respect. At first The Dark Age of Animation persisted -- Limited Animation was still the rule on television. The Disney Animated Canon came close to ending for good when The Black Cauldron, intended to be the stunning debut of a new generation of animators, didn't impress just-arrived company executives Michael Eisner and Jeffrey Katzenberg; they recut it and it proceeded to tank at the box-office. Merchandise-Driven shows/specials such as He-Man and the Masters of the Universe, Strawberry Shortcake, Care Bears, and The Transformers ruled 80s television animation and had parents' groups up in arms about children watching glorified toy commercials (commercials that were extremely split between gender lines at that).
Information from Extension:WikiSEO