| Display title | The Millennium Age of Animation |
| Default sort key | Millennium Age of Animation, The |
| Page length (in bytes) | 45,429 |
| Namespace ID | 0 |
| Page ID | 92664 |
| Page content language | en - English |
| Page content model | wikitext |
| Indexing by robots | Allowed |
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| Counted as a content page | Yes |
| Number of subpages of this page | 1 (0 redirects; 1 non-redirect) |
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| Page creator | prefix>Import Bot |
| Date of page creation | 21:27, 1 November 2013 |
| Latest editor | Robkelk (talk | contribs) |
| Date of latest edit | 21:32, 25 October 2023 |
| Total number of edits | 26 |
| Recent number of edits (within past 180 days) | 0 |
| Recent number of distinct authors | 0 |
Description | Content |
Article description: (description)
This attribute controls the content of the description and og:description elements. | This is the Age of Animation we live in now, starting from the early 2000s--with the end of The Renaissance Age of Animation--and continuing to the present day. The usage of traditional 2-D animation methods that thrived in the previous eras is now seemingly all but abandoned, at least when it comes to American works; CGI animation is the rule, not the exception--just as Limited Animation ruled the Dark Age during the '60s and '70s (especially animation not coming from the USA or Japan). A lot of these shifts resulted from the constant deterioration of the global recession, which came to a head in 2008 and resulted in cheaper production procedures like outsourcing, studios taking safer bets, higher competition, bankruptcy, and massive layoffs. It did not help that any fan of content from the Renaissance Age could not get any decent work in the field by the time they were finally grown up and out of college by 2005. Studios hired unpaid interns by the hundreds, and veterans from the past eras were either out of work, doing their own thing, or dead. |
