Sparks/YMMV

Crosses the Line Twice: "White Women". See also Refuge in Audacity.
Crowning Music of Awesome: There's a reason "This Town Ain't Big Enough for the Both of Us" was so popular and is still their best known song.
- Its album Kimono My House is also one of the band's finest overall, effectively combining Glam Rock with various disparate influences altogether into its individual songs.
- No. 1 in Heaven managed to combine the best of the band's humor, cleverness, and gravitas with Giorgio Moroder's signature Synth-Disco sound, making another one of the band's best and most fully-realized records.
  - You could make a pretty good argument that all of their 70s output was their best.
- Gratuitous Sax and Senseless Violins was a stellar Dance, House Music-influenced comeback from the stagnant Synth Pop music the band had put out the previous decade. "When Do I Get to Sing 'My Way'" is one of the band's best dance singles.
- Lil' Beethoven is a magnificent Deconstruction of the Pop music format.
Dork Age: Their Synth Pop period, (excluding the acclaimed No. 1 in Heaven and Gratuitous Sax and Senseless Violins). While these albums certainly have their fans, it's a big point of contention.
Germans Love David Hasselhoff: They were always more popular in Europe - especially the UK, where Kimono My House made them famous - than their native USA.
Love It or Hate It: See Dork Age.