Joan of Arc: Difference between revisions

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* [[Chaste Hero|Chaste Heroine]]: Joan used her virginity as a sign of her purity, and as such remained chaste all her life. Two tests were performed to confirm her virginity, including one during her trial, thus confirming it.
* [[Chaste Hero|Chaste Heroine]]: Joan used her virginity as a sign of her purity, and as such remained chaste all her life. Two tests were performed to confirm her virginity, including one during her trial, thus confirming it.
* [[Deadpan Snarker]]: If her trial records are anything to go by, Joan was this, even delivering a [[Take That]] to the heavily-accented judge [[Repetitive Name|Seguin Seguin]]:
* [[Deadpan Snarker]]: If her trial records are anything to go by, Joan was this, even delivering a [[Take That]] to the heavily-accented judge [[Repetitive Name|Seguin Seguin]]:
{{quote| '''Seguin Seguin:''' What language did [the Voices] speak?<br />
{{quote|'''Seguin Seguin:''' What language did [the Voices] speak?
'''Joan of Arc:''' A better one than yours. }}
'''Joan of Arc:''' A better one than yours. }}
* [[Historical Villain Upgrade]]: See Shakespeare's portrayal of her.
* [[Historical Villain Upgrade]]: See Shakespeare's portrayal of her.

Revision as of 19:27, 7 August 2014


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    La Pucelle


    Joan of Arc was a peasant girl who rose from obscurity to lead the French army to several victories during the Hundred Years War, leading to the coronation of Charles VII as the French king -- she did not personally kill anyone, but carried a battle standard and led the army, as well as making tactical decisions. She was born about 1412, and starting at age twelve claimed to see visions of and hear the voices of Saints Catherine, Michael, and Margaret (one of the less understood aspects of her life -- either she was lying, or she was mentally ill in some way, or God really was telling her to drive out the English, the reader can draw their own conclusions without stating them here), who she said told her to drive out the English and bring Charles VII to Rheims, then under English control, for his coronation.

    After gaining the approval of Charles and a theological commission, she arrived at the siege of Orleans in 1429, where at the age of 17 she led the French to victory; contemporaries acknowledged her as the heroine of the engagement after she was wounded in the neck by an arrow but returned to lead the final charge. She led the French to several other victories, including at Reims, and was present at Charles VII's coronation. In October, Joan took Saint-Pierre-le-Moûtier and was granted nobility.

    However, a risky skirmish on 23 May 1430 led to her capture. Her family were peasants and did not have the money to ransom her, and King Charles VII, despite her winning several battles that strengthened his claim to the crown, refused to intervene. She attempted several escapes, but all failed. The Duke of Burgundy, who actually held much of France under English control, wanted his nephew King Henry VI to be recognized as the legitimate king of France; therefore Joan's victories had put a major crimp in his plans. Formal religion was still very strong during this time, and painting Joan as a heretic helped to cast aspersions on Charles VII's hold on the crown. Perhaps unsurprisingly, she was tried and convicted of heresy by a pro-Burgundy court, and forced to sign a renunciation of heresy she did not understand because she was illiterate. Heresy was a capital crime only for a repeat offense; she promised not to wear male clothing, which was considered heretical, but resumed it either as a defense against rape or, in the testimony of Jean Massieu, because her dress had been stolen and she was left with nothing else to wear. In any case, the church court rejected her supporters' explanations, and she was burned at the stake in 1431. In 1456 her conviction was posthumously reversed, and in 1920 she was declared a Catholic saint.

    There are more churches and shrines dedicated to her in England than in France. She also is often painted in a Battle Ballgown.

    Her fame also made writers base characters on her, thus the Jeanne D'Archetype.

    For further information, see the book Joan of Arc: The Warrior Saint, by Stephen W. Richey. For a famous fictional portrayal, there is George Bernard Shaw's play Joan of Arc which fictionalises large amounts of the story and actually seems to make an attempt to redeem her accusers.

    Tropes Relating to Joan of Arc

    Seguin Seguin: What language did [the Voices] speak?
    Joan of Arc: A better one than yours.