| Display title | Hard Cut |
| Default sort key | Hard Cut |
| Page length (in bytes) | 848 |
| Namespace ID | 0 |
| Page ID | 76414 |
| Page content language | en - English |
| Page content model | wikitext |
| Indexing by robots | Allowed |
| Number of redirects to this page | 0 |
| Counted as a content page | Yes |
| Number of subpages of this page | 0 (0 redirects; 0 non-redirects) |
| Edit | Allow all users (infinite) |
| Move | Allow all users (infinite) |
| Delete | Allow all users (infinite) |
| Page creator | prefix>Import Bot |
| Date of page creation | 21:27, 1 November 2013 |
| Latest editor | Robkelk (talk | contribs) |
| Date of latest edit | 16:44, 6 August 2019 |
| Total number of edits | 5 |
| Recent number of edits (within past 180 days) | 0 |
| Recent number of distinct authors | 0 |
Description | Content |
Article description: (description)
This attribute controls the content of the description and og:description elements. | The most basic form of editing transition; the last frame of scene one is right before the first frame of scene two. Almost invisible to the viewer, it carries the least meaning in the symbolic language of editing. It's so basic, it's almost never spelled out in a script unless the writer wishes to ensure a director doesn't get fancy and ruin a scene's abrupt nature with a Dissolve or Wipe. The Hard Cut reflects the human eye's own scene-change mechanism; quick eye movements (saccades) are actually edited out by our brain, leaving the effect of a cut. |