| Display title | Half-Empty Two-Shot |
| Default sort key | Half-Empty Two-Shot |
| Page length (in bytes) | 1,985 |
| Namespace ID | 0 |
| Page ID | 22038 |
| Page content language | en - English |
| Page content model | wikitext |
| Indexing by robots | Allowed |
| Number of redirects to this page | 1 |
| Counted as a content page | Yes |
| Number of subpages of this page | 0 (0 redirects; 0 non-redirects) |
| Page image |  |
| Edit | Allow all users (infinite) |
| Move | Allow all users (infinite) |
| Delete | Allow all users (infinite) |
| Page creator | prefix>Import Bot |
| Date of page creation | 21:27, 1 November 2013 |
| Latest editor | Robkelk (talk | contribs) |
| Date of latest edit | 17:07, 11 November 2022 |
| Total number of edits | 13 |
| Recent number of edits (within past 180 days) | 0 |
| Recent number of distinct authors | 0 |
Description | Content |
Article description: (description)
This attribute controls the content of the description and og:description elements. | The Half-Empty Two-Shot is a narrative framing technique usually found in horror and suspense films/shows, in which a shot of one character is composed asymmetrically, as if the character is in a two-shot with an invisible second character. It creates narrative tension by making the viewer expect someone (or some thing) to lunge into frame and balance the composition. In this context, it is also known as the "Bogeyman Shot" (thanks, Roger Ebert). |
