Flight Plan

Everything About Fiction You Never Wanted to Know.

Flightplan is a 2005 thriller film directed by Robert Schwentke and starring Jodie Foster.

Foster plays Kyle Pratt, an airplane propulsion engineer whose husband has mysteriously died from falling off the top of a building. She and her six-year-old daughter, Julia (Marlene Lawston), are now heading back to Long Island from Berlin aboard the massive new passenger plane she helped design, the Elgin 474. The body of her husband is in the hold.

Three hours into the flight the two take a nap; when Kyle wakes up, Julia has disappeared without a trace. Everyone on board the plane, including air marshal Gene Carson (Peter Sarsgaard), flight attendant Stephanie (Kate Beahan) and Captain Marcus Rich (Sean Bean) insist that they never saw her daughter, and that her name is not even listed on the flight's manifest. And that's when things get crazy.

Critical reception was mixed to negative. While the performances of the principal cast are praised; the plot is often criticized as being riddled with holes and Fridge Logic.

Not to be confused with Japanese video game developer Flight-Plan.

Tropes used in Flight Plan include:
  • Adult Fear
  • Apathetic Citizens: Lots of people did see Julia running around the cabin. But after her mother raised a fuss and got the airplane redirected, the assholes cheered at seeing her dragged back to her seat in handcuffs by Carson, the bastard who kidnapped her.

Carson: We picked her up, shoved her into a food bin and nobody even looked up. You understand what I'm saying? Nobody cares about Julia!

Carson: People will think what I tell them to think. That's how authority works.

  • Gaslighting: Much of the action involves the villains trying to convince Kyle, and by extension the rest of the passengers and crew, that she's suffered a break from reality. Subverted in that it's much more effective on the witnesses than the target.
  • Mama Bear: Kyle. So, so much.
    • YMMV but she may even go into Knight Templar Parent territory. Her actions potentially put hundreds of lives at risk and she accuses passengers of terrorism (seemingly just on the grounds of them being/looking Arabic) but hey, she's a mommy, so it's OK. One of the Arabic guys even apologises to her at the end! Granted, she does end up foiling a terrorist plot and saving the day, but that's coincidental. As far as she's concerned for most of the movie, it's just her daughter who's in danger, not the entire plane.
  • Playing Against Type: Sean Bean.
  • Plot Hole: Loads. For example; in order to calm her down and get her to accept that she was delusional and that her daughter actually had died along with her husband; why didn't they verify that there were two caskets not one in the hold?
  • Red Herring: We are led to believe the Arabs aboard are terrorists who kidnapped Julia as a hostage. In the end, it turns out they're not involved at all. Additionally, the pilot is played by Sean Bean, who has a history of playing villains. He isn't involved at all either.
  • The Bad Guys Are Cops: The big twist.
  • Unnecessarily Large Interior: The plane is shown to have enough empty and unused space for Kyle to play Metal Gear Solid with the entire airplane staff.
  • Unperson: Julia.
  • We All Live in America: FBI-agents in Goose Bay? Um, don't think so.
  • Western Terrorists: Gene and Stephanie.
  • A Wizard Did It: The film comes within seconds of a Downer Ending because...

Carson: People will think what I tell them to think. That's how authority works.

  • Xanatos Roulette: Gene had to
    • Get Kyle's husband onto the roof of a building, push him off without anyone seeing.
    • Know in advance exactly where the body would be taken.
    • Risk involving the morgue director in the plan
    • Know which flight the coffin will travel on.
    • Ensure that he got assigned to that flight and ensure Stephanie gets assigned to that flight.
    • Get explosives into a coffin for which he didn't know the combination
    • Rely on Kyle and Julia getting on board without anyone noticing Julia
    • And much, [1]
  1. rely on Julia not speaking to anyone, not making any noise, and not asking for anything, rely on there being empty seats on a packed inaugural flight of a new aircraft type, rely on Kyle taking Julia to lie on those seats, rely on no one seeing Julia's removal, rely on no one noticing a man putting his hand into a sleeping woman's trousers, rely on Julia going ballistic rather than just calmly talking to people and making requests, somehow manage to get the computerized check-in systems to 'forget' Julia, rely on Kyle not requesting the airport authorities check the inevitable CCTV footage, rely on the corrupt stewardess being the one assigned to search the section with the kidnapped child, rely on the captain/airline contacting the morgue (to ask what?) rather than the hospital or police and thus get the fake information, rely on no one, immediately on hearing of the child's death, asking why her coffin is not on board, rely on Kyle escaping and opening a coffin that she believes is sealed when there are dozens upon dozens of other luggage containers in the hold, rely on the authorities agreeing to the ransom without talking to the so-called terrorist, rely on them actually transferring the money -- how would an alleged terrorist have known if it had been transferred? - find a way to get the money when the authorities knew exactly where it was, rely on the exploding child leaving no trace with an amount of explosive so small it didn't even hurt two people who were no more than ten meters away when it went off -- which would not happen -- expect someone with no explosives training to know that the explosives present were of such low power that they would be safe no more than 10 meters away, and have the corrupt stewardess remain on the plane (necessary to distract Kyle so that the marshal could free and arm himself) -- how would that have been explained later? Why would she even have remained? This plot, to put it charitably, is simply not within the realm of physical possibility.