| Display title | Dog Star Man |
| Default sort key | Dog Star Man |
| Page length (in bytes) | 925 |
| Namespace ID | 0 |
| Page ID | 456776 |
| Page content language | en - English |
| Page content model | wikitext |
| Indexing by robots | Allowed |
| Number of redirects to this page | 0 |
| Counted as a content page | Yes |
| Number of subpages of this page | 0 (0 redirects; 0 non-redirects) |
| Page image |  |
| Edit | Allow all users (infinite) |
| Move | Allow all users (infinite) |
| Delete | Allow all users (infinite) |
| Page creator | Robkelk (talk | contribs) |
| Date of page creation | 22:56, 26 January 2019 |
| Latest editor | Robkelk (talk | contribs) |
| Date of latest edit | 16:57, 2 October 2020 |
| Total number of edits | 3 |
| Recent number of edits (within past 180 days) | 0 |
| Recent number of distinct authors | 0 |
Description | Content |
Article description: (description)
This attribute controls the content of the description and og:description elements. | Considered a masterpiece of experimental filmmaking, Stan Brakhage's Dog Star Man is a silent cosmological epic consisting of four short films and a prelude. Shot in 16mm, the film utilized variable exposure times and the physical manipulation of the film stock, including painting directly on the film and scratching its surface, to produce specific visual effects. With its innovative new techniques, it is considered to have ushered in a new age of experimental film. Brakhage later incorporated it into a longer film titled The Art of Vision (1965). |
.png)