Coonskin

"Warning: This film offends EVERYBODY!"

—The blurb on the movie's VHS box

Coonskin is a 1975 Blaxploitation Parody (and Darker and Edgier take on the Br'er (pronounced "bruh", for brother) Rabbit stories) written and directed by Ralph Bakshi. It has been described as a spiritual predecessor to The Boondocks. Bakshi once described it as his best film.

What's that? You say you've never heard of this film? Blame Al Sharpton and CORE, who protested the film (without seeing it; Sharpton famously said "I don't got to see shit; I can smell shit!") despite its getting support from the NAACP as "difficult satire".

Tropes used in Coonskin include:

Angry Black Man: all three Br'ers are this, but especially Brother Rabbit.
Blackface: "Darky" imagery is used throughout the film to ridicule racism in films of the 30's and 40's. Additionally, a cop is given this treatment as part of a Humiliation Conga and Sonny uses it as a disguise when he attempts to assassinate Brother Rabbit.
Blaxploitation
Color Me Black: In one scene a racist, homophobic, and corrupt cop on the mob's payroll is drugged by Brother Rabbit in an attempt to take out the mafia. When he wakes up, he's covered in blackface and wearing a dress. Still tripping off acid, he freaks out believing he has actually become a gay black man and begins firing his pistol randomly until a pair of police officers gun him down because they're as racist and corrupt as he is and confuse him for an actual black man.
Corrupt Hick: The Sheriff who likes to end his Saturday nights with some "black whoring".
Deconstructive Parody
Deep South
Depraved Homosexual/All Gays Are Promiscuous: It was 1975 and this can be easily seen as a parody of gay people. An orgy of Unfortunate Implications ensues. Even Brother Brother Incest.
Fan Disservice: Just about every depiction of nudity and sex is intentionally repulsive. Except when Bakshi throws in his usual big-breasted women, of course. Though some of it can have a Misaimed Fandom in gay men who like chubs.
Framing Device: Samson and Preacher are trying to bust Randy out of prison in a Great Escape while Poppy tells Randy stories about Brother Rabbit.
Hey, It's That Voice!: Barry White is Brother Bear, Philip Michael Thomas voices Brother Rabbit, and Scatman Crothers is the man singing the opening credits song.
"I Am" Song: Satirically done in the opening credits song "Ah'm a Nigger Man."
Keep Circulating the Tapes: Before it was released on DVD, it could be only be found through torrents and out of print VHS tapes.
Little Bit Beastly: Rabbit, Bear, and Fox are this with a dollop of black caricature.
The Mafia: the primary villains of the film. Bakshi did this as a reaction to The Godfather, feeling it glorifed the supposed honor of the Family.
Male Frontal Nudity: Quite a lot of it at times.
Ms. Fanservice: Miss America.
N-Word Privileges
Preacher Man / Badass Preacher
Precision F-Strike: The film opens on a "Fuck You".
- Preacher's Establishing Character Moment is a fire-and-brimstone speech to an empty church that ends on a note more like the prayer to Crom in Conan the Barbarian

I see ya Lord, I sees ya Lord, I see ya Lord and you'd better well, fucking well, see me!

The Promised Land: Subverted: Rabbit, Fox and Bear go to the last place they can keep hustling, Harlem. Turns out Harlem's a dump. Just to underline the fact that it's a dump we get a short story from a woman and her baby who were left by her cockroach husband (literally a cockroach) up to her shooting a (literal) rat in the face.
- Not just any cockroach and rat, but archy and Ignatz!
Roger Rabbit Effect
Shout-Out: The story about Malcolm the Cockroach pays tribute to George Herriman, noted African American cartoonist and Bakshi's favorite cartoonist.
- A cockroach named Malcolm also appears in Bakshi's later shorts Malcolm and Melvin and Babe, He Calls Me.
Shown Their Work: Ralph not only did his research for this movie, many African-American viewers remarked that they couldn't believe that this was written and directed by a white guy, as much of it rang true for them in its portrayal of how blacks have been treated both in the United States and by the film industry.
Stock Footage: Old newsreels are frequently played behind the animation.
Surreal Humor / Surreal Horror: The whole movie due to its lack of a consistent plot thread, but especially Madigan's death and the Tar Rabbit scene.
Take That: Ralph Bakshi hates The Mafia and the film The Godfather. There's a massive Take That towards The Godfather in this movie, and the Mafia is generally portrayed negatively here and in Heavy Traffic. Also, this entire film is a Take That towards the Blaxploitation genre, Disney's Song of the South, and the history of racist portrayals of African Americans in Hollywood films.
The Ugly Guy's Hot Daughter: The Sheriff and his daughter.
Uncle Tomfoolery: Several of the background characters.
White Dude, Black Dude: A variant joke in the opening:

350 of you folks committed suicide by jumping off the Golden Gate Bridge and out of the 350 there was only two that was niggers and one of them was pushed.