| Display title | Can You Hear Me Now? |
| Default sort key | Can You Hear Me Now? |
| Page length (in bytes) | 67,678 |
| Namespace ID | 0 |
| Page ID | 151987 |
| Page content language | en - English |
| Page content model | wikitext |
| Indexing by robots | Allowed |
| Number of redirects to this page | 1 |
| Counted as a content page | Yes |
| Number of subpages of this page | 3 (0 redirects; 3 non-redirects) |
| Edit | Allow all users (infinite) |
| Move | Allow all users (infinite) |
| Delete | Allow all users (infinite) |
| Page creator | m>Import Bot |
| Date of page creation | 21:27, 1 November 2013 |
| Latest editor | MilkmanConspiracy (talk | contribs) |
| Date of latest edit | 05:49, 12 May 2024 |
| Total number of edits | 35 |
| Recent number of edits (within past 180 days) | 1 |
| Recent number of distinct authors | 1 |
| Transcluded templates (8) | Templates used on this page:
|
Description | Content |
Article description: (description)
This attribute controls the content of the description and og:description elements. | With the advent of the computer age, writers still don't quite know how to work Cell Phones into a story. It used to be all you had to do for a survival adventure story was plop a bunch of people away from electricity to completely strand them at the mercy of wild animals/serial killers/zombies—but cell phones are making that harder and harder for writers to do believably. Even in comedy situations, there are some plotlines (such as Locked in a Room) that only work if the characters don't have cellphones. This means that cellphones are lost, broken, stolen, and run out of power far more than they should . The range of cellphones are also ridiculously reduced from what they are in real life—maybe writers are confusing them with two-way radios, or don't realise that most modern phones allow long-distance and international calls. Or, you know, maybe they're deliberately using Artistic License to artificially preserve the drama. |