Display title | Analog Punk |
Default sort key | Analog Punk |
Page length (in bytes) | 3,695 |
Namespace ID | 0 |
Page ID | 464275 |
Page content language | en - English |
Page content model | wikitext |
Indexing by robots | Allowed |
Number of redirects to this page | 0 |
Counted as a content page | Yes |
Number of subpages of this page | 0 (0 redirects; 0 non-redirects) |
Edit | Allow all users (infinite) |
Move | Allow all users (infinite) |
Delete | Allow all users (infinite) |
Page creator | Beta Log 86 (talk | contribs) |
Date of page creation | 22:06, 20 March 2020 |
Latest editor | Looney Toons (talk | contribs) |
Date of latest edit | 15:55, 25 July 2022 |
Total number of edits | 15 |
Recent number of edits (within past 180 days) | 0 |
Recent number of distinct authors | 0 |
Transcluded templates (4) | Templates used on this page:
|
Description | Content |
Article description: (description ) This attribute controls the content of the description and og:description elements. | Works that employ an aesthetic reminiscent of the early 1980s through the 1990s (possibly even extending into the early 2000s as far as technology is concerned), often taking place in the future or an alternate timeline. Especially typical is the use of post-1960s tech such as audio cassettes, CRT displays, floppy disks or CD-ROMs rather than USB flash drives, cell phones, and flat-screen monitors, along with other such late analog and early digital devices. The presence of the Internet is optional; if it does exist, it's small and far from the all-encompassing digital domain we know and love. Due to this, the style is sometimes been referred as Cassette Futurism or Formicapunk, while being one of the newer punk subcultures. |