Display title | American Pop |
Default sort key | American Pop |
Page length (in bytes) | 4,731 |
Namespace ID | 0 |
Page ID | 72963 |
Page content language | en - English |
Page content model | wikitext |
Indexing by robots | Allowed |
Number of redirects to this page | 0 |
Counted as a content page | Yes |
Number of subpages of this page | 2 (0 redirects; 2 non-redirects) |
Page image | |
Edit | Allow all users (infinite) |
Move | Allow all users (infinite) |
Delete | Allow all users (infinite) |
Page creator | prefix>Import Bot |
Date of page creation | 21:27, 1 November 2013 |
Latest editor | Robkelk (talk | contribs) |
Date of latest edit | 21:36, 5 October 2020 |
Total number of edits | 12 |
Recent number of edits (within past 180 days) | 0 |
Recent number of distinct authors | 0 |
Transcluded templates (7) | Templates used on this page:
|
Description | Content |
Article description: (description ) This attribute controls the content of the description and og:description elements. | A fairly realistically grounded drama from Ralph Bakshi, the maker of Fritz the Cat, Heavy Traffic and the animated The Lord of the Rings, American Pop focuses on the lineage of a family closely involved with the history of American popular music, from Swing and Jazz to Pop, Rock and Punk. Though it's a different type of story than those that Bakshi is usually associated with (street dramas and fantasy films), it does exemplify Bakshi's unique vision for animation as a medium that could be used to tell any story, and in making a mature drama aimed at adult audiences, American Pop definitely breaks away from the perception that All Animation Is Disney. To this end, Bakshi was successful in making a film that can be appreciated by any viewer, not just those that are typically fans of animation. |