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Everything About Fiction You Never Wanted to Know.
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{{trope}}
{{trope}}
[[File:romanceevolution.jpg|frame| [[Parody of Evolution|Evolution of a Hero]], from ''Beyond Heaving Bosoms: The Smart Bitches' Guide to Romance Novels''. Accurate, no?]]
[[File:romanceevolution.jpg|frame| [[Parody of Evolution|Evolution of a Hero]], from ''Beyond Heaving Bosoms: The Smart Bitches' Guide to Romance Novels''. Accurate, no?]]



An increasingly common phenomenon where mythical creatures traditionally feared and shunned, especially such horror staples as [[Our Vampires Are Different|vampires]], [[Our Werewolves Are Different|werewolves]] and [[Our Demons Are Different|demons]], somehow become the targets of sexual desires. It's like [[All Girls Want Bad Boys]] taken to absurd levels.
An increasingly common phenomenon where mythical creatures traditionally feared and shunned, especially such horror staples as [[Our Vampires Are Different|vampires]], [[Our Werewolves Are Different|werewolves]] and [[Our Demons Are Different|demons]], somehow become the targets of sexual desires. It's like [[All Girls Want Bad Boys]] taken to absurd levels.


Positive attributes of these creatures will be exaggerated, if not fabricated out of whole cloth, and negative aspects will be reduced or removed entirely. Yet often as not, these now romantically inclined monsters will usually retain their definitive characteristics—such as the fact that they must [[I'm a Humanitarian|prey on humans to survive]], [[Emotion Eater|derive power from suffering]], or are [[Always Chaotic Evil|just plain evil]].
Positive attributes of these creatures will be exaggerated, if not fabricated out of whole cloth, and negative aspects will be reduced or removed entirely. Yet often as not, these now romantically inclined monsters will usually retain their definitive characteristics—such as the fact that they must [[I'm a Humanitarian|prey on humans to survive]], [[Emotion Eater|derive power from suffering]], or are [[Exclusively Evil|just plain evil]].


Most often this is seen in erotic romance novels, or their counterparts in other media. The main character will be an ordinary woman, the better for the reader to relate to her, and the love interest may be anything from an ordinary man [[Jekyll and Hyde|with a monstrous curse]] to a ravenous werewolf, bloodthirsty vampire or even a cruel and inhumane demon. At first, said monster will regard the woman as either a nuisance or an actual prey item, but through [[The Power of Love]], she will persevere and manage to transform him into a [[Bowdlerised]] version of the source myth, perhaps retaining some rough edges but otherwise a relatively decent being.
Most often this is seen in erotic romance novels, or their counterparts in other media. The main character will be an ordinary woman, the better for the reader to relate to her, and the love interest may be anything from an ordinary man [[Jekyll and Hyde|with a monstrous curse]] to a ravenous werewolf, bloodthirsty vampire or even a cruel and inhumane demon. At first, said monster will regard the woman as either a nuisance or an actual prey item, but through [[The Power of Love]], she will persevere and manage to transform him into a [[Bowdlerised]] version of the source myth, perhaps retaining some rough edges but otherwise a relatively decent being.
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This phenomenon has been around, especially applying to vampires, for quite a long time, making this [[Older Than They Think]] for people assuming this to be only a recent phenomenon. Also, considering some particular forms of mythology such as [[Horny Devils]] and the number of god/mortal pairings in Classical mythology, this attraction to the exotically dangerous may simply be an endemic part of human thought, and reflected in stories throughout history.
This phenomenon has been around, especially applying to vampires, for quite a long time, making this [[Older Than They Think]] for people assuming this to be only a recent phenomenon. Also, considering some particular forms of mythology such as [[Horny Devils]] and the number of god/mortal pairings in Classical mythology, this attraction to the exotically dangerous may simply be an endemic part of human thought, and reflected in stories throughout history.


[[Double Standard|Double Standards]] may apply, but this seems to happen mainly with human women and masculine beasties. On the other hand, see [[Cute Monster Girl]].
[[Double Standard]]s may apply, but this seems to happen mainly with human women and masculine beasties. On the other hand, see [[Cute Monster Girl]].


Related to [[Vampires Are Sex Gods]], [[Villain Decay]], [[Bishounen Line]], [[Horny Devils]], [[Interspecies Romance]] and [[The Taming of the Grue]]. For [[Draco in Leather Pants|fanbase attraction]] to a monster or [[Big Bad]], see [[Rule 34]]. Compare [[Shapeshifting Seducer]]. Ultimately followed by [[I Can Change My Beloved]] in most cases.
Related to [[Vampires Are Sex Gods]], [[Villain Decay]], [[Bishounen Line]], [[Horny Devils]], [[Interspecies Romance]] and [[The Taming of the Grue]]. For [[Draco in Leather Pants|fanbase attraction]] to a monster or [[Big Bad]], see [[Rule 34]]. Compare [[Shapeshifting Seducer]]. Ultimately followed by [[I Can Change My Beloved]] in most cases.

{{noreallife|at least, not until we have evidence that aliens, demons, or supernatural abilities exist.}}

{{examples}}
{{examples}}
== [[Anime]] and [[Manga]] ==

== Anime and Manga ==
* Evangeline of ''[[Mahou Sensei Negima]]'' deliberately tries to play the [[Vampires Are Sex Gods]] idea for all it's worth.
* Evangeline of ''[[Mahou Sensei Negima]]'' deliberately tries to play the [[Vampires Are Sex Gods]] idea for all it's worth.
* Ryuuko Konuma of ''[[Wolf Guy Wolfen Crest]]'' certainly believes this trope, though instead of liking the protagonist's more positive traits, she actively hopes he is the most evil and violent thing that ever lived... and is disappointed when she finds out he isn't. And is turned back on when she learns that while not evil or outright violent, he's ''STILL'' the most powerful thing walking.
* Ryuuko Konuma of ''[[Wolf Guy Wolfen Crest]]'' certainly believes this trope, though instead of liking the protagonist's more positive traits, she actively hopes he is the most evil and violent thing that ever lived... and is disappointed when she finds out he isn't. And is turned back on when she learns that while not evil or outright violent, he's ''STILL'' the most powerful thing walking.
* Shinra from ''[[Durarara]]'' is exclusively attracted to his Dullahan housemate Celty -- Not in spite of the fact that she's a [[Headless Horseman|headless]] [[The Fair Folk|unselee]] [[Psychopomp]], but ''because'' of it.
* Shinra from ''[[Durarara!!]]'' is exclusively attracted to his Dullahan housemate Celty—Not in spite of the fact that she's a [[Headless Horseman|headless]] [[The Fair Folk|unselee]] [[Psychopomp]], but ''because'' of it.
* In ''[[Wild Fangs (Manga)|Wild Fangs]]'', Syon, upon seeing Mao's beast form, instead of thinking "I could get so much money for him" like his fellow bounty hunters, decides to protect (and woo) him instead.
* In ''[[Wild Fangs]]'', Syon, upon seeing Mao's beast form, instead of thinking "I could get so much money for him" like his fellow bounty hunters, decides to protect (and woo) him instead.
* In ''[[Kamisama Kiss (Manga)|Kamisama Kiss]]'' Nanami falls in love with her familiar and guardian Tomoe; a [[Little Bit Beastly]] [[White-Haired Pretty Boy]] [[Kitsune]].
* In ''[[Kamisama Kiss]]'' Nanami falls in love with her familiar and guardian Tomoe; a [[Little Bit Beastly]] [[White-Haired Pretty Boy]] [[Kitsune]].


== Documentary ==
* The BBC documentary ''The Human Animal'' actually explains part of the reason this trope exists as well as [[All Girls Want Bad Boys]] AND [[I Can Change My Beloved]] in simple biological terms. The short of it is that the dangerous aspects of the target are sexual advertizements. According to the documentary, on a biological level, women are looking for signs of protective prowess. Displays of aggressive behavior are then read as signs of this prowess the same as the physical sign of broad shoulders in males (cultural signs of this vary greatly, but the intended messages are the same). Once partnered up, however, the female will actively work to prevent the male from displaying further (the 'taming' aspect of this trope), so as to prevent the male from gathering further attention from the opposite sex. There's a lot more to human courtship, of course, mostly because unlike other primates alive today, sex among humans lasts more than 8 seconds.



== Film ==
== [[Film]] ==
* In ''[[Teen Wolf (Film)|Teen Wolf]]'', Scott instantly becomes popular with the ladies when he starts turning in a werewolf. People aren't as interested in him when he's not furry.
* In ''[[Teen Wolf (film)|Teen Wolf]]'', Scott instantly becomes popular with the ladies when he starts turning in a werewolf. People aren't as interested in him when he's not furry.
* In ''[[Wolf]]'', Jack Nicholson's cuckolded and emasculated newspaper editor gets bitten by a werewolf and becomes more self-confident and sexually aggressive as he turns.
* In ''[[Wolf]]'', Jack Nicholson's cuckolded and emasculated newspaper editor gets bitten by a werewolf and becomes more self-confident and sexually aggressive as he turns.
* The ''[[Underworld (Film)|Underworld]]'' series presents most of its vampires as sleek and stylish figures. Werewolves seem to be all male, and are brawny, hairy types in leather. Each film features a romance between the races.
* The ''[[Underworld (film)|Underworld]]'' series presents most of its vampires as sleek and stylish figures. Werewolves seem to be all male, and are brawny, hairy types in leather. Each film features a romance between the races.
* Genderflipped in ''[[Ginger Snaps]]''; just before her final horrific metamorphosis, Ginger attends a Halloween party. She is treated as downright sexy because the party-goers mistake it for a costume.
* Genderflipped in ''[[Ginger Snaps]]''; just before her final horrific metamorphosis, Ginger attends a Halloween party. She is treated as downright sexy because the party-goers mistake it for a costume.
* Amanda Donahue in ''[[Lair of the White Worm]]''.
* Amanda Donahue in ''[[Lair of the White Worm]]''.
* ''[[Twilight]]'' (see Literature below).
* ''[[Twilight]]'' (see Literature below).


== [[Literature]] ==

* ''[[Twilight (novel)|Twilight]]'', as everyone even casually familiar with the series knows.
== Literature ==
* ''[[Twilight (Literature)|Twilight]]'', as everyone even casually familiar with the series knows.
** The series downplays or eliminates almost any negative trait that could be associated with a vampire. Part of this is because Meyer was not interested at all in vampires until having a dream that inspired the series (or so she claims) and she intentionally ignored earlier vampire "traditions" in favor of coming up with something she found unique. Which, oddly enough, took more from [[Our Angels Are Different|Mormon Angelic lore]] than anything else.
** The series downplays or eliminates almost any negative trait that could be associated with a vampire. Part of this is because Meyer was not interested at all in vampires until having a dream that inspired the series (or so she claims) and she intentionally ignored earlier vampire "traditions" in favor of coming up with something she found unique. Which, oddly enough, took more from [[Our Angels Are Different|Mormon Angelic lore]] than anything else.
** While the werewolves are considered the protectors of people in the series, one still ought to not dismiss the dangers of being romantically involved with one, mostly because anger and stress can trigger a transformation. This was proven nicely by Emily, who refused Sam's advances and led him to shape-shifting too close and slashing up her face. [[Values Dissonance|They get engaged]] [[Too Dumb to Live|anyway]].
** While the werewolves are considered the protectors of people in the series, one still ought to not dismiss the dangers of being romantically involved with one, mostly because anger and stress can trigger a transformation. This was proven nicely by Emily, who refused Sam's advances and led him to shape-shifting too close and slashing up her face. [[Values Dissonance|They get engaged]] [[Too Dumb to Live|anyway]].
* Gothic and Romantic literature tended to have quite sexy monsters. As Victorian England was a sexually repressed society, writers would often link sexuality with the dark and forbidden. Creating metaphorically sexual monsters was also a way of [[Getting Crap Past the Radar]].
* Gothic and Romantic literature tended to have quite sexy monsters. As Victorian England was a sexually repressed society, writers would often link sexuality with the dark and forbidden. Creating metaphorically sexual monsters was also a way of [[Getting Crap Past the Radar]].
** Lord Ruthven, of the short story ''[[The Vampyre (Literature)|The Vampyre]]''. Lord Ruthven is a seductive figure and is considered one of the first literary vampires. The idea for the story was conceived on the same occasion as ''[[Frankenstein]]'' by one of Lord Byron's lesser-known friends.
** Lord Ruthven, of the short story ''[[The Vampyre]]''. Lord Ruthven is a seductive figure and is considered one of the first literary vampires. The idea for the story was conceived on the same occasion as ''[[Frankenstein]]'' by one of Lord Byron's lesser-known friends.
** ''[[Varney the Vampire (Literature)|Varney the Vampire]]'', from the gothic horror novel by James Malcolm Rymer. The story is perhaps the first to treat a vampire sympathetically.
** ''[[Varney the Vampire]]'', from the gothic horror novel by James Malcolm Rymer. The story is perhaps the first to treat a vampire sympathetically.
** Carmilla, from the gothic novella ''[[Carmilla (Literature)|Carmilla]]'', is a beautiful [[Lesbian Vampire]] who haunts a young lady.
** Carmilla, from the gothic novella ''[[Carmilla]]'', is a beautiful [[Lesbian Vampire]] who haunts a young lady.
** Geraldine from ''Christabel'' by Samuel Coleridge is another erotic [[Lesbian Vampire]] who preys on a woman.
** Geraldine from ''Christabel'' by Samuel Coleridge is another erotic [[Lesbian Vampire]] who preys on a woman.
** ''The Bride of Corinth'', featuring the first female vampire with a male victim.
** ''The Bride of Corinth'', featuring the first female vampire with a male victim.
** Matilda from ''[[The Monk (Literature)|The Monk]]'' is not a vampire, but an agent of Satan who helps the title monk into damnation through her seductive powers.
** Matilda from ''[[The Monk]]'' is not a vampire, but an agent of Satan who helps the title monk into damnation through her seductive powers.
* ''[[Dracula]]'' is a mixed case. In [[Dracula (Literature)|the original book]], Dracula is a rather ugly old man who preys on young women, making him more of a monstrous pervert at the start; however, he becomes younger and better looking with the more victims that he feeds on. In later adaptations, Dracula is often transformed into a suave, sophisticated, exotic, and darkly seductive presence. Dracula's vampire wives, however, are attractive even in the original novel.
* ''[[Dracula]]'' is a mixed case. In [[Dracula (novel)|the original book]], Dracula is a rather ugly old man who preys on young women, making him more of a monstrous pervert at the start; however, he becomes younger and better looking with the more victims that he feeds on. In later adaptations, Dracula is often transformed into a suave, sophisticated, exotic, and darkly seductive presence. Dracula's vampire wives, however, are attractive even in the original novel.
** In his ''Danse Macabre'', [[Stephen King]] discusses the sexuality within ''Dracula'' at some length, saying that the novel "fairly pants with sexual energy". He points out that Lucy's reaction to being bitten by Dracula--sighing, moaning, and ''writhing''--is Bram Stoker's "[[Getting Crap Past the Radar|classy]]" way of telling us that she's having a mind-blowing orgasm.
** In his ''Danse Macabre'', [[Stephen King]] discusses the sexuality within ''Dracula'' at some length, saying that the novel "fairly pants with sexual energy". He points out that Lucy's reaction to being bitten by Dracula—sighing, moaning, and ''writhing''—is Bram Stoker's "[[Getting Crap Past the Radar|classy]]" way of telling us that she's having a mind-blowing orgasm.
* ''[[The Sookie Stackhouse Mysteries]]'' series is built on this trope, with vampires. There's even a special term for people who like to have sex with vampires: "fangbangers".
* ''[[The Sookie Stackhouse Mysteries]]'' series is built on this trope, with vampires. There's even a special term for people who like to have sex with vampires: "fangbangers".
* In fact, there's a whole [[Urban Fantasy]] romance subgenre built around this trope. [[Mercy Thompson]], [[Kitty Norville]], etc.
* In fact, there's a whole [[Urban Fantasy]] romance subgenre built around this trope. [[Mercy Thompson]], [[Kitty Norville]], etc.
** [[Kitty Norville]] [[Lampshaded Trope|lampshades this concept]] in the second book of her series, suspecting that those who saw her [[Hauled Before a Senate Subcommittee]] were expecting a [[The Vamp|tall and intimidating predatory sexpot]] rather than the rather normal looking blonde she was.
** [[Kitty Norville]] [[Lampshaded Trope|lampshades this concept]] in the second book of her series, suspecting that those who saw her [[Hauled Before a Senate Subcommittee]] were expecting a [[The Vamp|tall and intimidating predatory sexpot]] rather than the rather normal looking blonde she was.
** Miss Thompson is a [[Trickster Archetype|coyote]] [[Voluntary Shapeshifting|shapeshifter]] herself, whose boyfriend (at least at the end of the first book) [[Our Werewolves Are Different|is a werewolf]].
** Miss Thompson is a [[Trickster Archetype|coyote]] [[Voluntary Shapeshifting|shapeshifter]] herself, whose boyfriend (at least at the end of the first book) [[Our Werewolves Are Different|is a werewolf]].
* [[Wicked Lovely]] does this for [[The Fair Folk]]. It portrays them as dangerous, cruel, and definite users of [[Blue and Orange Morality]], if not truly evil. It also portrays faeries of both genders as pretty damn hot.
* ''[[Wicked Lovely]]'' does this for [[The Fair Folk]]. It portrays them as dangerous, cruel, and definite users of [[Blue and Orange Morality]], if not truly evil. It also portrays faeries of both genders as pretty damn hot.
* J.R. Ward seems to do this in her body of work. Especially evident in the vampire-laden [[Black Dagger Brotherhood]] series.
* J.R. Ward seems to do this in her body of work. Especially evident in the vampire-laden [[Black Dagger Brotherhood]] series.


== [[Live-Action TV]] ==

* In ''[[Big Wolf on Campus]]'', Tommy begins to worry that perhaps Lori is only attracted to the werewolf part of him.
== Live-Action TV ==
* In ''[[Big Wolf On Campus]]'', Tommy begins to worry that perhaps Lori is only attracted to the werewolf part of him.
* An episode of ''[[Buffy the Vampire Slayer]]'':
* An episode of ''[[Buffy the Vampire Slayer]]'':
** A group of youngsters were into the whole [[Vampires Are Sex Gods]] thing until the vamps came and started killing everyone.
** A group of youngsters were into the whole [[Vampires Are Sex Gods]] thing until the vamps came and started killing everyone.
** Angel, Spike, and possibly {{spoiler|Oz}} seem to apply. Not to mention Dracula. And who can forget vampire {{spoiler|Willow and Xander}}?
** Angel, Spike, and possibly {{spoiler|Oz}} seem to apply. Not to mention Dracula. And who can forget vampire {{spoiler|Willow and Xander}}?
** The first episode had Jesse become suddenly more confident and charismatic after becoming a vampire. [[Joss Whedon (Creator)|Joss Whedon]] acknowledges the use of this trope on the DVD commentary.
** The first episode had Jesse become suddenly more confident and charismatic after becoming a vampire. [[Joss Whedon]] acknowledges the use of this trope on the DVD commentary.
* ''[[True Blood]]'' lives and breathes on this trope. Everyone should have sex with a vampire at least once.
* ''[[True Blood]]'' lives and breathes on this trope. Everyone should have sex with a vampire at least once.
* The BBC documentary ''The Human Animal'' actually explains part of the reason this trope exists as well as [[All Girls Want Bad Boys]] AND [[I Can Change My Beloved]] in simple biological terms. The short of it is that the dangerous aspects of the target are sexual advertizements. According to the documentary, on a biological level, women are looking for signs of protective prowess. Displays of aggressive behavior are then read as signs of this prowess the same as the physical sign of broad shoulders in males (cultural signs of this vary greatly, but the intended messages are the same). Once partnered up, however, the female will actively work to prevent the male from displaying further (the 'taming' aspect of this trope), so as to prevent the male from gathering further attention from the opposite sex. There's a lot more to human courtship, of course, mostly because unlike other primates alive today, sex among humans lasts more than 8 seconds.


== [[Tabletop Games]] ==
* Played with in ''[[Magic: The Gathering]]'', specially in Innistrad. Vampires, [[Dark Is Not Evil|while not always evil]], are generally selfish creatures with sadistic tendencies and that hunt for sport. However, their aristocratic sophistication and appreciation of art and refined pleasures makes them the target of fascination for many innistradi humans. If the humans end up as vampires, however, they find that the sophistication comes after learning to control their bloodlust. Until then they go crazy at the first whiff of blood. Werewolves, on the other hand, are consistently feared, as they are mindless killing machines.
* ''[[Changeling: The Lost]]'': The advantage for being part of the Beast seeming is that "animal magnetism" is no longer just an expression - you gain bonuses on social rolls.
** ''[[Werewolf: The Apocalypse]]'': This earlier game from the same game company has [["It's Not Rape If You Enjoyed It"|animal attraction]] as a game mechanic for shapeshifters too.


== Tabletop Games ==
== [[Web Comics]] ==
* The vampire variant is parodied in the ''[[Sluggy Freelance]]'' [[B-Side Comics]] "Sampire". Sam tries hitting on a girl, she rejects him for being gross and creepy, then he tells her he's a ''real'' vampire. She sighs, and suggests they go make out in an alley. Sam in general is a great big [[Subverted Trope|subversion]] of this trope, being a vampire [[Casanova Wannabe]].
* Played with in ''[[Magic the Gathering]]'', specially in Innistrad. Vampires, [[Dark Is Not Evil|while not always evil]], are generally selfish creatures with sadistic tendencies and that hunt for sport. However, their aristocratic sophistication and appreciation of art and refined pleasures makes them the target of fascination for many innistradi humans. If the humans end up as vampires, however, they find that the sophistication comes after learning to control their bloodlust. Until then they go crazy at the first whiff of blood. Werewolves, on the other hand, are consistently feared, as they are mindless killing machines.
* [http://freefall.purrsia.com/ff1200/fv01152.htm Invoked by Winston] in ''[[Freefall]]''... to make [[Funny Animal|Flo]] '''''[[Subverted Trope|more]]''''' '''[[Humanity Ensues]]''' on cellular level.
* ''[[Changeling: The Lost (Tabletop Game)|Changeling: The Lost]]'': The advantage for being part of the Beast seeming is that "animal magnetism" is no longer just an expression - you gain bonuses on social rolls.
** ''[[Werewolf: The Apocalypse (Tabletop Game)|Werewolf: The Apocalypse]]'': This earlier game from the same game company has [[It's Not Rape If You Enjoyed It|animal attraction]] as a game mechanic for shapeshifters too.


== Webcomics ==
* The vampire variant is parodied in the ''[[Sluggy Freelance]]'' [[B Side Comics]] "Sampire". Sam tries hitting on a girl, she rejects him for being gross and creepy, then he tells her he's a ''real'' vampire. She sighs, and suggests they go make out in an alley. Sam in general is a great big [[Subverted Trope|subversion]] of this trope, being a vampire [[Casanova Wannabe]].
* [http://freefall.purrsia.com/ff1200/fv01152.htm Invoked by Winston] in ''[[Freefall (Webcomic)|Freefall]]''... to make [[Funny Animal|Flo]] '''''[[Subverted Trope|more]]''''' '''[[Humanity Ensues]]''' on cellular level.
* The entire lycanthrope cast of ''[[Peter Is the Wolf]]''.
* The entire lycanthrope cast of ''[[Peter Is the Wolf]]''.
* Minerva the Cerberus in ''[[Spinnerette]]'', who is admired by the also-appropriate [[Canada, Eh?|Werewolf Of London Ontario]].
* Minerva the Cerberus in ''[[Spinnerette]]'', who is admired by the also-appropriate [[Canada, Eh?|Werewolf Of London Ontario]].


== [[Web Original]] ==

== Web Original ==
* [[Parodied]] in a ''[[Newgrounds]]'' video/song. In the music video, it is arguable, since she is scared, and when she stops being so, she in fact {{spoiler|is a vampire}}. The ''song'', however...
* [[Parodied]] in a ''[[Newgrounds]]'' video/song. In the music video, it is arguable, since she is scared, and when she stops being so, she in fact {{spoiler|is a vampire}}. The ''song'', however...
{{quote| [http://www.newgrounds.com/portal/view/406540 Oh oh oh sexy vampire, I'm falling in love, so just bite me baby, and drink all my blood...]}}
{{quote|[http://www.newgrounds.com/portal/view/406540 Oh oh oh sexy vampire, I'm falling in love, so just bite me baby, and drink all my blood...]}}
* Most of the creatures in the Nonhuman section of [[Literotica]] are in some way monstrous, with [[Vampires Are Sex Gods|vampires]] and [[Our Werewolves Are Different|werewolves]] as perpetual favorites.
* Most of the creatures in the Nonhuman section of [[Literotica]] are in some way monstrous, with [[Vampires Are Sex Gods|vampires]] and [[Our Werewolves Are Different|werewolves]] as perpetual favorites.
** Also frequent at Renderotica<ref> less worksafe than anything else listed on [[TV Tropes]] -- [[Google]] it if so inclined</ref>. Including everything but not limited to the creatures listed in the above article.
** Also frequent at Renderotica. (NSFW, if the name wasn't a clue.) Including everything but not limited to the creatures listed in the main text.
* If you see a sexy werewolf online 9 times out of 10, the artist is usually a member of the [[Furry Fandom]], since, well, it isn't exactly a stretch for a person who's attracted to anthropomorphic creatures to like what is, essentially, an anthropomorphic creature.
* If you see a sexy werewolf online nine times out of ten, the artist is usually a member of the [[Furry Fandom]], since, well, it isn't exactly a stretch for a person who's attracted to anthropomorphic creatures to like what is, essentially, an anthropomorphic creature.

== [[Western Animation]] ==
* In the ''[[Animaniacs]]'' episode "Moon Over Minerva", Wilford is a dorky geek of a [[Funny Animal]] wolf who is, in fact, [[Our Werebeasts Are Different|an odd variety of werewolf]] who [[Cursed With Awesome| turns into a Adonis-type hunky version of himself]] when the moon is full.


{{reflist}}
{{reflist}}
[[Category:No Real Life Examples Please]]
[[Category:Otherness Tropes]]
[[Category:Otherness Tropes]]
[[Category:Sex Tropes]]
[[Category:Sex Tropes]]
[[Category:Speculative Fiction Tropes]]
[[Category:Speculative Fiction Tropes]]
[[Category:Main/Sex Tropes/And Related/Sandbox]]
[[Category:Index of Fictional Creatures]]
[[Category:Index of Fictional Creatures]]
[[Category:Shapeshifting]]
[[Category:Shapeshifting]]
[[Category:Turn-On Tropes]]
[[Category:Turn-On Tropes]]
[[Category:You Sexy Beast]]
[[Category:You Sexy Beast]]
[[Category:No Real Life Examples, Please]]

Revision as of 13:15, 15 November 2023

Evolution of a Hero, from Beyond Heaving Bosoms: The Smart Bitches' Guide to Romance Novels. Accurate, no?

An increasingly common phenomenon where mythical creatures traditionally feared and shunned, especially such horror staples as vampires, werewolves and demons, somehow become the targets of sexual desires. It's like All Girls Want Bad Boys taken to absurd levels.

Positive attributes of these creatures will be exaggerated, if not fabricated out of whole cloth, and negative aspects will be reduced or removed entirely. Yet often as not, these now romantically inclined monsters will usually retain their definitive characteristics—such as the fact that they must prey on humans to survive, derive power from suffering, or are just plain evil.

Most often this is seen in erotic romance novels, or their counterparts in other media. The main character will be an ordinary woman, the better for the reader to relate to her, and the love interest may be anything from an ordinary man with a monstrous curse to a ravenous werewolf, bloodthirsty vampire or even a cruel and inhumane demon. At first, said monster will regard the woman as either a nuisance or an actual prey item, but through The Power of Love, she will persevere and manage to transform him into a Bowdlerised version of the source myth, perhaps retaining some rough edges but otherwise a relatively decent being.

This phenomenon has been around, especially applying to vampires, for quite a long time, making this Older Than They Think for people assuming this to be only a recent phenomenon. Also, considering some particular forms of mythology such as Horny Devils and the number of god/mortal pairings in Classical mythology, this attraction to the exotically dangerous may simply be an endemic part of human thought, and reflected in stories throughout history.

Double Standards may apply, but this seems to happen mainly with human women and masculine beasties. On the other hand, see Cute Monster Girl.

Related to Vampires Are Sex Gods, Villain Decay, Bishounen Line, Horny Devils, Interspecies Romance and The Taming of the Grue. For fanbase attraction to a monster or Big Bad, see Rule 34. Compare Shapeshifting Seducer. Ultimately followed by I Can Change My Beloved in most cases.

No real life examples, please; at least, not until we have evidence that aliens, demons, or supernatural abilities exist.

Examples of You Sexy Beast include:

Anime and Manga

  • Evangeline of Mahou Sensei Negima deliberately tries to play the Vampires Are Sex Gods idea for all it's worth.
  • Ryuuko Konuma of Wolf Guy Wolfen Crest certainly believes this trope, though instead of liking the protagonist's more positive traits, she actively hopes he is the most evil and violent thing that ever lived... and is disappointed when she finds out he isn't. And is turned back on when she learns that while not evil or outright violent, he's STILL the most powerful thing walking.
  • Shinra from Durarara!! is exclusively attracted to his Dullahan housemate Celty—Not in spite of the fact that she's a headless unselee Psychopomp, but because of it.
  • In Wild Fangs, Syon, upon seeing Mao's beast form, instead of thinking "I could get so much money for him" like his fellow bounty hunters, decides to protect (and woo) him instead.
  • In Kamisama Kiss Nanami falls in love with her familiar and guardian Tomoe; a Little Bit Beastly White-Haired Pretty Boy Kitsune.

Film

  • In Teen Wolf, Scott instantly becomes popular with the ladies when he starts turning in a werewolf. People aren't as interested in him when he's not furry.
  • In Wolf, Jack Nicholson's cuckolded and emasculated newspaper editor gets bitten by a werewolf and becomes more self-confident and sexually aggressive as he turns.
  • The Underworld series presents most of its vampires as sleek and stylish figures. Werewolves seem to be all male, and are brawny, hairy types in leather. Each film features a romance between the races.
  • Genderflipped in Ginger Snaps; just before her final horrific metamorphosis, Ginger attends a Halloween party. She is treated as downright sexy because the party-goers mistake it for a costume.
  • Amanda Donahue in Lair of the White Worm.
  • Twilight (see Literature below).

Literature

  • Twilight, as everyone even casually familiar with the series knows.
    • The series downplays or eliminates almost any negative trait that could be associated with a vampire. Part of this is because Meyer was not interested at all in vampires until having a dream that inspired the series (or so she claims) and she intentionally ignored earlier vampire "traditions" in favor of coming up with something she found unique. Which, oddly enough, took more from Mormon Angelic lore than anything else.
    • While the werewolves are considered the protectors of people in the series, one still ought to not dismiss the dangers of being romantically involved with one, mostly because anger and stress can trigger a transformation. This was proven nicely by Emily, who refused Sam's advances and led him to shape-shifting too close and slashing up her face. They get engaged anyway.
  • Gothic and Romantic literature tended to have quite sexy monsters. As Victorian England was a sexually repressed society, writers would often link sexuality with the dark and forbidden. Creating metaphorically sexual monsters was also a way of Getting Crap Past the Radar.
    • Lord Ruthven, of the short story The Vampyre. Lord Ruthven is a seductive figure and is considered one of the first literary vampires. The idea for the story was conceived on the same occasion as Frankenstein by one of Lord Byron's lesser-known friends.
    • Varney the Vampire, from the gothic horror novel by James Malcolm Rymer. The story is perhaps the first to treat a vampire sympathetically.
    • Carmilla, from the gothic novella Carmilla, is a beautiful Lesbian Vampire who haunts a young lady.
    • Geraldine from Christabel by Samuel Coleridge is another erotic Lesbian Vampire who preys on a woman.
    • The Bride of Corinth, featuring the first female vampire with a male victim.
    • Matilda from The Monk is not a vampire, but an agent of Satan who helps the title monk into damnation through her seductive powers.
  • Dracula is a mixed case. In the original book, Dracula is a rather ugly old man who preys on young women, making him more of a monstrous pervert at the start; however, he becomes younger and better looking with the more victims that he feeds on. In later adaptations, Dracula is often transformed into a suave, sophisticated, exotic, and darkly seductive presence. Dracula's vampire wives, however, are attractive even in the original novel.
    • In his Danse Macabre, Stephen King discusses the sexuality within Dracula at some length, saying that the novel "fairly pants with sexual energy". He points out that Lucy's reaction to being bitten by Dracula—sighing, moaning, and writhing—is Bram Stoker's "classy" way of telling us that she's having a mind-blowing orgasm.
  • The Sookie Stackhouse Mysteries series is built on this trope, with vampires. There's even a special term for people who like to have sex with vampires: "fangbangers".
  • In fact, there's a whole Urban Fantasy romance subgenre built around this trope. Mercy Thompson, Kitty Norville, etc.
  • Wicked Lovely does this for The Fair Folk. It portrays them as dangerous, cruel, and definite users of Blue and Orange Morality, if not truly evil. It also portrays faeries of both genders as pretty damn hot.
  • J.R. Ward seems to do this in her body of work. Especially evident in the vampire-laden Black Dagger Brotherhood series.

Live-Action TV

  • In Big Wolf on Campus, Tommy begins to worry that perhaps Lori is only attracted to the werewolf part of him.
  • An episode of Buffy the Vampire Slayer:
    • A group of youngsters were into the whole Vampires Are Sex Gods thing until the vamps came and started killing everyone.
    • Angel, Spike, and possibly Oz seem to apply. Not to mention Dracula. And who can forget vampire Willow and Xander?
    • The first episode had Jesse become suddenly more confident and charismatic after becoming a vampire. Joss Whedon acknowledges the use of this trope on the DVD commentary.
  • True Blood lives and breathes on this trope. Everyone should have sex with a vampire at least once.
  • The BBC documentary The Human Animal actually explains part of the reason this trope exists as well as All Girls Want Bad Boys AND I Can Change My Beloved in simple biological terms. The short of it is that the dangerous aspects of the target are sexual advertizements. According to the documentary, on a biological level, women are looking for signs of protective prowess. Displays of aggressive behavior are then read as signs of this prowess the same as the physical sign of broad shoulders in males (cultural signs of this vary greatly, but the intended messages are the same). Once partnered up, however, the female will actively work to prevent the male from displaying further (the 'taming' aspect of this trope), so as to prevent the male from gathering further attention from the opposite sex. There's a lot more to human courtship, of course, mostly because unlike other primates alive today, sex among humans lasts more than 8 seconds.

Tabletop Games

  • Played with in Magic: The Gathering, specially in Innistrad. Vampires, while not always evil, are generally selfish creatures with sadistic tendencies and that hunt for sport. However, their aristocratic sophistication and appreciation of art and refined pleasures makes them the target of fascination for many innistradi humans. If the humans end up as vampires, however, they find that the sophistication comes after learning to control their bloodlust. Until then they go crazy at the first whiff of blood. Werewolves, on the other hand, are consistently feared, as they are mindless killing machines.
  • Changeling: The Lost: The advantage for being part of the Beast seeming is that "animal magnetism" is no longer just an expression - you gain bonuses on social rolls.

Web Comics

Web Original

  • Parodied in a Newgrounds video/song. In the music video, it is arguable, since she is scared, and when she stops being so, she in fact is a vampire. The song, however...
  • Most of the creatures in the Nonhuman section of Literotica are in some way monstrous, with vampires and werewolves as perpetual favorites.
    • Also frequent at Renderotica. (NSFW, if the name wasn't a clue.) Including everything but not limited to the creatures listed in the main text.
  • If you see a sexy werewolf online nine times out of ten, the artist is usually a member of the Furry Fandom, since, well, it isn't exactly a stretch for a person who's attracted to anthropomorphic creatures to like what is, essentially, an anthropomorphic creature.

Western Animation