The Resistible Rise of Arturo Ui: Difference between revisions

Everything About Fiction You Never Wanted to Know.
Content added Content deleted
prefix>Import Bot
 
m (Mass update links)
Line 1: Line 1:
{{work}}
{{work}}
This play by [[Bertolt Brecht (Creator)|Bertolt Brecht]] is an odd fusion. Openly intended as a [[Roman a Clef]] detailing Hitler's rise to power, while borrowing from gangster tropes and dialect (Ui is basically [[X Meets Y|Al Capone meets Hitler]]), it's also written in Shakespearean blank verse and shows a certain influence from ''[[Julius Caesar]]''.
This play by [[Bertolt Brecht (Creator)|Bertolt Brecht]] is an odd fusion. Openly intended as a [[Roman à Clef]] detailing Hitler's rise to power, while borrowing from gangster tropes and dialect (Ui is basically [[X Meets Y|Al Capone meets Hitler]]), it's also written in Shakespearean blank verse and shows a certain influence from ''[[Julius Caesar]]''.
----
----
=== Provides examples of: ===
=== Provides examples of: ===
Line 6: Line 6:
* [[The Bad Guy Wins]]
* [[The Bad Guy Wins]]
* [[Bilingual Bonus]]: Character names are often variations of the name of the historical figure they are based on (i.e. Ernst Rohm is now Ernesto Roma), but with Hindenburg, he is called Dogsborough (It's a pun- Hinden sounds like hunden, which means dogs/burg as in burgh/borough)
* [[Bilingual Bonus]]: Character names are often variations of the name of the historical figure they are based on (i.e. Ernst Rohm is now Ernesto Roma), but with Hindenburg, he is called Dogsborough (It's a pun- Hinden sounds like hunden, which means dogs/burg as in burgh/borough)
* [[Does This Remind You of Anything]]: The ending actually has placards indicating what various things should remind you of.
* [[Does This Remind You of Anything?]]: The ending actually has placards indicating what various things should remind you of.
* [[Foregone Conclusion]]: It's in the title
* [[Foregone Conclusion]]: It's in the title
* [[Gangsterland]]
* [[Gangsterland]]

Revision as of 17:53, 9 January 2014

This play by Bertolt Brecht is an odd fusion. Openly intended as a Roman à Clef detailing Hitler's rise to power, while borrowing from gangster tropes and dialect (Ui is basically Al Capone meets Hitler), it's also written in Shakespearean blank verse and shows a certain influence from Julius Caesar.


Provides examples of: