The International: Difference between revisions

Everything About Fiction You Never Wanted to Know.
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A 2009 conspiracy thriller starring Clive Owen and Naomi Watts. Interpol Agent Louis Salinger (Owen) and Manhattan Assistant District Attorney Eleanor Whitman (Watts) are determined to bring to justice one of the world's most powerful banks. Uncovering illegal activities including money laundering, arms trading, and the destabilization of governments, Salinger and Whitman's investigation takes them from Berlin to Milan to New York and to Istanbul. Finding themselves in a high-stakes chase across the globe, their relentless tenacity puts their own lives at risk as the bank will stop at nothing - even murder - to continue financing terror and war.
A 2009 conspiracy thriller starring Clive Owen and Naomi Watts. Interpol Agent Louis Salinger (Owen) and Manhattan Assistant District Attorney Eleanor Whitman (Watts) are determined to bring to justice one of the world's most powerful banks. Uncovering illegal activities including money laundering, arms trading, and the destabilization of governments, Salinger and Whitman's investigation takes them from Berlin to Milan to New York and to Istanbul. Finding themselves in a high-stakes chase across the globe, their relentless tenacity puts their own lives at risk as the bank will stop at nothing - even murder - to continue financing terror and war.


{{tropelist}}
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Tropes present in this work include:
* [[Always Murder]]: Salinger is convinced of this when his partner has a heart attack after meeting a contect. {{spoiler|He's right, of course.}}
* [[Always Murder]]: Salinger is convinced of this when his partner has a heart attack after meeting a contect. {{spoiler|He's right, of course.}}
* [[Arms Dealer]]
* [[Arms Dealer]]
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* [[Villainous Demotivator]]: Wexley only helps Salinger because he knows he has't got long to live.
* [[Villainous Demotivator]]: Wexley only helps Salinger because he knows he has't got long to live.
* [[War for Fun and Profit]]
* [[War for Fun and Profit]]
{{quote| '''Umberto Calvini:''' The IBBC is a bank. Their objective isn't to control the conflict, it's to control the debt that the conflict produces. You see, the real value of a conflict, the true value, is in the debt that it creates. You control the debt, you control everything. You find this upsetting, yes? But this is the very essence of the banking industry, to make us all, whether we be nations or individuals, slaves to debt. }}
{{quote|'''Umberto Calvini:''' The IBBC is a bank. Their objective isn't to control the conflict, it's to control the debt that the conflict produces. You see, the real value of a conflict, the true value, is in the debt that it creates. You control the debt, you control everything. You find this upsetting, yes? But this is the very essence of the banking industry, to make us all, whether we be nations or individuals, slaves to debt. }}
* [[You Have Outlived Your Usefulness]]: The IBBC engages in this quite a bit.
* [[You Have Outlived Your Usefulness]]: The IBBC engages in this quite a bit.


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[[Category:Films of the 2000s]]
[[Category:Films of the 2000s]]
[[Category:The International]]
[[Category:The International]]
[[Category:Film]]
{{DEFAULTSORT:International, The}}

Latest revision as of 01:28, 9 September 2017

A 2009 conspiracy thriller starring Clive Owen and Naomi Watts. Interpol Agent Louis Salinger (Owen) and Manhattan Assistant District Attorney Eleanor Whitman (Watts) are determined to bring to justice one of the world's most powerful banks. Uncovering illegal activities including money laundering, arms trading, and the destabilization of governments, Salinger and Whitman's investigation takes them from Berlin to Milan to New York and to Istanbul. Finding themselves in a high-stakes chase across the globe, their relentless tenacity puts their own lives at risk as the bank will stop at nothing - even murder - to continue financing terror and war.

Tropes used in The International include:

Umberto Calvini: The IBBC is a bank. Their objective isn't to control the conflict, it's to control the debt that the conflict produces. You see, the real value of a conflict, the true value, is in the debt that it creates. You control the debt, you control everything. You find this upsetting, yes? But this is the very essence of the banking industry, to make us all, whether we be nations or individuals, slaves to debt.