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{{trope}}
{{Useful Notes}}
{{quote|I saw the best minds of my generation destroyed by madness, starving hysterical naked,<br />
{{quote|I saw the best minds of my generation destroyed by madness, starving hysterical naked,
dragging themselves through the negro streets at dawn looking for an angry fix,<br />
dragging themselves through the negro streets at dawn looking for an angry fix,
angelheaded hipsters burning for the ancient heavenly connection to the starry dynamo in the machinery of night,|'''Allen Ginsberg''', "Howl"}}
angelheaded hipsters burning for the ancient heavenly connection to the starry dynamo in the machinery of night,|'''Allen Ginsberg''', "Howl"}}


{{quote|"The so-called Beat Generation was a whole bunch of people, of all different nationalities, who came to the conclusion that society sucked."|'''Amiri Baraka'''}}
{{quote|"The so-called Beat Generation was a whole bunch of people, of all different nationalities, who came to the conclusion that society sucked."|'''Amiri Baraka'''}}


[[The Beat Generation]] was a group of writers best known for their work in [[The Fifties]]. At the core of the beats was a group of three writers: [[Jack Kerouac]], [[Allen Ginsberg]] and [[William S Burroughs]], best known for ''[[On the Road]]'', ''[[Howl]]'' and ''[[Naked Lunch]]'', respectively. The name "The Beat Generation" was originally coined by Kerouac, who enjoyed the many possible meanings of "beat," both positive and negative, including beat-down, upbeat, beatific and "on-the-beat," in the musical sense. The history of the relationships between the three friends and their periphery is long and complex and is better read elsewhere than summarized here. (To give you an idea, it involves large amounts of [[Watch It Stoned|alcohol, speed, opiates and psychedelic drugs]], [[Incompatible Orientation|unrequited same-sex love]], the cover-up of a manslaughter, an insanity plea and subsequent mental hospital stay, and a wife killed in a deliberate-but-drunken attempt at [[William Telling]]. And these are all separate events.)
[[The Beat Generation]] was a group of writers best known for their work in [[The Fifties]]. At the core of the beats was a group of three writers: [[Jack Kerouac]], [[Allen Ginsberg]] and [[William S. Burroughs]], best known for ''[[On the Road]]'', ''[[Howl]]'' and ''[[Naked Lunch]]'', respectively. The name "The Beat Generation" was originally coined by Kerouac, who enjoyed the many possible meanings of "beat," both positive and negative, including beat-down, upbeat, beatific and "on-the-beat," in the musical sense. The history of the relationships between the three friends and their periphery is long and complex and is better read elsewhere than summarized here. (To give you an idea, it involves large amounts of [[Watch It Stoned|alcohol, speed, opiates and psychedelic drugs]], [[Incompatible Orientation|unrequited same-sex love]], the cover-up of a manslaughter, an insanity plea and subsequent mental hospital stay, and a wife killed in a deliberate-but-drunken attempt at [[William Telling]]. And these are all separate events.)


The works produced by the Beat Generation had an enormous effect on Western culture. Beyond their effect in literature (which was not small, inspiring the creation of entire genres, from slam poetry to [[Cyberpunk|cyberpunk]]), they also had a major influence on the rock music of the early 60s (Ginsberg was friends with [[Bob Dylan (Music)|Bob Dylan]] and [[Steely Dan (Music)|Steely Dan]] is of course named after a giant mechanical dildo in ''Naked Lunch'', to give just a couple of examples). There's a good chance there would be no such thing as [[New Age Retro Hippie|hippies]] without the Beats. Notably, Jack Kerouac did not transition well into [[The Sixties]], as his drug of choice was [[The Alcoholic|alcohol]] rather than psychedelics and he was politically somewhat conservative. Allen Ginsberg, on the other hand, became something of a [[Erudite Stoner|psychedelic]] [[Cool Old Guy|guru]] to the hippie community. Burroughs was a mentor to a significantly younger generation, collaborating with [[Alternative Rock]] musicians such as [[Sonic Youth]], [[REM]], and [[Kurt Cobain]], while Ginsberg makes a vocal appearance on [[The Clash]]'s album ''Combat Rock''.
The works produced by the Beat Generation had an enormous effect on Western culture. Beyond their effect in literature (which was not small, inspiring the creation of entire genres, from slam poetry to [[cyberpunk]]), they also had a major influence on the rock music of the early 60s (Ginsberg was friends with [[Bob Dylan]] and [[Steely Dan]] is of course named after a giant mechanical dildo in ''Naked Lunch'', to give just a couple of examples). There's a good chance there would be no such thing as [[New Age Retro Hippie|hippies]] without the Beats. Notably, Jack Kerouac did not transition well into [[The Sixties]], as his drug of choice was [[The Alcoholic|alcohol]] rather than psychedelics and he was politically somewhat conservative. Allen Ginsberg, on the other hand, became something of a [[Erudite Stoner|psychedelic]] [[Cool Old Guy|guru]] to the hippie community. Burroughs was a mentor to a significantly younger generation, collaborating with [[Alternative Rock]] musicians such as [[Sonic Youth]], [[REM]], and [[Kurt Cobain]], while Ginsberg makes a vocal appearance on [[The Clash]]'s album ''Combat Rock''.


The works of the Beat Generation vary wildly in their style, but they do tend to have some unifying features. They challenged the [[Moral Guardians]] of the time (both Howl and Naked Lunch were the subject of nationally-publicized [[Censorship Bureau|obscenity trials]]) and their characters tended to be downtrodden youth trying new things (much like the writers themselves). One of the Beats' most defining features, however, was their willingness to experiment with their writing. Kerouac, influenced by improvisational jazz, called his style "spontaneous prose," where he would write without editing, often on scrolls rather than sheets so that he wouldn't be distracted by page breaks. Ginsberg's poetry combined explosive, rambling free verse with forms of the past, heavily influenced by [[Walt Whitman]], [[William Blake]], and William Carlos Williams. William Burroughs, perhaps the [[Crazy Awesome|craziest]] of them all, popularized the "cut-up technique," a [[Dada|dadaist]] style of composition wherein a piece of writing is literally cut-up and reassembled into a new work (not unlike a collage in literary form).
The works of the Beat Generation vary wildly in their style, but they do tend to have some unifying features. They challenged the [[Moral Guardians]] of the time (both Howl and Naked Lunch were the subject of nationally-publicized [[Censorship Bureau|obscenity trials]]) and their characters tended to be downtrodden youth trying new things (much like the writers themselves). One of the Beats' most defining features, however, was their willingness to experiment with their writing. Kerouac, influenced by improvisational jazz, called his style "spontaneous prose," where he would write without editing, often on scrolls rather than sheets so that he wouldn't be distracted by page breaks. Ginsberg's poetry combined explosive, rambling free verse with forms of the past, heavily influenced by [[Walt Whitman]], [[William Blake]], and William Carlos Williams. William Burroughs, perhaps the [[Crazy Awesome|craziest]] of them all, popularized the "cut-up technique," a [[Dada|dadaist]] style of composition wherein a piece of writing is literally cut-up and reassembled into a new work (not unlike a collage in literary form).


Progenitors to the [[Beatnik]], although the writers themselves were not really beatniks. Not to be confused with beets, [[Beat|Beats]] or [[The Beatles]] (although the Fab Four were certainly influenced by the Beat writers and the idiosyncratic spelling of their name is partially a reference to the movement).
Progenitors to the [[Beatnik]], although the writers themselves were not really beatniks. Not to be confused with beets, [[Beat|Beats]] or [[The Beatles]] (although the Fab Four were certainly influenced by the Beat writers and the idiosyncratic spelling of their name is partially a reference to the movement).
⚫
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⚫
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=== Primary Beat Writers: ===
=== Primary Beat Writers: ===
* Amiri Baraka
* Amiri Baraka
* [[William S Burroughs]] (''[[Naked Lunch]]'', ''Junky'', ''Queer'')
* [[William S. Burroughs]] (''[[Naked Lunch]]'', ''Junky'', ''Queer'')
* Neal Cassady
* Neal Cassady
* Gregory Corso (''Gasoline'')
* Gregory Corso (''Gasoline'')
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* Diane di Prima
* Diane di Prima
* [[The Doors]]
* [[The Doors]]
* [[Bob Dylan (Music)|Bob Dylan]] (his first novel ''Tarantula'' in particular has much Beat influence)
* [[Bob Dylan]] (his first novel ''Tarantula'' in particular has much Beat influence)
* Richard Fariña (''Been Down So Long it Looks Like Up to Me'')
* Richard Fariña (''Been Down So Long it Looks Like Up to Me'')
* [[The Fugs]]
* [[The Fugs]]
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* Alan Kaufman (''The Outlaw Bible of American Poetry'', ''Jew Boy: A Memoir'')
* Alan Kaufman (''The Outlaw Bible of American Poetry'', ''Jew Boy: A Memoir'')
* Bob Kaufman ("Abomunist Manifesto")
* Bob Kaufman ("Abomunist Manifesto")
* [[Ken Kesey]] (''[[One Flew Over the Cuckoos Nest (Literature)|One Flew Over the Cuckoos Nest]]'', ''Sometimes a Great Notion'')
* [[Ken Kesey]] (''[[One Flew Over the Cuckoo's Nest|One Flew Over the Cuckoos Nest]]'', ''Sometimes a Great Notion'')
* David Lerner
* David Lerner
* D.A. Levy
* D.A. Levy
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* [[Tom Robbins]]
* [[Tom Robbins]]
* [[Patti Smith]]
* [[Patti Smith]]
* [[Hunter S Thompson]] (''Hell's Angels'', ''[[Fear and Loathing In Las Vegas]]'')
* [[Hunter S. Thompson]] (''Hell's Angels'', ''[[Fear and Loathing in Las Vegas]]'')
* [[Tom Waits]]
* [[Tom Waits]]
* [[Robert Anton Wilson]] (especially ''[[Illuminatus]]'', which uses Burroughs' cut-up method)
* [[Robert Anton Wilson]] (especially ''[[Illuminatus]]'', which uses Burroughs' cut-up method)
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{{reflist}}
{{reflist}}
[[Category:Poetry]]
[[Category:Poets]]
[[Category:Lit Fic]]
[[Category:Lit Fic]]
[[Category:The Fifties]]
[[Category:The Fifties]]
[[Category:The Beat Generation]]
[[Category:The Beat Generation]]
{{DEFAULTSORT:Beat Generation, The}}
[[Category:Trope]]
[[Category:Literature]]

Latest revision as of 15:53, 5 October 2020


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    I saw the best minds of my generation destroyed by madness, starving hysterical naked,
    dragging themselves through the negro streets at dawn looking for an angry fix,

    angelheaded hipsters burning for the ancient heavenly connection to the starry dynamo in the machinery of night,
    —Allen Ginsberg, "Howl"
    "The so-called Beat Generation was a whole bunch of people, of all different nationalities, who came to the conclusion that society sucked."
    —Amiri Baraka

    The Beat Generation was a group of writers best known for their work in The Fifties. At the core of the beats was a group of three writers: Jack Kerouac, Allen Ginsberg and William S. Burroughs, best known for On the Road, Howl and Naked Lunch, respectively. The name "The Beat Generation" was originally coined by Kerouac, who enjoyed the many possible meanings of "beat," both positive and negative, including beat-down, upbeat, beatific and "on-the-beat," in the musical sense. The history of the relationships between the three friends and their periphery is long and complex and is better read elsewhere than summarized here. (To give you an idea, it involves large amounts of alcohol, speed, opiates and psychedelic drugs, unrequited same-sex love, the cover-up of a manslaughter, an insanity plea and subsequent mental hospital stay, and a wife killed in a deliberate-but-drunken attempt at William Telling. And these are all separate events.)

    The works produced by the Beat Generation had an enormous effect on Western culture. Beyond their effect in literature (which was not small, inspiring the creation of entire genres, from slam poetry to cyberpunk), they also had a major influence on the rock music of the early 60s (Ginsberg was friends with Bob Dylan and Steely Dan is of course named after a giant mechanical dildo in Naked Lunch, to give just a couple of examples). There's a good chance there would be no such thing as hippies without the Beats. Notably, Jack Kerouac did not transition well into The Sixties, as his drug of choice was alcohol rather than psychedelics and he was politically somewhat conservative. Allen Ginsberg, on the other hand, became something of a psychedelic guru to the hippie community. Burroughs was a mentor to a significantly younger generation, collaborating with Alternative Rock musicians such as Sonic Youth, REM, and Kurt Cobain, while Ginsberg makes a vocal appearance on The Clash's album Combat Rock.

    The works of the Beat Generation vary wildly in their style, but they do tend to have some unifying features. They challenged the Moral Guardians of the time (both Howl and Naked Lunch were the subject of nationally-publicized obscenity trials) and their characters tended to be downtrodden youth trying new things (much like the writers themselves). One of the Beats' most defining features, however, was their willingness to experiment with their writing. Kerouac, influenced by improvisational jazz, called his style "spontaneous prose," where he would write without editing, often on scrolls rather than sheets so that he wouldn't be distracted by page breaks. Ginsberg's poetry combined explosive, rambling free verse with forms of the past, heavily influenced by Walt Whitman, William Blake, and William Carlos Williams. William Burroughs, perhaps the craziest of them all, popularized the "cut-up technique," a dadaist style of composition wherein a piece of writing is literally cut-up and reassembled into a new work (not unlike a collage in literary form).

    Progenitors to the Beatnik, although the writers themselves were not really beatniks. Not to be confused with beets, Beats or The Beatles (although the Fab Four were certainly influenced by the Beat writers and the idiosyncratic spelling of their name is partially a reference to the movement).

    Primary Beat Writers:

    Creators related to or influenced by the Beats:

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