Silly Rabbit, Idealism Is for Kids: Difference between revisions

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{{quote|''"I'm thirty. I'm five years too old to lie to myself and call it honor."''|'''Nick Carraway''', ''[[The Great Gatsby]]''}}
 
{{quote|''"Innocence is chrysalis, a phase designed to end. Only when we are free from it do we know ourselves. My survival, my joy, are all that matter. I indulge. Nothing else exists."''|'''Eleanor Lamb''', ''[[Bio ShockBioshock]] 2''}}
 
When a character (primarily in dramas) is asked to go beyond their job and help with "a cause", the character sometimes refuses, and afterwards the other person asks, "What's happened to you?" or "Since when did you stop caring?" the answer sometimes comes down to the character saying, "[[Growing Up Sucks|I grew up]]," implying that the character "grew" from a [[Wide-Eyed Idealist]] to an [[The Cynic|embittered pessimist]]. It's also often used by the [[Anti-Hero]] or [[Nietzsche Wannabe]] to sneer at the idealistic methods and beliefs of the [[Ideal Hero]] and his ilk; such [[Dumb Is Good|naive]] and [[Children Are Innocent|childish]] wishful thinking has no place in the grown-up, random, [[Sliding Scale of Idealism Versus Cynicism|cynical]] world that the Anti Hero lives in. Alternatively, a [[Retired Badass]] might have genuinely gotten too old or set in retirement to do what's being asked of them.
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Considering that many shows and media that are on the idealistic end of the [[Sliding Scale of Idealism Versus Cynicism]] or are just plain [[Lighter and Softer]] are primarily targeted towards children and teenagers, while cynical media are often targeted to adults or attract controversy from [[Moral Guardians]], there can often be a tendency, especially among more cynical people, to associate idealism with childish or naive thinking, something to outgrow, rather than an actual, legitimate, motivating philosophy that adults can also make use of.
 
Sometimes the result of the character crossing the [[Despair Event Horizon]]. The [[Sour Supporter]] often expresses it, especially in the face of [[Least Is First]]. May be accompanied by a warning that [[Hope Is Scary]]. Subtrope of [[Jade-Colored Glasses]]. See also [[Silly Rabbit, Romance Is for Kids]]. Could also overlap with [[Obstructive Bureaucrat]], and [[Noble Bigot Withwith a Badge]].
 
Expect this phrase to be uttered in [[World Half Empty]] settings ''and'' [[Real Life]].
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== Anime & Manga ==
* Partially due to his [[Heroic BSOD]] in Season 3, Judai in ''[[Yu-Gi-Oh! GX]]'' developed a [["Stop Having Fun!" Guys]] mentality towards Duel Monsters during his journey into adulthood between Seasons 3 and 4, effectively losing the optimism that he had for two and a half seasons.
** Oddly enough, before that he was big on 'It's a game, have fun!' Pretty big turn around.
** {{spoiler|In the final episode Judai duels Yugi and regains his passion for dueling.}}
*** {{spoiler|Technically, he was supposed to have regained it during the pair duel that season, but then the writers said "screw it" and had him re-learn that exact same lesson for the finale.}}
* Subverted in ''[[Rurouni Kenshin]]''. When the villains try to [[Break the Cutie]] Kaoru by saying that martial arts are for killing, the titular protagonist agrees.. but also says that he prefers the idealism over the truth.
* Used in ''[[Sayonara, Zetsubou Sensei-sensei]]'' the first time Itoshiki Nozomu teaches the class.
** To expand on it, Nozomu tells his class to write down their "Despairs for the future", essentially the students writing down their "Hopes for the future", what they are aiming at becoming, which Nozomu shoots down by saying "It's hopeless", and then giving them a [[Hannibal Lecture]] on their unrealistic goals... And then [[The Pollyanna|Fuura Kafuka]] shoots HIM down simply by stating that no matter how unrealistic your goal is, as long as you do your best to achieve it "the possibility exists" that you'll succeed. <ref> Trivial note: It's later revealed that Kafuka's "Hopes/Despairs for the future" was to become "God, A Time Traveler, A Pororocian".</ref>
* In the ''[[Fullmetal Alchemist]]'' manga both Miles and another Briggs soldier mention this, as when they were Ed's age they thought they could get through life [[Technical Pacifist|without killing anyone either]].
* The [[Token Mini-Moe]] in ''[[Heat Guy J]]'' gets in [[Contemplate Our Navels|an argument]] with a [[Defective Detective]], when he tells her that money isn't everything. In her world, where she and [[Bottle Fairy|her mother]] barely have what they need to survive, money ''is'' everything, and she has become jaded. She tells him that believing in ideals like "money can't bring happiness" is all a fantasy.
* ''[[Monster (Animemanga)|Monster]]'': Johan, the series's resident [[Complete Monster]] seems to be trying to teach this to Tenma, and toward the end says "The only thing humans are equal in... is death."
* This trope is inverted in ''[[Black Lagoon]]'' when [[Cool Old Guy|Takenaka]], a [[Terrorists Without a Cause|Terrorist Without A Cause]], attempts to interrogate [[The Hero|Rock]] into giving up some info by convincing him that they're [[Not So Different]]. Rock refuses, and asks Takenaka why he keeps fighting for a cause he's already lost. Takenaka explains that he's long since lost any ideals about being able to do anything constructive with his actions, but "keeps preaching" because it's the only thing he finds meaning in doing.
* Used in ''[[Tiger and Bunny]]'' to highlight the duality between Kotetsu and his partner Barnaby. Barnaby, a [[Punch Clock Hero]] who views superheroics as "just another job", finds Kotetsu's still-intact idealism and aspirations towards being [[The Cape]] to be childish and naive. The twist is that Kotetsu is at least ten years older than Barnaby, and seems to be holding on to the virtues of "the good old days" in an era where superheroes have become marketing mascots.
** As the series progresses and he starts to rub off on Barnaby, the focus of the trope shifts from the two of them to Kotetsu and [[Nineties Anti-Hero|Lunatic]], a [[Vigilante Man]] whose sense of justice involves [[Kill It Withwith Fire|burning criminals alive]].
*** In his case, it turns out his mindset is based on {{spoiler|1=the knowledge of what the Stern Bild idea of 'justice' actually entails. For much of the series the HeroTV heroes are ignorant of the the massive corruption and violence that lies behind the glitzy theatrics, giving another reason (if one were needed) why the others don't see where Lunatic's coming from. [[Sequel Hook|Hopefully]] time will tell what the reactions of them and NEXTs in general will be to Maverick's setup being uncovered.}}
* In ''[[One Piece]]'', when the Sun Pirates helps a young human girl (whom they had grown to cherish) return to her village, Arlong is quick to ruin their mood by stating that Koala will grow up to hate fishmen like any other human.
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{{quote| {{spoiler|"For the record, I don't like how this turned out any more then you do. But this is the world we live in. And justice does not always prevail. It's not the wild west where you can clean up the streets with a gun. Even though sometimes it's exactly what is needed... Bob Lee Swagger, ''you're free to go.''"}}}}
** So Swagger {{spoiler|''goes'' straight to the senator's cabin and [[Why Don't You Just Shoot Him?|shoots all of them.]]}}
* In a [[Deleted Scene]] from the fourth ''[[Harry Potter (Filmfilm)|Harry Potter]]'' film, Moody {{spoiler|(actually Crouch Jr.)}} tells Harry after the Second Task that "if you want to play the hero, I can find you plenty of playmates among the first years."
* ''[[Watchmen (Filmfilm)|Watchmen]]'' (also in the comic), {{spoiler|Ozymandias}} tells Nite Owl to grow up and adapt, as the new world has no place for [[The Cape|silly old-fashioned heroics]].
* This is Somerset's attitude towards Mills in ''[[Se7en]]''. Somerset's years as a cop have left him disillusioned, jaded, and borderline misanthropic. He scoffs at the younger man's more optimistic outlook on life, at one point even chastising him by saying "You can't be this naive!"
* ''[[Star Wars]]'' has this late on; [[The Cynic|Han]] gets Luke to his destination (as per their deal), goes on a massive detour to save a princess ''and'' adds the Empire to the list of people who want him dead, only to be met with criticism from [[Wide -Eyed Idealist|the naive teenager who owes him]] for wanting to leave after earning his reward. Averted when the [[Sliding Scale of Idealism vs. Cynicism]] tipples ever so slightly towards idealism when [[The Power of Friendship]] means that the [[The Good Guys Always Win|good guys win]].
** Lampshaded in [[Family Guy|Blue Harvest:]]
{{quote| '''Luke''': So, you got your reward and you're leaving? Is that it? <br />
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{{quote| "Can you imagine the damage it would have done to the administration's political capital? We're talking about an election year, and a damn hard, uphill fight. ... Oh, c'mon. Can you ever 'solve' poverty? Can you ever 'solve' crime? Can you ever 'solve' disease, unemployment, war, or any other societal herpes? Hell no. All you can ever hope for is to make them manageable enough to allow people to get on with their lives. That's not cynicism, that's maturity."}}
** Given that this guy was personally responsible for a number of the dumbass decisions that led the world to ruin, he should feel lucky that his punishment is simply collecting manure for a biodiesel plant. Of course, ''his'' viewpoint is that his decisions kept society going long enough for the [[Shoot the Dog|Redekker Plan]] to be enacted, therefore making him one of the world's unsung saviors. The reader is [[Shrug of God|left hanging as to this.]]
* Theo Bell has this exchange with {{spoiler|his old friend Angus}} in a ''[[Vampire: The Masquerade (Tabletop Game)|Vampire: The Masquerade]]'' spinoff novel, {{spoiler|not long after finding out Angus was the one who'd been repeatedly trying to kill him}}.
* The Decembrist uprising of 1825 is described in such terms for all of Russian high society in ''[[The Death of the Vazir Mukhtar]]''; while "the people of the [eighteen] twenties" are generally idealistic if superfluous, impractical and hypocritical, the people who replace them at the forefront of high society after the failure of the Decembrist uprising are more pragmatic, materialistic and outwardly conformist (notably, both sides can be pretty cynical or the opposite regardless of this divide, just in different ways). And then there is the main character, Aleksandr Griboyedov, who is stuck awkwardly between the two groups and is very cynical and contemptuous towards both.
* ''Animorphs.'' Jake's brother Tom (who is actually controlled by an alien Yeerk slug) sums the trope up when talking about morality in war:
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* Miss Parker from ''[[The Pretender]]'', complete with the obligatory "What happened to you?" "I grew up" conversation in the first episode.
* ''[[Law and Order]]'' loves to rub the viewers' face into the political version of this trope. Then there's [[Base Breaker|Abbie Carmichael]] who is this trope personified.
* When [[Star Trek: Enterprise|Captain Archer]] returned to Earth after the events of [[Story Arc|Season]] [[My God, What Have I Done?|3]], where he carried a team of [[Space Marines]], resorted to [[Space Pirates|piracy]], [[War Is Hell|killed unarmed aliens manning a listening post]], lost several crew members, and [[Arson, Murder, and Jaywalking|went back in time]], he has taken this attitude. The other members of Earth's Starfleet, who are bursting with Roddenberrian enthusiasm for space travel, are deeply concerned as he talks about the importance of better arming ships and warfighting over exploring. They are convinced he's simply cynical, but he can't help but think that being more cynical may have saved some of his crew.
** Though this can seem less idealistic and more stupid on the part of Starfleet. After all, they just stopped an alien race from {{spoiler|''blowing up the planet''}}, and another one from {{spoiler|conquering it in the past}}, and they have met a lot of species that proved to be rather hostile. I think that this proves that not all aliens are goody-goody peace, freedom and apple pie loving explorers, and that there are more that enough dangers that they need to be able to defend themselves from, and to defend Earth from, since they are the only ones with the capability to do so (unless you want to [[Too Dumb to Live|rely on the Vulcans]].)
* [[Game of Thrones]] hands down.
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== Theatre ==
* From ''[[Rent]]'': "What happened to Benny? What happened to his heart, and the ideals he once pursued?"
* Jean Anouilh's version of ''[[Antigone (Theatre)|Antigone]]'' is a rare example of this being taken seriously as opposed to being scoffed at or framed as rationalization. The play is concerned with Antigone's willingness to die as a punishment for trying to ensure that one of her brothers gets a proper burial, which itself is a manifestation of her ideological opposition to Creon, the pragmatic ruler that's replaced her father. Her willingness to die for her principles is framed more as a symptom of youth. She can't appreciate how destructive and foolish dying for her cause might be and so winds up ruining the lives of everyone she loves and not accomplishing anything other than ideological purity. Anouilh regards her youthful lack of perspective as her hamartia.
* In ''Vanities'', Kathy learns the hard way, after losing her boyfriend and her nervous breakdown, that her idea of "an organized life" doesn't work well in adulthood. Then the cast as a whole finds out that their friendship "isn't what it used to be".
* ''[[Cyrano De Bergerac]]'': At Act II Scene VII, De Guiche offers us a more sophisticated examples than most, when he counsels Cyrano to study [[Don Quixote (Literature)|Don Quixote]]’s chapter of the windmills... [[Foreshadowing|implying that Cyrano too will be betrayed by his own idealism]].
 
 
== Video Games ==
* In ''[[Live a Live]]'', the former hero Hash has this attitude; he despises people in general for forgetting him after he saved the day, and considers idealistic heroes {{spoiler|like Oersted}} to be stupid. He recants his position [[Redemption Equals Death|at the end]], though, and tells {{spoiler|Oersted}} to keep fighting so long as any one person believes in him. {{spoiler|But when the world curbstomps Oersted's idealism too, [[Omnicidal Maniac|Oersted decides to get revenge.]].}}
* In ''[[Deus Ex (Video Game)|Deus Ex]]'', two semi-major supporting characters are idealistic teenage members of [[La Résistance]] helping you battle the [[Ancient Conspiracy]]. By ''[[Deus Ex: Invisible War (Video Game)|Deus Ex Invisible War]]'', long after their first plans have failed, they have grown up and become the cold-blooded, manipulative dictators of Earth ''and'' the ''new'' leaders of the [[Ancient Conspiracy]], claiming that they [[I Did What I Had to Do|did what they had to do]] to preserve human society.
** Also worth noting is that Nicolette and Chad were really only fighting against Majestic-12, NOT [[The Illuminati]] as a whole, so they didn't go on to join the same group they were originally fighting (and their expressed goals didn't change as much as their methods did). If you speak to Nicolette enough in the original game, it becomes obvious that she's not entirely innocent even then (and that she sees her alliance with Chad and Silhouette through very cynical eyes - considering their value as a tool of the Illuminati just like her mother did). Chad, however, may have started out more idealistic, and does give a "I can't believe I was that naive" speech in the second game.
* ''[[Fate/stay Stay Nightnight]]'''s Archer is a very literal example. He is, literally, {{spoiler|the grown-up version of the [[Wide -Eyed Idealist]] main character who followed his ideals and became a hero, gone extremely cynical over the fact that his path towards being a hero is littered with the corpses of those who had to die to keep that ideal.}}
** {{spoiler|The main problem was that Archer followed said very unrealistic ideal to the letter, which was to "save everyone"}}
*** Not really. The problem is that he tried {{spoiler|and (unsurprisingly) failed catastrophically}} to do so, resulting in him ending up {{spoiler|spending the rest of eternity ''killing'' people in order that the disasters they caused/were in the vicinity of won't affect anyone else}}.
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{{quote| '''Jak''': [[The Power of Friendship|I've found out who]] [[Nakama|my real friends are]].<br />
'''G.T. Blitz''': [[Evil Cannot Comprehend Good|Oh please, the BS meter is really pegging now!]] }}
* In ''[[Devil Survivor (Video Game)|Devil Survivor]]'', [[Knight in Sour Armor|Keisuke]] winds up playing reluctant mentor to [[Genki Girl|Midori]]; she refuses to listen to his warnings partly because he feels this way. Over time, he grows more desperate to convince her ''and'' more cynical, until {{spoiler|he [[Freak-Out|snaps]] and goes [[Knight Templar]]. This doesn't help convince her that he's ''right'', mind you.}}
* Completely inverted in ''[[Final Fantasy VIII]]''. Squall starts off believing that his own cynical, antisocial viewpoints are the correct ones, but as the game progresses and Rinoa and the friends he makes help him both emotionally mature and deal with his mental trauma, he becomes more idealistic.
* [http://www.zeldauniverse.net/articles/zelda-wii-needs-an-anti-hero/ This article] concerning ''[[The Legend of Zelda]]'' claims that, since ''[[Twilight Princess]]'' went with a realistic art style, Nintendo ought to have made Link more "realistic," namely, by turning him into an antihero. The author's argument hinges in large part on his assertion that people were "[[Fan Dumb|very disappointed]]" with ''Twilight Princess'' because the realistic art style supposedly ought to have been paired with a non-idealistic hero. The article became [[Hilarious in Hindsight]] because, a mere three days later, ''[[Skyward Sword]]'' was revealed with an art style that was decidedly less realistic than the one in ''Twilight Princess'', with a Link who is just as much of a normal hero as both the one in ''Twilight Princess'' and every other Link.
* In ''[[LA Noire]]'', veteran Vice Detective [[Noble Bigot Withwith a Badge|Roy Earle]] says this to [[By-The-Book Cop|Cole Phelps]] when they discuss the crack down (or lack thereof) on illegal narcotics in the city.
{{quote| '''Roy''': "Drugs are prohibited. Doesn't mean people don't want to take them. Limiting supply doesn't mean that we have limited demand."<br />
'''Cole''': "I understand that. I know that the average joe needs to unwind a little, let his hair down at the end of the week. But morphine? Heroin?"<br />
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'''Alistair''': The throne? He's the queen's father. Still, I can't see how he'll get away with murder.<br />
'''Flemeth''': You speak as if he would be the first king to gain his throne that way. Grow up, boy. }}
* In ''[[God of War (Video Gameseries)|God of War]] III'', Kratos has such an exchange with [[Wide -Eyed Idealist|Pandora]], telling her hope is for fools. She responds with a plea that hope gives people strength. {{spoiler|Eventually, she proves to be right as Kratos is actually empowered by hope from Pandora's Box.}}
* This little exchange in ''[[Dissidia Final Fantasy (Video Game)|Dissidia Final Fantasy]]'' between [[Final Fantasy VII (Video Game)|Cloud]] and [[Final Fantasy IV (Video Game)|Cecil]] in regards to [[Final Fantasy II (Video Game)|Firion's]] dream of an ideal world.
{{quote| '''Cecil''': Did Firion give you his answer?<br />
'''Cloud''': Yeah. He says he has a dream...and that he'll keep fighting to make it come true.<br />
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'''Cloud''': Sounds so...childlike.<br />
'''Cecil''': Honest men have honest dreams. }}
* Keeper, the boss of the Imperial Agent class in [[Star WarstheWars: The Old Republic]] takes this attitude to Agents who make too many Light Side choices. Not so much that he disapproves in principle, but that he fears that idealism will cause the agent to burn-out.
* Cyrus tells the hero/ine of ''[[Pokémon Diamond and Pearl]]'' that things like friendship, compassion, and love are just illusions people use to block out [[Nietzsche Wannabe|the horrible reality of their suffering]]. He then comments on the hero/ine [[Stealth Insult|drawing strength from their compassion]].