Overcome Their Differences: Difference between revisions

Everything About Fiction You Never Wanted to Know.
Content added Content deleted
m (Mass update links)
(sorted the examples)
 
(2 intermediate revisions by 2 users not shown)
Line 1: Line 1:
{{trope}}
{{trope}}
Besides the [[Conflict]] between the protagonist and antagonist/situation, the most common form of conflict is between allies. It would not only take away the suspense, but also the depth, to have everyone on one side working as one, with no problems. Thus the heroes and the villains have conflict with each other, and the side that usually wins is the first to [[Overcome Their Differences]].
Besides the [[Conflict]] between the protagonist and antagonist/situation, the most common form of conflict is between allies. It would not only take away the suspense, but also the depth, to have everyone on one side working as one, with no problems. Thus the heroes and the villains have conflict with each other, and the side that usually wins is the first to '''Overcome Their Differences'''.


This isn't always easy to pull off. Done wrong it looks like the writers are just handing out [[Conflict Ball|Conflict Balls]]. Or it's so [[Anvilicious]] the drama is undermined.
This isn't always easy to pull off. Done wrong it looks like the writers are just handing out [[Conflict Ball]]s. Or it's so [[Anvilicious]] the drama is undermined.


The difference can be between allies, between friends, between leaders and subordinates, between lovers or between those who are falling in love.
The difference can be between allies, between friends, between leaders and subordinates, between lovers or between those who are falling in love.


But it's still essential in many stories. It looks all the more triumphant for the winning side to get past such a major obstacle. This is especially true when the differences are the antagonist of the story instead of a person, such as in many romantic comedies.
But it's still essential in many stories. It looks all the more triumphant for the winning side to get past such a major obstacle. This is especially true when the differences are the antagonist of the story instead of a person, such as in many romantic comedies.

{{examples}}
{{examples}}
== [[Film]] ==
* The term was used in [[The Film of the Series]] of ''[[Wild Wild West (film)|Wild Wild West]]'', but these differences came across as [[Anvilicious|way too obvious]].
* [[WALL-E]] and M-O, in a very [[Tear Jerker|emotional]] scene.


== [[Live-Action TV]] ==
* Every [[Buddy Cop Show]] and movie, ever.
* Every [[Buddy Cop Show]] and movie, ever.
* ''[[The X-Files]]'': [[Agent Mulder|Agents Mulder]] and [[Agent Scully|Scully]], [[FBI Agent]]!!

== [[Video Games]] ==
* ''[[Ratchet and Clank]]'' both played this straight in the first game and Lampshaded it in the "Secret Agent Clank" level in ''Up Your Arsenal''.
* ''[[Ratchet and Clank]]'' both played this straight in the first game and Lampshaded it in the "Secret Agent Clank" level in ''Up Your Arsenal''.

* The term was used in [[The Film of the Series]] of ''[[Wild Wild West (film)|Wild Wild West]]'', but these differences came across as [[Anvilicious|way too obvious]].
== [[Web Comics]] ==
* A prevalent theme in [[Dubious Company]]. Just about any character pairing will need to do this to [[Big Damn Heroes|save the day]] or help each other [[Take a Level In Badass]]. [[Straight Man and Wise Guy|Tiren and Walter]], [[Sensitive Guy and Manly Man|Elly and Walter]], [[Brains and Brawn|Sal and Tiren]], [[Red Oni, Blue Oni|Leeroy and Sal]], [[Sword and Sorcerer|Marty and Gary]], [[Tomboy and Girly Girl|Sue and Mary]], [[Harmony Versus Discipline|Marty and Sue]], [[Emotions vs. Stoicism|Mary and Gary]], & [[Interservice Rivalry|Walter and Izor]] are the most reoccuring examples.

== [[Web Original]] ==
* The love interest variant is mentioned in item 98 in the [[Evil Overlord List]].
* The love interest variant is mentioned in item 98 in the [[Evil Overlord List]].
** "If an attractive young couple enters my realm, I will carefully monitor their activities. If I find they are happy and affectionate, I will ignore them. However if circumstance have forced them together against their will and they [[Slap Slap Kiss|spend all their time bickering and criticizing each other except during the intermittent occasions when they are saving each other's lives]] at which point there are hints of [[UST|sexual tension]], I will immediately order their execution."
** "If an attractive young couple enters my realm, I will carefully monitor their activities. If I find they are happy and affectionate, I will ignore them. However if circumstance have forced them together against their will and they [[Slap Slap Kiss|spend all their time bickering and criticizing each other except during the intermittent occasions when they are saving each other's lives]] at which point there are hints of [[UST|sexual tension]], I will immediately order their execution."

* [[WALL-E]] and M-O, in a very [[Tear Jerker|emotional]] scene.
== [[Western Animation]] ==
* The basis beyond several ''[[Teen Titans (animation)|Teen Titans]]'' episodes such as "Divide and Conquer", "Forces of Nature", and "Switched".
* The basis beyond several ''[[Teen Titans (animation)|Teen Titans]]'' episodes such as "Divide and Conquer", "Forces of Nature", and "Switched".

* ''[[The X-Files]]'': [[Agent Mulder|Agents Mulder]] and [[Agent Scully|Scully]], [[FBI Agent]]!!
* A prevalent theme in [[Dubious Company]]. Just about any character pairing will need to do this to [[Big Damn Heroes|save the day]] or help each other [[Take a Level In Badass]]. [[Straight Man and Wise Guy|Tiren and Walter]], [[Sensitive Guy and Manly Man|Elly and Walter]], [[Brains and Brawn|Sal and Tiren]], [[Red Oni, Blue Oni|Leeroy and Sal]], [[Sword and Sorcerer|Marty and Gary]], [[Tomboy and Girly Girl|Sue and Mary]], [[Harmony Versus Discipline|Marty and Sue]], [[Emotions vs. Stoicism|Mary and Gary]], & [[Interservice Rivalry|Walter and Izor]] are the most reoccuring examples.


{{reflist}}
{{reflist}}
[[Category:{{PAGENAME}}]]
[[Category:Narrative Devices]]
[[Category:Narrative Devices]]
[[Category:Overcome Their Differences]]

Latest revision as of 20:42, 25 August 2023

Besides the Conflict between the protagonist and antagonist/situation, the most common form of conflict is between allies. It would not only take away the suspense, but also the depth, to have everyone on one side working as one, with no problems. Thus the heroes and the villains have conflict with each other, and the side that usually wins is the first to Overcome Their Differences.

This isn't always easy to pull off. Done wrong it looks like the writers are just handing out Conflict Balls. Or it's so Anvilicious the drama is undermined.

The difference can be between allies, between friends, between leaders and subordinates, between lovers or between those who are falling in love.

But it's still essential in many stories. It looks all the more triumphant for the winning side to get past such a major obstacle. This is especially true when the differences are the antagonist of the story instead of a person, such as in many romantic comedies.

Examples of Overcome Their Differences include:

Film

Live-Action TV

Video Games

  • Ratchet and Clank both played this straight in the first game and Lampshaded it in the "Secret Agent Clank" level in Up Your Arsenal.

Web Comics

Web Original

Western Animation

  • The basis beyond several Teen Titans episodes such as "Divide and Conquer", "Forces of Nature", and "Switched".