Ludd Was Right: Difference between revisions

m
m (clean up)
 
(20 intermediate revisions by 7 users not shown)
Line 1:
{{trope|wppage=Luddite}}
{{quote|''Before that steam drill shall beat me down,
''I'll die with my hammer in my hand.''|John Henry, ''[http://www.museums.udel.edu/jones/archive/archive_pages/artist_portfolios/white/white-johnhenry2.html The Ballad of John Henry]''}}
|John Henry, ''[http://www.museums.udel.edu/jones/archive/archive_pages/artist_portfolios/white/white-johnhenry2.html The Ballad of John Henry]''}}
 
Alternate title: [[A Worldwide Punomenon|Ludd was Aight]].
 
According to [http://town.hall.org/radio/LuddLand/ folklore], sometime in the late 18th century or early 19th century, a man named [[wikipedia:Ned Ludd|Ned Ludd]] broke into a factory and destroyed two machines as a protest against technology. A movement to resist the industrial revolution and favor agrarian societies named itself the [[wikipedia:Luddite|Luddites]] in his honor. Agriculture itself was a technological advancement over hunting and gathering - but of course neither Ludd nor his opponents would have known that at the time. Incidentally, it wasn't actually an anti-technology movement. It was basically a unionist movement. Traditional craftsmen, such as wainwrights and blacksmiths, were their own masters, able to work whatever hours they wanted as long as they delivered their products on time. Industrialization reduced their crafts to menial labor that could often be performed by unskilled workers. If the artisans tried to make the transition, they were faced with lower wages and fixed working hours—something referred to in the American South as "wage-slavery". The Luddites were just protesting against changes they felt would destroy their way of life. Today the term 'Luddite' can refer (usually disparagingly) to any opposition to technology, though a major argument continues to be that effort-saving devices put people out of work. While some regard Luddism as a [[Dead Horse Trope]], a quick search of the internet—or the latest movies—will prove that [https://web.archive.org/web/20131109042403/http://www.primitivism.com/primitive-affluence.htm not to be the case].
 
This trope manifests itself as follows:
# If a community that traditionally has [[Item Crafting|made everything painstakingly by hand]] switches to [[Killer Robot|robots]], [[Magitek|magic]], [[New Technology Is Evil|machines]], etc. to make goods, expect trouble. In all likelihood, either the goods produced [[Our Product Sucks|will turn out to be unusable]], or the robots, machines, etc. [[AIA.I. Is a Crapshoot|will become dangerous]], and the characters will be forced to return to the old ways with [[An Aesop]] about the value of tender loving care. Ironically, an actual economic problem will result from the hordes of people who have no jobs and will no longer have the power to purchase the goods produced. It is called a consumption crash. It is also never brought up in these scenarios.
 
# If a community that traditionally has [[Item Crafting|made everything painstakingly by hand]] switches to [[Killer Robot|robots]], [[Magitek|magic]], [[New Technology Is Evil|machines]], etc. to make goods, expect trouble. In all likelihood, either the goods produced [[Our Product Sucks|will turn out to be unusable]], or the robots, machines, etc. [[AI Is a Crapshoot|will become dangerous]], and the characters will be forced to return to the old ways with [[An Aesop]] about the value of tender loving care. Ironically, an actual economic problem will result from the hordes of people who have no jobs and will no longer have the power to purchase the goods produced. It is called a consumption crash. It is also never brought up in these scenarios.
# If a society used to having everything done with magic, technology, etc. is [[Decade Dissonance|compared]] to [[Noble Savage|another]] [[Arcadia|society]] which [[Medieval Stasis|does everything]] [[Good Old Ways|the old-fashioned way]], the [[Society Is to Blame|more advanced society]] will be portrayed as a [[Dystopia]] of [[Aesoptinum|some kind]].
 
Examples tend to be [[Anvilicious]] [[Author Filibuster]]s.
 
Basically, [[Science Is Bad]] on a [[Society Is to Blame|global scale]]. See also [[Artistic License Economics]]. Also [[Green Aesop]]. May be the ([[Scale of Scientific Sins|sinful]]) Discipline in [[Harmony Versus Discipline]]. In fiction, may be enforced by [[Status Quo Is God]] (and in extreme cases, a [[Reset Button]]). Compare [[Industrialized Evil]], where evil itself uses the scientific method and/or efficient methods of "production" (not necessarily machines, but that's popular too). When this Trope is the view of a villain and essential to the plot (often suggesting Ludd was ''not'' right) compare and contrast [[Evil Luddite]].
 
Not to be confused with the Luddites of ''[[Dragon Ball]] Z''.
Line 22:
{{examples}}
== Appeal to Tradition ==
=== [[Advertising]] ===
* Change is bad. [https://www.youtube.com/watch?v=cchiII_GIro The Hershey bar, unchanged since 1899.]
 
=== [[Anime]] and [[Manga]] ===
* ''[[Yu-Gi-Oh!]]'':
** In the original series and [[Yu-Gi-Oh! The Movie: Pyramid of Light| one of the movies]], Pegasus seems to prefer the older stationary Duel Arenas to the newer, portable Duel Disk. Although, as many fans point out, Kaiba invented the Duel Disk with the intent of using it against him, so Pegasus may have had a personal bias. He did, however, start using them in the [[Yu-Gi-Oh! GX| sequel series.]]
** In the second season of ''[[Yu-Gi-Oh! GX]]'', [[Big Bad| Saiou]] was at first confused by the concept of a Duel Disk, claiming he used "more primeval methods". (As in, mysticism.) He caught on fast, though.
 
=== [[Film]] ===
* Unlike the other ''[[Star Trek]]'' series, ''[[Star Trek: Insurrection]]'' has an [[Anvilicious]] Luddite aesop, where a peaceful and agrarian [[Space Amish]] race that swore off advanced technology is victimized by corrupt Federation officials who want to study how to replicate the natural phenomena that grants them eternal life. This is a bit of a [[Berserk Button]] among some ''Star Trek'' fans, since Gene Roddenberry's original vision of the series was to promote the benefits and promise that technology could bring.
 
=== [[Literature]] ===
* Characters in S.M. Stirling's ''[[Emberverse]]'' series of books seem perfectly happy being thrown back into pre-industrial state. A mysterious force disables all electricity, gunpowder, and steam power. This reults in most of humanity dying from starvation and the survivors reverting to agrarian communities. Although a few can be heard pining for modern conveniences (most commonly deoderant and birth control), more often than not you'll hear them say how much happier they are and that this was the way humans were meant to live. Of course, it must be pointed out that those who survived tended to be Renn Faire patrons, ranchers, history professors, survivalists, and the [[Society for Creative Anachronism]].
 
=== [[Music]] ===
* The whole point of [[Billy Joel]]'s "It's Still Rock and Roll to Me" where the unnamed protagonist is criticized for being old fashioned. Joel intended it as a [[Take That, Critics!|a response to critics]] who claimed his style was dated while promoting newer genres that he saw as little but rehashes of older styles.
 
=== [[Video Games]] ===
Line 33 ⟶ 44:
*** Unless you make "death" a non-option, and just leave them writhing on the ground in simulated pain.
*** This troper just read the subtext of the whole 'VR Training' exercises as railing on gamers who think they're experts in some field as a result of extensive video gaming (read: 'VR Training') - including combat.
* A subtext in ''Daiku No Gensan''/''[[Hammerin' Harry]]''. The villains are modern construction workers and the company they work for. The hero is a traditional Japanese carpenter. The heroine/love interest/frequent [[Damsel in Distress]] is the heir to the company that employs him.
 
=== [[Web Animation]] ===
* Hilarious lampooned in ''[[Helluva Boss]]'', where it's clear that the reason [[The Men in Black| the D.H.O.R.K.S.]] aren't doing so well against [[Villain Protagonist| the I.M.P.s]] is due to their reliance on archaic weapons:
{{quote|'''Agent One:''' Good god why are we only using weapons from Japan's Edo Period!
'''Agent Two:''' Hey, [[Awesome But Impractical| the Edo Period was badass and you know it]]!}}
:* Although, to be completely fair, the D.H.O.R.K.S. did a pretty decent job and would clearly have won the fight had Stolas not appeared to give the I.M.P.s backup.
 
=== [[Western Animation]] ===
* On ''[[King of the Hill]]'', Hank ''is'' this Trope. He's uncomfortable around technology and tries hard to stick to traditional values. Often this makes him [[Only Sane Man| the voice of reason]] when some new idea or concept has made everyone else has go nuts, but not always.
* This is played for laughs in the old ''[[Looney Tunes]]'' short "Pied Piper Porky". Having rid Hamelin of ''most'' of the rats, the Pied Piper (played by Porky, obviously) is trolled by a wise-guy rat who refuses to leave, and when Porky attempts to use his pipe on him, the rat resists the charm and breaks the pipe. Porky then produces a box labeled "Old Fashioned Rat Trap" which contains a cat.
 
== Technology replaces labor ==
=== [[Anime]] and [[Manga]] ===
* The underground rebellion in [[Osamu Tezuka]]'s ''[[Manga/Metropolis|Metropolis]]'' is motivated by human workers being displaced by robots.
 
Line 53 ⟶ 74:
*** That does show up. A poor old woman who runs a one-woman laundry service to make ends meet asks the inventor, "And what 'appens to me and my little bit o' washing' when there's no washing' to be done?"
* In the 1977 Ralph Bakshi movie ''[[Wizards]]'' the good wizard Avatar uses magic, while the evil wizard Blackwolf uses technology. Somewhat averted at the end when {{spoiler|Avatar pulls out a gun and shoots Blackwolf}}
* ''[[Super Mario Bros. (film)|Super Mario Bros]]''; the two protagonists are not big fans of bottled water, calling it a scam - seeing as both are plumbers, it makes sense, but this point of view is not exactly uncommon.
 
=== [[Literature]] ===
* [[J. R. R. Tolkien]]'s ''[[The Lord of the Rings]]'': Saruman started out as a [[Well-Intentioned Extremist]] who thought his rule would be good for the world and used both magic and technology as means of gaining power. He later industrialized the Shire ([[The Man Behind the Man|through his puppet Lotho]]) as a petty jab at the hobbits.
** To be fair, while Tolkein made no secret of his opinion, Saruman wasn't trying to industrialize the Shire. He was trying to destroy it. Lotho began the industrialization process before Saruman showed up on the scene, and while its effects weren't beneficial, they weren't terrible either; it was when Saruman arrived and took over that he switched from "build more and better machines" to "knock down buildings, cut down trees, pour filth on everything just for the hell of it." As one of the hobbits who lived through it remarked, Lotho's machines didn't really improve matters, but "since Sharkey arrived it's been plain ruination."
*** [[Word of God]] though is that the perils of industrialisation and the destruction of beauty is the one theme Mr Tolkien will admit to.
Line 69 ⟶ 91:
=== [[Live Action TV]] ===
* An episode of ''[[Monk]]'' intentionally invokes the story of John Henry in regards to Adrian Monk vs. the technologically supplied FBI agents. However, given how over the top the FBI acts, it's likely this was more of a parody of modern crime dramas, such as [[CSI]]. In the end, the escaping bad guy is caught thanks to a high-tec hand-held device... that the chief threw at him.
* ''[[Star Trek: The Original Series]]'' episode ''"The Ultimate Computer"'': A new computer has been developed that can control an entire star-ship by itself, making crews and captains obsolete. For the entire episode, Kirk, Bones and at one point (briefly) even Spock make speeches about how terrible it is that people will be replaced by machines, how the computer will take something of what it is to be a "man" away from humanity, how computers just ''can't'' do the job with the same "heart" as people, etc. Bones evokes the trope explicitly at one point, noting how hard it is to lose one's job to automation. Of course, just to drive the point home, it turns out that [[AIA.I. Is a Crapshoot]], and the computer's designer was insane, to boot. [[Broken Aesop|Which of course]] ''proves'' that Ludd Was Right... even though it's made clear that if the designer was more psychologically stable, the computer might have worked just fine.
** The [[aesop]] feels more sincere in the first half of the episode, ''before'' the computer conveniently goes haywire, when it appears to be working [[Gone Horribly Right|just fine:]]
{{quote|'''Kirk''': "There are certain things men must do to remain men. Your computer would take that away.''
'''McCoy,''' ''later:'' "We're all sorry for the other guy when he loses his job to a machine. When it comes to your job, that's different. And it always will be different." }}
**:* Although one cannot help but wonder if "Losing your Job" in the post-monetary [[Star Trek]] utopia isn't really more than a bit of a nuisance.
*:* Really, the computer pretty much just made [[The Captain]] obsolete. It was made clear that crews would still be necessary for the purposes of landing parties. Also, no mention was ever made of Star Fleet's diplomatic functions at all.
* There were other encounters with Luddites on ''[[Star Trek]]'':
** Kirk's attorney, [[Meaningful Name|Samuel T. Cogley]], in [[Star Trek/Recap/S1/E20 Court Martial|"Court Martial"]].
** The farmer/researchers in "This Side of Paradise"—although their contentment with being isolated and living with minimal technology seems to stem as much from the spores as from anything else.
* Parodied in an episode of ''[[Kids in The Hall]]'', in which a group of laborers who work all day at holding their arms in a sink full of fish guts are replaced by a machine full of mannequin hands which can do the same job. When the manager insists this is the way of technology, the laborers point out that the manager can be replaced by a machine too. {{spoiler|Then he starts stuttering and falling apart [[Tomato Surprise|because he's a robot.]]}}
* TheAs noted elsewhere on this page, the finale for ''[[Battlestar Galactica Reimagined]](2004 TV series)|the reimagined ''Battlestar (2003)Galactica'']] finale veers in this direction.
* In an episode of ''[[Small Wonder]]'', Ted's father visited; having once lost his job to industrial robot designed for it, his reaction to [[Robot Kid|Vicki]] was, to say the least, bad. (Vicki was visibly upset by his reaction, [[What Measure Is a Non-Human?|leading the whole cast to wonder if she was actually starting to develop emotion]].) He changed his opinion - of her, at least - after having a heart attack, leading Vicki saving his life by "jump starting" his heart by channeling electricity through her hands.
 
=== [[Video Games]] ===
Line 110 ⟶ 133:
=== [[Literature]] ===
* In the ''[[Codex Alera]]'', the Alerans have become so dependent on magic that they have abandoned most technology as inferior. Alera is on the brink of destruction when Bernard (at his nephew's request) rebuilds an ancient device that, combined with Aleran magic, becomes the most potent weapon in existence. The device? A catapult.
* This is invoked by [[Mad Scientist|economist]] Hubert Turvy in ''[[Discworld/Making Money|Making Money]]'', to explain why using the newly found {{spoiler|''four '''thousand''' golems''}} would be a bad idea.
{{quote|"Think of what they could do for the city!" said Mr. Cowslick of the Artificer's Guild.
"Well, yes. To begin with, they would put one hundred and twenty thousand men out of work," said Hubert, "but that would be only the start. They do not require food, clothing, or shelter.... The demand for many things would drop and further unemployment would result...." }}
** Although, unlike most examples on this page, he actually has a point: Introducing this much free labor into the labor pool actually ''would'' crash the economy. It'd be like the Industrialization in Europe during the late 19th century, only in fast forward. Pratchett, being a Brit himself, was probably quite aware of this.
* Another example being ''[[Discworld/A Hat Full of Sky|A Hat Full of Sky]]'' where {{spoiler|Hiver-}}Tiffany makes cheese using magic. The next day it's shown to be melting away and atracting flies, and generally infit for consumption.
 
== Technically advanced society as [[Dystopia]] ==
[[Cyberpunk]]?
=== [[Anime]] and [[Manga]] ===
* Pretty much done to death in ''[[Earth Maiden Arjuna]],'' which basically posits civilization (i.e. pretty much everything after the introduction of agriculture and the wheel) as against Man's true harmony. Naturally, this is done by showing how depraved and screwed-up modern life is compared to those who "embrace" nature.
 
Line 127 ⟶ 150:
* In ''[[The Secret of NIMH]]'', the rat protagonists dislike the fact their society is based around stolen technology and want to be self-supporting. The rats that want to keep their stolen electric life go into exile and eventually die... trying to steal an engine. In this case it's not automation that is evil, but using technology you didn't build yourself.
** Also, the desire to give up human technology was at least partly motivated by the fear that it might bring unwanted attention on the rats' society. Which it did.
* Taken to [[Anvilicious]] levels in ''[[Avatar (film)|Avatar]]'', where the naturalistic Naavi are presented as morally and culturally superior in comparison to the more technologically advanced humans, who are [[Humans Are Bastardsthe Real Monsters|all bastards]] who polluted their own home planet to the brink of ecological collapse.
 
=== [[Literature]] ===
Line 153 ⟶ 176:
*** [[Holding Back the Phlebotinum|Of course, even then,]] all the advanced tech is being held at Area 51 or used only by SG teams and ships. It's stressed on several occasions that Earth as a whole is not ready for [[The Masquerade]] to break just yet.
*** Although, it is mentioned that some technology was leaking into the commercial market, but it's rarely discussed, so it's less Ludd Was Right and more about something minor but inevitable happening.
* The [[Battlestar Galactica (2004 TV series)|remake of ''[[Battlestar Galactica]]'']] ends with the entire fleet {{spoiler|spontaneously deciding that Ludd Was Right and it's time to throw away all their advanced technology, hand the Cylon basestar over to the Centurions, launch the rest of their fleet into the sun, and embark on a [[Inferred Holocaust|primitive existence on a totally unfamiliar world]]. This was unfortunately a result of the need for the fleet to become us as shown in the coda to the finale, and flew right in the face of the lessons learned by the characters over the series. Lee actually said they needed to grow before they could attempt to live as they had done, ignoring that they had ''done just that'' over the series, even coming to gather with the artificially created Cylons (some of them), and the point had never been 'technology is bad', merely the societal problems ''they had just overcome!''}}
** The sad part is that it could easily have been tweaked so that {{spoiler|the colonials founded Atlantis, then destroyed themselves and their advanced technology a few generations down the line.}} Same Aesop, fits the real-world timeline, and it ''makes sense''.
* The Alphaverse in ''[[Charlie Jade]]'' is far more technically advanced than our universe (the Betaverse); it's also severely polluted, run by corrupt corporations instead of governments, and is built on a caste system where the lowest class is considered property. A rather more subtle example, as not everyone who travels from Alpha to Beta prefers the latter. One scientist assigned to the Betaverse is disgusted by the crudity of cancer treatment, implying it's easily curable in her universe, and Charlie himself spends much of the series unimpressed by Beta and trying to get home to Alpha, which he describes as "Some place just like this, only better. And much worse."
Line 178 ⟶ 201:
 
{{reflist}}
[[Category:Romanticism Versus Enlightenment{{PAGENAME}}]]
[[Category:Anti-Intellectualism]]
[[Category:Romanticism Versus Enlightenment]]
[[Category:Speculative Fiction Tropes]]
[[Category:Ludd Was Right]]