Julio Cortázar: Difference between revisions
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His work is amply revered by the Latin American critics and writers, full of [[Mind Screw|Mind Screws]] around every corner, modernism worthy of [[James Joyce]], wordplay, tracts of stream of consciousness everywhere and bend or just break any convention of literature itself. Some of his most famous works are ''Rayuela'' (''[[Hopscotch]]'', 1963), ''62, modelo para armar'' (''62: A Model Kit'', 1968), ''Bestiario'' (1951) and ''Final del Juego'' (1956). |
His work is amply revered by the Latin American critics and writers, full of [[Mind Screw|Mind Screws]] around every corner, modernism worthy of [[James Joyce]], wordplay, tracts of stream of consciousness everywhere and bend or just break any convention of literature itself. Some of his most famous works are ''Rayuela'' (''[[Hopscotch]]'', 1963), ''62, modelo para armar'' (''62: A Model Kit'', 1968), ''Bestiario'' (1951) and ''Final del Juego'' (1956). |
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Some of his writings (particularly his short stories) have influenced movies, like ''Weekend'' of Jean-Luc Godard or ''[[ |
Some of his writings (particularly his short stories) have influenced movies, like ''Weekend'' of Jean-Luc Godard or ''[[Blowup]]'' of Michelangelo Antonioni. |
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=== Tropes about him and his work<ref>except ''[[Hopscotch]]'', which has its own page</ref>: === |
=== Tropes about him and his work<ref>except ''[[Hopscotch]]'', which has its own page</ref>: === |
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* [[Pun-Based Title]]: ''Around the Day in Eighty Worlds'', ''A Manual for Manuel'', etc. They work better on Spanish, obviously. |
* [[Pun-Based Title]]: ''Around the Day in Eighty Worlds'', ''A Manual for Manuel'', etc. They work better on Spanish, obviously. |
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* [[Pungeon Master]]: Cortázar himself. |
* [[Pungeon Master]]: Cortázar himself. |
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* [[ |
* [[Schrödinger's Butterfly]]: Mercilessly used in "The Night Face Up". |
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* [[Smoking Is Cool]]: Cortázar always had a cigarette at hand. |
* [[Smoking Is Cool]]: Cortázar always had a cigarette at hand. |
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* [[Spiritual Successor]]: ''62: A Model Kit'' was born as an extension of an idea Cortázar had when writing the chapter 62 of ''[[Hopscotch]]'' (hence the title). |
* [[Spiritual Successor]]: ''62: A Model Kit'' was born as an extension of an idea Cortázar had when writing the chapter 62 of ''[[Hopscotch]]'' (hence the title). |
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* [[Stream of Consciousness]] |
* [[Stream of Consciousness]] |
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Revision as of 02:49, 10 April 2017
Julio Cortázar (1914-1984) is an Argentinian writer, famous for being one of the founders of the Latin American Boom. Actually, though he was from Argentina, he spent most of his time outside the country, first because his family lived in Europe (he was born in a Belgium embassy during the German occupation) and later in a self-imposed exile in France because of his dislike of the Peron’s administration. He became a supporter of leftism (including the Sandinista revolution in Nicaragua) and critic of the human right violations in Latin America. He died in 1984 of leukemia.
His work is amply revered by the Latin American critics and writers, full of Mind Screws around every corner, modernism worthy of James Joyce, wordplay, tracts of stream of consciousness everywhere and bend or just break any convention of literature itself. Some of his most famous works are Rayuela (Hopscotch, 1963), 62, modelo para armar (62: A Model Kit, 1968), Bestiario (1951) and Final del Juego (1956).
Some of his writings (particularly his short stories) have influenced movies, like Weekend of Jean-Luc Godard or Blowup of Michelangelo Antonioni.
Tropes about him and his work[1]:
- All Just a Dream: Played with in "The Night Face Up".
- Anachronism Stew: "All The Fires The Fire" happens either in the Ancient Rome but with telephones and cigarettes, or happens in the present but with Roman circuses.
- Author Appeal: France and jazz appear in a lot of stories.
- Bilingual Bonus: Present in all his writings.
- Bury Your Gays: Hélène in 62: A Model Kit
- Closed Circle: "South Highway" uses a long traffic jam... a very long traffic jam.
- Cloudcuckoolander: A lot of characters in a lot of works. Arguably, Cortázar himself.
- Contemplate Our Navels
- Downer Ending
- Dramatic Slip: One of the drabbles in "Unusual Occupations" (from the book Cronopios and Famas).
- Grand Theft Me: "Axolotl".
- Gratuitous English
- Gratuitous French
- Haunted House: "House Taken Over"... possibly.
- Human Sacrifice: “The Night Face Up”.
- Incompatible Orientation: A key plot point in 62: A Model Kit is this dynamic between Juan and Hélène. Maybe.
- Losing Your Head: One of the drabbles in "Unstable Stuff" (from the book Cronopios and Famas).
- Magic Realism
- Maintain the Lie: In "The Health of the Sick", to not give a woman a shock, her family has to pretend that her son is still alive.
- Mayincatec: Curiously averted in "The Night Face Up". You don’t hear about the Olmecs in your average short story.
- Mind Screw
- No Name Given: The characters in "South Highway" are only referred by the cars they drive.
- Old Shame: A book of sonnets under the pseudonym Julio Denis.
- Perfectly Cromulent Word: 'Cronopio' is the most famous word invented by Cortázar. Supposedly it refers to someone who is naive and idealistic, disorganized, unconventional and sensitive (he even refers to them as 'creatures').
- Pun-Based Title: Around the Day in Eighty Worlds, A Manual for Manuel, etc. They work better on Spanish, obviously.
- Pungeon Master: Cortázar himself.
- Schrödinger's Butterfly: Mercilessly used in "The Night Face Up".
- Smoking Is Cool: Cortázar always had a cigarette at hand.
- Spiritual Successor: 62: A Model Kit was born as an extension of an idea Cortázar had when writing the chapter 62 of Hopscotch (hence the title).
- Stream of Consciousness
- Switching POV: "Axolotl" does in smoothly right in the middle; "Miss Cora", on the other hand, does it every 100-200 words.
- Verbal Tic: Cronopios sure like to say 'cronopio' a lot.
- Word Salad Title