Featureless Plane of Disembodied Dialogue: Difference between revisions

Everything About Fiction You Never Wanted to Know.
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{{trope}}
{{trope}}
{{quote|'''Rival's Pidgeotto''': I can blow you all off this bridge with one wing tied behind my back.<br />
{{quote|'''Rival's Pidgeotto''': I can blow you all off this bridge with one wing tied behind my back.
'''Jasmine''': Wait, since when were we on a bridge?|Azza's Nuzlocke Run, ''[http://www.nuzlocke.com/ Nuzlocke Fan Comics]''}}
'''Jasmine''': Wait, since when were we on a bridge?|Azza's Nuzlocke Run, ''[http://www.nuzlocke.com/ Nuzlocke Fan Comics]''}}


Conversations don't take place in a vacuum. Other things don't [[Talking Is a Free Action|stop happening]] just because characters are talking. Many beginning writers forget this, writing long chunks of dialogue without any narration or dialogue tags to break it up, and in the process, the reader becomes lost in the [[Featureless Plane of Disembodied Dialogue]].
Conversations don't take place in a vacuum. Other things don't [[Talking Is a Free Action|stop happening]] just because characters are talking. Many beginning writers forget this, writing long chunks of dialogue without any narration or dialogue tags to break it up, and in the process, the reader becomes lost in the '''Featureless Plane of Disembodied Dialogue'''.


Like an unintentional version of the [[White Void Room]], the reader is given no reminders of the setting in which the dialogue actually occurs: For all they know, the scene could be completely bare and blank, with nothing to look at, no other characters and absolutely nothing occurring whatsoever aside from the dialogue in question. In the very worst cases, the writer may fail to even set the scene in the first place, giving the reader absolutely nothing at all to visualise what's happening. Another problem is that it's easy to lose track of who's saying what, especially if there are more than two characters involved in the conversation.
Like an unintentional version of the [[White Void Room]], the reader is given no reminders of the setting in which the dialogue actually occurs: For all they know, the scene could be completely bare and blank, with nothing to look at, no other characters and absolutely nothing occurring whatsoever aside from the dialogue in question. In the very worst cases, the writer may fail to even set the scene in the first place, giving the reader absolutely nothing at all to visualise what's happening. Another problem is that it's easy to lose track of who's saying what, especially if there are more than two characters involved in the conversation.
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Compare [[Script Fic]]; indeed, many examples of this trope are script fics clumsily converted into prose to [[Loophole Abuse|get around]] [[Fanfiction.net]]'s ban of the format. See also [[Talking Is a Free Action]], [[Wall of Text]], and [[Inaction Sequence]]. When the dialogue itself is being used as a substitute for describing the scene, see [[Show, Don't Tell]] and [[Expospeak]].
Compare [[Script Fic]]; indeed, many examples of this trope are script fics clumsily converted into prose to [[Loophole Abuse|get around]] [[Fanfiction.net]]'s ban of the format. See also [[Talking Is a Free Action]], [[Wall of Text]], and [[Inaction Sequence]]. When the dialogue itself is being used as a substitute for describing the scene, see [[Show, Don't Tell]] and [[Expospeak]].
{{examples}}


{{examples}}
== [[Fanfic]] ==
{{Needs More Examples}}
* ''[[Dark Secrets (Fanfic)|Dark Secrets]]'': A review of this fic was the [[Trope Namer]].
== [[Fan Works]] ==
* ''[[Hogwarts Exposed (Fanfic)|Hogwarts Exposed]]'': Used throughout, but taken [[Up to Eleven]] by the fourth chapter of ''Too Exposed'' which is a [[Script Fic]] in all but name.
* ''[[Dark Secrets]]'': A review of this fic was the [[Trope Namer]].
* ''[[Mai's Ramblings (Fanfic)|Mais Ramblings]]'': Every entry is completely encased in quotation marks. Some fans have speculated that Mai is telling it all to a psychiatrist in his office.
* ''[[Hogwarts Exposed]]'': Used throughout, but taken [[Up to Eleven]] by the fourth chapter of ''Too Exposed'' which is a [[Script Fic]] in all but name.
* ''[[Prince of Darkness No More (Fanfic)|Prince of Darkness No More]]'': Particularly bad towards the end of the first part, where it's lampshaded in the author's notes.
* ''[[Mai's Ramblings|Mais Ramblings]]'': Every entry is completely encased in quotation marks. Some fans have speculated that Mai is telling it all to a psychiatrist in his office.
* ''[[Prince of Darkness No More]]'': Particularly bad towards the end of the first part, where it's lampshaded in the author's notes.
* The final chapter of ''[[Drunkard's Walk|Drunkard's Walk II]]'' includes several scenes deliberately presented in this style in order to obscure the identities and location of the speakers.


== Roleplay ==
== Roleplay ==
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== [[Web Original]] ==
== [[Web Original]] ==
* ''[[Cirno and Purple Steve (Literature)|Cirno and Purple Steve]]'': Justified in chapter 11 because it actually takes place in a featureless plane.
* ''[[Cirno and Purple Steve]]'': Justified in chapter 11 because it actually takes place in a featureless plane.
* ''[[Project Banzai]]'' uses this deliberately when anything is happening in Heaven.
* ''[[Project Banzai]]'' uses this deliberately when anything is happening in Heaven.



Latest revision as of 23:07, 24 January 2021

Rival's Pidgeotto: I can blow you all off this bridge with one wing tied behind my back.

Jasmine: Wait, since when were we on a bridge?
—Azza's Nuzlocke Run, Nuzlocke Fan Comics

Conversations don't take place in a vacuum. Other things don't stop happening just because characters are talking. Many beginning writers forget this, writing long chunks of dialogue without any narration or dialogue tags to break it up, and in the process, the reader becomes lost in the Featureless Plane of Disembodied Dialogue.

Like an unintentional version of the White Void Room, the reader is given no reminders of the setting in which the dialogue actually occurs: For all they know, the scene could be completely bare and blank, with nothing to look at, no other characters and absolutely nothing occurring whatsoever aside from the dialogue in question. In the very worst cases, the writer may fail to even set the scene in the first place, giving the reader absolutely nothing at all to visualise what's happening. Another problem is that it's easy to lose track of who's saying what, especially if there are more than two characters involved in the conversation.

Sometimes an author may do this on purpose, for example to keep The Omniscient Council of Vagueness appropriately vague. Other than that though, the Featureless Plane Of Disembodied Dialogue is uncommon in published literature, because professional editors tend to frown on it quite heavily. It's very common in live theatre, however, since it's easier to strip the stage bare of scenery than it is to transform from one set to another.

Compare Script Fic; indeed, many examples of this trope are script fics clumsily converted into prose to get around Fanfiction.net's ban of the format. See also Talking Is a Free Action, Wall of Text, and Inaction Sequence. When the dialogue itself is being used as a substitute for describing the scene, see Show, Don't Tell and Expospeak.

Examples of Featureless Plane of Disembodied Dialogue include:

Fan Works

  • Dark Secrets: A review of this fic was the Trope Namer.
  • Hogwarts Exposed: Used throughout, but taken Up to Eleven by the fourth chapter of Too Exposed which is a Script Fic in all but name.
  • Mais Ramblings: Every entry is completely encased in quotation marks. Some fans have speculated that Mai is telling it all to a psychiatrist in his office.
  • Prince of Darkness No More: Particularly bad towards the end of the first part, where it's lampshaded in the author's notes.
  • The final chapter of Drunkard's Walk II includes several scenes deliberately presented in this style in order to obscure the identities and location of the speakers.

Roleplay

Web Original