Category:Fourth Wall: Difference between revisions

Everything About Fiction You Never Wanted to Know.
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A very common fictional concept is that the characters are unaware of the fact that they are characters in somebody else's work of fiction.


This separation between the characters' world and the audience is the '''Fourth Wall'''—named for the imaginary wall at the front of a stage play beyond which the actors are (usually) not supposed to cross.


It's an [[Omnipresent Tropes|Omnipresent Trope]], because the separation of fiction and audience helps preserve the latter's [[Willing Suspension of Disbelief]]: The fictional characters treat their story as [[Real Life]], and audience interprets it the same way.
<div class="catbox">''Main article: '''[[{{PAGENAME}}]]'''''</div><div style="clear:left;"></div>

See [[Three-Wall Set]] for the production implications of this concept; for example, [[The Couch]] often directly faces the '''Fourth Wall'''.

Straight uses of the '''Fourth Wall''' are ''far'' too numerous and trivial to list, compared to examples of [[Breaking the Fourth Wall]] or when there is [[No Fourth Wall]].

The exploration and subversion of the '''Fourth Wall''' is a common trait of [[Post Modernism]].

Not to be confused with [[Atop the Fourth Wall|that web show done by Linkara that reviews bad comic books.]]

The category overlaps somewhat with [[Metafiction Demanded This Index]].


[[Category:Index Index]]
[[Category:Index Index]]
[[Category:Tropes of Legend]]
[[Category:Acceptable Breaks From Reality]]
[[Category:Meta Concepts]]
[[Category:Metafiction Demanded This Index]]
[[Category:Lit Class Tropes]]
[[Category:Omnipresent Tropes]]

Revision as of 17:03, 11 September 2019

A very common fictional concept is that the characters are unaware of the fact that they are characters in somebody else's work of fiction.

This separation between the characters' world and the audience is the Fourth Wall—named for the imaginary wall at the front of a stage play beyond which the actors are (usually) not supposed to cross.

It's an Omnipresent Trope, because the separation of fiction and audience helps preserve the latter's Willing Suspension of Disbelief: The fictional characters treat their story as Real Life, and audience interprets it the same way.

See Three-Wall Set for the production implications of this concept; for example, The Couch often directly faces the Fourth Wall.

Straight uses of the Fourth Wall are far too numerous and trivial to list, compared to examples of Breaking the Fourth Wall or when there is No Fourth Wall.

The exploration and subversion of the Fourth Wall is a common trait of Post Modernism.

Not to be confused with that web show done by Linkara that reviews bad comic books.

The category overlaps somewhat with Metafiction Demanded This Index.