Brick: Difference between revisions

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A 2006 cult film directed by Rian Johnson, ''Brick'' tells the story of Brendan Frye ([[Joseph Gordon-Levitt]]), a teenage loner silently pining over his ex-girlfriend, Emily. When he gets a phone call from a panicked Emily, and finds her dead in a storm drain soon after, he goes on a one-man quest to bring her murderer(s) to justice, blowing the lid off of his high school's underworld of drugs and crimes.
 
Even though it takes place in the modern day, the characters in ''Brick'' all speak in an invented slang closely based off of vernacular speech in the '20s, '30s, and '40s. The high school social cliques match surprisingly well with traditional noir archetypes. Much like its inspirations (such as the noir classic, ''[[The Maltese Falcon (Film)|The Maltese Falcon]]''), one of Brick's main strengths is in its hard-boiled dialogue. The film also boasts excellent cinematography and strong performances.
 
{{tropelist}}
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* [[Determinator]]: Brendan. He lets Tug beat the crap out of him, infiltrates a drug ring, and involves himself in a gang war all out of his love for Emily.
* [[Did They or Didn't They?]]: The scene near the end between Brendan and {{spoiler|Laura}} was shot with the footage in the film, but then continued when he took off her shirt. Then the scene faded back in with them smoking and her putting it back on and rearranging her clothes. [[Word of God]] says they did, but he edited the film to leave the doubt because they wouldn't in the land of fiction.
* [[Did We Just Have Tea Withwith Cthulhu?]]: Brendan in the Pin's kitchen, being given breakfast by [[Even Bad Men Love Their Mamas|the Pin's mom]].
* [[Downer Ending]]
* [[The Dragon]]: Tug, again.
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* [[Even Bad Men Love Their Mamas]]: {{spoiler|The Pin, whose mom serves corn flakes and apple juice to him and his criminal associates}}.
* [[Evil Cripple]]: The Pin.
* [[Fake American]]: Emilie De Ravin does a terrific American accent. So good that many thought Her Australian accent in ''[[Lost (TV)|Lost]]'' was fake.
* [[Femme Fatale]]: Laura Dannon
* [[Film Noir]]: The name of the game.
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* [[The Ingenue]]: Subverted with Emily. Even though she is the main character's love interest and [[The Lost Lenore]], it is soon revealed that she left him to date a drug addict, {{spoiler|tried to join the inner circle of a prominent drug dealer, and had sex with the aforementioned drug addict and the dealer's head enforcer.}} All within a span shorter than three months.
* [[Jerk Jock]]: Mostly played for laughs in the form of Brad Bramish.
* [[Jerk Withwith a Heart of Gold]]: Dode, though his heart of gold probably has a few impurities.
* [[Lady in Red]]: Laura wears a red [[Qipao]] when Brendan meets her.
* [[Lampshade Hanging]]: Hung immediately after the entry for [[Not in This For Your Revolution]]:
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* [[Popular Is Dumb]]: Played straight with Brad Bramish, averted with Laura.
* [[Pretty Little Headshots]]: Gruesomely averted.
* [[Riddle for Thethe Ages]]: We might never find out what Laura whispered to Brendan. In [http://www.rcjohnso.com/brickscript/BrickScript.pdf a shooting script] on his website, Rian Johnson reveals what Laura whispered at the end: {{spoiler|Motherfucker, referencing the fact that Brendan and not Dode was the father of Emily's baby.}} This is a homage to the Dashiell Hammett short story, "The Girl with the Silver Eyes," which ends identically: {{spoiler|"She put her mouth close to my ear so that her breath was warm again on my cheek, as it had been in the car, and [[Narrative Profanity Filter|whispered the vilest epithet of which the English language is capable.]]"}}
* [[Shouldn't We Be in School Right Now?]]: A lot of the characters go to and from school, more or less at will.
* [[Shout-Out]]: Lots, and from a wide variety of sources. Lines from ''[[The Maltese Falcon (Film)|The Maltese Falcon]]'' are paraphrased, and the chase scene is an obvious homage to ''[[Cowboy Bebop]]'' (Brendan even looks a bit like Spike). The shot of Laura coming out of a dark corridor is a reference to ''[[Blue Velvet]]''.
** The line "Oh, now you are ''dangerous''" is taken verbatim from ''[[The Maltese Falcon]]''.
** And the convoluted structure owes itself to ''[[The Big Sleep (Literature)|The Big Sleep]]'', and [[Raymond Chandler]]'s style in general.
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** Which actually becomes a central plot-point in the climax.
* [[The Summation]]: Interestingly, Brendan gives it to the mastermind. {{spoiler|Laura, natch!}} Then the mastermind offers a correction...
* [[Sympathy for Thethe Devil]]: The Pin's a pretty bad character, but it's hard not to feel a little sorry for him. This is most apparent when he reaches out to {{spoiler|Brendan}}, desperately seeking a friend.
* [[Teens Are Monsters]]: And how!
* [[Totally Radical]]: Perhaps the strangest version of this in history. The characters are modern day teenagers who all speak like hardboiled characters in a Dashiel Hammett P.I. story.
* [[Unstoppable Rage]]: This, plus a [[Hair-Trigger Temper]], makes Tug into an ''extremely'' dangerous character. Even his employer is afraid of him.
* [[The Vamp]]: Kara and {{spoiler|Laura}}.
* [[What Happened to Thethe Mouse?]]: {{spoiler|The Pin's mom is in the house only minutes before all hell broke loose; what happened to her during the climax and afterwards?}}
* [[Wham! Line]]:
{{quote| '''Dode:''' {{spoiler|She was gonna keep it! It was mine, and you couldn't stand that! ...I loved her. And I woulda loved that kid. I'm gonna bury you.}}}}