Underground Comics: Difference between revisions

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{{worktrope}}
[[Underground comicsComics]] (or "comix") are small press or self-published comic books that first emerged in [[The Sixties|the 1960's]]. They came about as an artistic response to the mainstream, Comics Code Authority approved comics, which focused on superheroes, war, romance, and juvenile humor, while ignoring many of the real-life issues affecting their readers. Underground comics took on these topics forbidden in the mainstream, including explicit drug use, sexuality and violence. They were most popular from the late 1960's to [[The Eighties|the early 1980's]].
 
Underground comics were popular with the hippie counterculture and punk scenes. Produced by people like [[Robert Crumb]], Gilbert Shelton, and Gary Panter, the comics tapped into the zeitgeist of the youth culture, exploring themes of distrust in government, the horrors of daily life, and the fading of the [[American Dream]].
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As the comic industry has matured (or at least become more tolerant), these pioneering works have [[Seinfeld Is Unfunny|lost some of their original power]]; [[Slice of Life]], [[Gorn|extreme violence]], and [[Hotter and Sexier|sex]] have all found their way into mainstream comics nowadays, but that doesn't mean these comics are any less important or entertaining.
 
{{tropelistexamples}}
 
* ''[[American Splendor]]'': Early on. Later published by [[Dark Horse Comics]] and [[Vertigo Comics]], an imprint of [[DC Comics]]. A pioneering autobiographical comic focusing on the life of its creator and writer, Harvey Pekar, with art drawn by many underground cartoonists, including Frank Stack and Robert Crumb.
* [[Isaac Baranoff|Isaac M. Baranoff]]: Modern day underground cartoonist known for [[Funny Animal]] comix and violent horror stories. Founded the publisher [[Mystic Studios Productions]].