Stop Motion: Difference between revisions

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* ''[[The Moomins]]'' were felt cutouts.
* [[Emile Cohl]], one of the very first auteur animators, tended to use cutout animation in conjunction with everything else he could get his hands on.
* ''Worker And Parasite'', the cartoon-within-a-cartoon of ''[[The Simpsons (animation)|Krusty Gets Kancelled]]'' (and quite an accurate spoof of Eastern European cartoons), was done this way.
* [[Terry Gilliam]]'s animations for ''Do Not Adjust Your Set'' and ''[[Monty Python]]'', mostly using found images in surreal combinations.
* Oliver Postgate and Peter Firmin's (see above) series ''The Saga of Noggin the Nog'' and ''Ivor the Engine'' were executed entirely with cutout animation, as were some of the stories-within-the-show in ''Bagpuss''.
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