Le Morte d'Arthur: Difference between revisions

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{{work}}
{{Infobox book
[[File:SirBedivere_Beardsley_w270_7832.jpg|frame|<small>Knowing that you [[Monty Python and the Holy Grail|can't expect to wield supreme executive power]] just because some watery tart threw a sword at you, Bedivere chucked [[Excalibur]] back into the lake.</small><ref>Image is "How Sir Bedivere Cast the Sword Excalibur into the Water" by Aubrey Beardsley, 1894.</ref>]]
| title = Le Morte d'Arthur
| original title = The hoole booke of kyng Arthur & of his noble knyghtes of the rounde table
| image = SirBedivere_Beardsley_w270_7832.jpg
[[File:SirBedivere_Beardsley_w270_7832.jpg |frame|<small> caption = Knowing that you [[Monty Python and the Holy Grail|can't expect to wield supreme executive power]] just because some watery tart threw a sword at you, Bedivere chucked [[Excalibur]] back into the lake.</small><ref>Image is "How Sir Bedivere Cast the Sword Excalibur into the Water" by Aubrey Beardsley, 1894.</ref>]]
| author = Sir Thomas Malory
| central theme =
| elevator pitch = The story of [[King Arthur]] and the knights of the Round Table
| genre = Historical fiction, Arthurian Romance
| publication date = 1485
| source page exists =
| wiki URL =
| wiki name =
}}
[[Sir Thomas Malory]] (c. 1405--1471; his name is also spelled "Mallory" and a handful of other variants) was an English writer whose version of the [[King Arthur]] mythos, '''''Le Morte d'Arthur''''', is often treated as the definitive version. This is partially due to the fact that the book was one of the first to be printed in Britain (by [[William Caxton]] in 1485, 14 years after Malory's death), and subsequently reached a high circulation.
 
''[[Le Morte d'Arthur]]'' means ''"The Death of Arthur'';": it was originally only the title of the eighth and last "book" of Malory's narrative, which ''he'' named ''The Whole Book of King Arthur & of His Noble Knights of the Round Table''<ref>Though he spelt it ''The hoole booke of kyng Arthur & of his noble knyghtes of the rounde table''.</ref>. It was [[Executive Meddling|Caxton that changed the title]] to the one that was afterwards almost universally used, presumably because it was shorter.
Sir Thomas Malory (c. 1405--1471; his name is also spelled "Mallory" and a handful of other variants) was an English writer whose version of the [[King Arthur]] mythos, ''Le Morte d'Arthur'', is often treated as the definitive version. This is partially due to the fact that the book was one of the first to be printed in Britain (by William Caxton in 1485, 14 years after Malory's death), and subsequently reached a high circulation.
 
Oddly enough, in popular scholarly opinion Malory was himself an evil knight, who wrote the tale during his various stints in prison for robbery, murder, and rape(&mdash;it was the belief of [[C. S. Lewis]] that much of that was from his enemies &mdash;but if he was not as evil as some paint him, then he was probably a feuding and rustling savage (or in other words, a typical knight).
''[[Le Morte d'Arthur]]'' means ''The Death of Arthur''; it was originally only the title of the eighth and last "book" of Malory's narrative, which ''he'' named ''The Whole Book of King Arthur & of His Noble Knights of the Round Table''<ref>Though he spelt it ''The hoole booke of kyng Arthur & of his noble knyghtes of the rounde table''.</ref>. It was [[Executive Meddling|Caxton that changed the title]] to the one that was afterwards almost universally used, presumably because it was shorter.
 
Malory also has a bit part in T. H. White's ''[[The Once and Future King]]'' (and subsequently in ''[[Camelot (theatre)|Camelot]]'', [[The Musical]] based on it) as the squire that [[King Arthur]] sent off [[Famed in Story|to tell the story of the Round Table.]]
Oddly enough, in popular scholarly opinion Malory was himself an evil knight, who wrote the tale during his various stints in prison for robbery, murder, and rape(it was the belief of [[C. S. Lewis]] that much of that was from his enemies but if he was not as evil as some paint he was probably a feuding and rustling savage or in other words a typical knight).
 
Malory also has a bit part in T. H. White's ''[[The Once and Future King]]'', as the squire that [[King Arthur]] sent off [[Famed in Story|to tell the story of the Round Table.]]
 
{{tropelist}}
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* [[Dark Age Europe]]
* [[Doorstopper]]
* [[Excalibur (sword)|Excalibur]]
* [[Fan Nickname]]: His definitive rendition of Arthurian legend originally didn't have a name. It was later called ''Le Morte d'Arthur'' because it was the most well-known part of the rendition.
* [[Good Old Ways]]: [[Courtly Love]] is not what it was in [[King Arthur]]'s day! ([[Newer Than They Think]] is [[Older Than They Think]].)
* [[Grail Quest]]: As to be expected in an Arthurian Romance. In ''Le Morte d'Arthur'' it spans hundreds of pages as the narrative follows the knights of the Round Table in their search for the Grail -- and their many and varied failures. The Grail demanded an almost unmeetable moral standard from the knights seeking it, and threw all manner of temptations in their way -- including the inevitable lures of the flesh, but also some where the knight was tempted to abandon the quest to take up another lesser, though noble, duty than finding the Grail. Ultimately, the Grail required a state of pre-eminent spiritual purity and focus that most of Arthur's knights could not achieve or maintain; ultimately only three qualified (Galahad, Percival and Lancelot -- and strictly speaking Lancelot was an "almost but not quite"). Furthermore, one could argue that the quest was so stressful that it effectively shattered the fellowship of the Round Table.
* [[Incorruptible Pure Pureness]]
* [[In Which a Trope Is Described]]
* [[King Arthur]]: Duh
* [[Load-Bearing Boss]]{{context}}
* [[Only the Chosen May Wield]]: The Sword in the Stone.
* [[Tsundere]]: Queen Guinevere
 
{{reflist}}
[[Category:Classic Literature{{PAGENAME}}]]
[[Category:Literature of the 15th century]]
[[Category:LeMatter Morteof d'ArthurBritain]]