Basara: Difference between revisions

Everything About Fiction You Never Wanted to Know.
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* [[Intrepid Reporter]] : Taro and Akane with their newspapers
* [[Intrepid Reporter]] : Taro and Akane with their newspapers
* [[Ironic Hell]]: {{spoiler|Ageha}} gets one of these.
* [[Ironic Hell]]: {{spoiler|Ageha}} gets one of these.
* [[Kansai Regional Accent]]: Prominent among the characters from Kyoto and the Kumano region. Characters from the north feature [[Tohoku Regional Accent|Tohoku Regional Accents]].
* [[Kansai Regional Accent]]: Prominent among the characters from Kyoto and the Kumano region. Characters from the north feature [[Tohoku Regional Accent]]s.
* [[Ladykiller in Love]]: Shuri once he gets serious about Sarasa.
* [[Ladykiller in Love]]: Shuri once he gets serious about Sarasa.
* [[La Résistance]]: A major theme.
* [[La Résistance]]: A major theme.
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* [[The Unchosen One]]: Even towards the end, no one really knows who the chosen one really was.
* [[The Unchosen One]]: Even towards the end, no one really knows who the chosen one really was.
* [[Unto Us a Son and Daughter Are Born]]: Tatara and Sarasa.
* [[Unto Us a Son and Daughter Are Born]]: Tatara and Sarasa.
* [[White and Gray Morality]]: To an extent. There are very few truly evil, depraved people on the empire's side--instead, most are genuine idealists and honorable [[Noble Demon|Noble Demons]] (that is, everyone on the Red King's side, and the Red King himself), or else more incompetent and conservative than malicious. Or else they have [[Freudian Excuse|Freudian Excuses]]. This is demonstrated marvelously during the underground prison arc, when {{spoiler|pretty much all of the prison wardens turn out to be sympathetic characters who make [[Heel Face Turn|Heel Face Turns]]}}. There are exceptions, such as Councillor Hagiwara.
* [[White and Gray Morality]]: To an extent. There are very few truly evil, depraved people on the empire's side—instead, most are genuine idealists and honorable [[Noble Demon]]s (that is, everyone on the Red King's side, and the Red King himself), or else more incompetent and conservative than malicious. Or else they have [[Freudian Excuse]]s. This is demonstrated marvelously during the underground prison arc, when {{spoiler|pretty much all of the prison wardens turn out to be sympathetic characters who make [[Heel Face Turn]]s}}. There are exceptions, such as Councillor Hagiwara.
* [[Wholesome Crossdresser]]: Ageha, who's praised as being the best dancer in Japan. {{spoiler|Umewaka also posed as a woman while spying on Shuri and Kazan.}}
* [[Wholesome Crossdresser]]: Ageha, who's praised as being the best dancer in Japan. {{spoiler|Umewaka also posed as a woman while spying on Shuri and Kazan.}}
* [[Wrench Wench]]: Kikune.
* [[Wrench Wench]]: Kikune.

Revision as of 06:54, 13 July 2021

Basara: the spirit of freedom which denies old authority, transcending traditions and customs.

Diamond Sanskrit Vajra

Basara is an award-winning manga created by Yumi Tamura, which was later adapted into a (rather obscure) thirteen episode TV series. It centers around a sixteen-year-old girl, Sarasa, who uses her wits and the Power of Friendship to lead the people of a Post Apocalyptic future Japan to freedom.

At the end of the 20th century, an undisclosed catastrophe destroyed the civilized world driving society back to a feudal level. Japan is ruled by the Golden King, a tyrant who came to power by assassinating everyone ahead of him in the line of succession. Now his greatest fear is to suffer the same fate. To avoid this he divided the land among his three sons, the Black King, the Blue King and the Red King, so they would expend all their energy fighting each other instead of him. Naturally it's their subjects who suffer most by this.

In the tiny Village of Byakko in the now desertified western region of Japan, a pair of brother-sister twins are born under a prophecy: one of them will become the Child of Destiny and lead the country into a new era of freedom and prosperity. The boy Tatara is taken for the Chosen One, while his sister Sarasa languishes in his shadow. However, when the local ruler, the Red King, learns of the prophecy, he attacks the village, finding Tatara and executing him. Sarasa disguises herself as her brother to keep her people from falling into despair.

Newly promoted to leader, Sarasa initially only seeks Revenge against the Red King for murdering her family, but over the course of many adventures her motivation gradually shifts to dethroning all the kings and establishing a country where everybody is equal. And as if leading a rebellion wasn't enough for a sixteen-year-old, Sarasa's relationship with Shuri, a Tall, Dark and Handsome stranger she meets time and again on her journey complicates her life further.

Not to be confused with Sengoku Basara.

Tropes used in Basara include: