Avatar: The Last Airbender/Headscratchers/Miscellaneous: Difference between revisions

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** Some of them did. It's why Liberia's capital is called Monrovia. [[Being Tortured Makes You Evil|It didn't work out so well.]]
** Setting aside race relations, dissident groups either getting 'encouraged' to leave or choosing to do so has happened many times on Earth. The North American colonies and Australia are two notable examples. In the Northern Water Tribe's case, the dissidents leaving meant that the social pressure for gender equality also left (until Katara overturned things).
** Perhaps the OP isn't familiar with a little place called [[Useful Notes/Saudi Arabia|Saudi Arabia]]. As of 2012, it's still an ''absolute monarchy'' without even the pretensions of civilian oversight, where women are forced by law to cover from head to toe in black (making [[Iran]]'s dress code positively liberal in comparison) and people can be executed for ''''sorcery'''' just because a citizen feels ill in their presence. Try going over there and changing the rules of ''that'' tribe, and you'll either be deported, if you're lucky, or beaten to death on the streets by the fanatical religious militia for challenging their 'traditional values'. If anything, the Northern Water Tribe's sexism was far too easily put aside.
 
* I understand Sokka wanted to save his father and loves him dearly, and I have a lot of respect for that, but I seriously have two big problems with it. First of all, was Hakoda really in that much more danger than anyone else who was captured because he was a leader and at the Boiling Rock? If yes, I can totally understand the urgency. However, what I really don't get is why he was about to go all alone until Zuko made him accept help. Think of how much easier it would have been if the gang had worked together. Somehow, I don't think Aang practicing Firebending was worth leaving him behind...
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**** Did we read the same 'Journey to the West'? Because the Sun Wukong I know is very little like Aang, spending the prologue drunkenly dicking around in Heaven until he finds a dude with a hand too big to jump out of and getting himself trapped under a huge palm-heel strike of pinnacles. Then the Buddha-wannabe Xuanzang comes along on a quest to retrieve Buddhist texts from India and bring them to China, and lets Sun Wukong out with the latter wearing a Tiara of Bodhisattva Chant Migraines so that Xuanzang could control the mischievous monkey nutcase. The rest is mostly the Buddha throwing demons at the group of monkey, pig, and 2x monk because they need 81 catastrophes for Xuanzang to attain enlightenment, mostly with the nigh powerless Xuanzang trusting every demon that comes along and wants to eat his flesh, and Sun Wukong seeing through everything but incapacitated by Bodhisattva Chant Migraines until Xuanzang is about to be a monk roast, after which he comes and saves the monk's pasty butt. I fail to see how the story of Aang is anything similar to any of this... The closest I get is Sokka as the mischievous, Cassandra Sun Wukong and Aang as the derpy but kindhearted Xuanzang (with Toph and Katara as Pig and Ogre-Monk Who Is Largely Uninteresting, I guess?). Either way, Aang is far more like Jesus, and IMO, the story is, at its core, a Western story, but I digress...
*** Re: the four elements are Greek only thing - This is a direct quote from Bryan in the art book:
{{quote| People often assume the "four-element theory" (comprised of air, water, earth, and fire) we brought to bending is exclusive to ancient Greece, and that in ancient China only a "five-element theory" was used (comprised of wood, fire, earth, metal, and water). Mike and I never claim to be experts in any of these subjects, but in our research we found the four-element theory was prevalent in ancient cultures all over the world, including ancient Buddhist teachings.}}
**** The fact remains that the specific four elements they chose were pretty much Grecian in nature, not Chinese. Note the lack of air and presence of wood and metal. That they acknowledge it simply means that its prevalent elsewhere, but this particular bit of culture is not from China; it would've helped their case more if they stated it was from Japan, since Japan does have five elements which would work with Avatar.
* In "The Southern Raiders," I noticed that Kya (Katara's mother) had on the necklace she supposedly passed down to Katara while being interrogated by Yon Rha. So...what, did they remove the necklace from the body after the fact, or...? Though I also doubt she died extremely violently, but eh. Doesn't make much sense to have it there; maybe it's just an accident.
** This Troper always assumed that she was wearing the necklace Hakoda gave her, and he simply made it look a lot like the one that Kanna gave to her daughter in a way of showing that he loved Kya enough to try to emulate the stranger who had given Kanna a necklace that was so treasured by Kya.
** When my dad died I inherited his Rose Bowl watch. I don't see why Katara shouldn't have inherited her late mother's necklace (assuming it is the same necklace).
** [[CompletelyDramatically Missing the Point|*sigh*,]] the reason she couldn't have gotten it was because her mom was wearing it when she was (presumably) burnt to a crisp!
*** We don't know how much of Kya actually got torched.
 
* Okay, look at the picture on the [[Adrenaline Makeover]] page. Now, ignoring the fact that Katara shouldn't even be that tan in the FIRST PLACE (being that she is basically an eskimo who has lived below the Antarctic circle her entire life up until Aang), how is it that she got PALER after spending a great deal of time in EQUITORIAL countries?!
** A culture that eats a lot of fish is probably going to have medium/dark skin regardless of latitude. The reason pale skin exists is to let more sun in so your skin can use it to make a vitamin, and fish are naturally high in that vitamin.
** Maybe it's just the sun making it look lighter? ..Oh wait, isn't it like that inside too?
** [http[wikipedia://en.wikipedia.org/wiki/File:Qamutik_1_1999Qamutik 1 1999-04-01.jpg |Eskimos have naturally olive skin]], and Katara's skin tone is actually within the normal range. (Also, getting tan is far from impossible in the polar regions. In fact, sunburn can be a health problem in polar regions; even though those areas are cold the snow reflects almost all of the UV light.) As for Katara getting pale, that could just be the lighting.
** Each Book was animated by a different studio, which is also why there are slight differences in the appearance of the character's faces over the seasons (Aang's eyes sometimes look bigger or smaller, and it might just be me, but in the last season many characters, notably Aang and Katara, have shorter/ more "snub"-type noses).
 
* How does Sokka have a "Warrior's Wolf Tail". A plain "wolf" seems ''very'' out of place in the Avatar world.
** There are some normal animals in the Avatar world, like bears and cats. Maybe wolves exist there too.
*** Obviously Sokka is a wolf/human.
** Maybe "Wolf" is just a general term for the species. We have poodles, golden retrievers, bloodhounds, huskies dachshunds, and the list goes on, but they're all classified as dogs. There could easily be a Bear-wolf, a Cat-Wolf, Eagle-Wolf, and Whatever-The-Hell-Else-Wolf, all classified generally as "wolves."
*** A normal, run-of-the-mill wolf is mentioned in ''Bato of the Water Tribe''.
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** Iroh never ''said'' that it was ''Roku's'' headpiece. A duplicate headpiece could have been created after Sozin gave his to Roku, then passed down from Sozin to Azulon to Iroh. Admittedly that wouldn't make a whole whack of sense in the context of the episode. Alternately, Sozin [[Wild Mass Guessing|could have gone to Roku's house first]], before going up the volcano, seen the headpiece on the floor, and taken it back. As for Iroh's smuggling foresight ... yeah, he's just that awesome.
*** Going to Roku's house first seems pretty reasonable. After all, if you're looking for someone, the first place you'd go is where they're most likely to be. Iroh's smuggling could either be a result of someone he trusted (probably from the White Lotus) sneaking it to him, or part of a plan he had already created.
** Also, what was the point of having it at all? It makes no sense in context (both in terms of how he had it at all, and how he got it into the cell), and then it ''never shows up again.'' If it became a plot device with Zuko later, I understand why they would have it, but why break the [[Willing Suspension of Disbelief]] like that and then [[What Happened to Thethe Mouse?|never mention it again]]?
*** Possibly because the point of it was served in that single episode. It was the physical reminder of the bond which once existed between the Avatar and the Fire Lord, and once Zuko finally realised the true significance of that relationship in the present day, in ''him'' as a descendant of both, its job was done. To (badly) paraphrase what Zuko said in 'The Firebending Masters', it was a shadow of the past Zuko could learn from in the present, but once it was done he could move on from it. In that aforementioned episode, he understandably feels far more hesitant about explaining he's the crown prince, so perhaps he no longer wanted that association with the Royal Family until he could establish it on his own terms - as with his becoming Fire Lord. (Though admittedly if that were the answer and the writers hadn't simply [[What Happened to Thethe Mouse?|ignored]] the headpiece, it would have been referred to.)
* In the season 2 finale, it is said by the earth king that the council of five are his most trusted generals. These are the same guys who either kept the war secret from him, never met the earth king or got appointed within the last day(in which case the first two still apply). None of that says anything good about their reliability.
** Perhaps, the Dai Li were keeping the war a secret from them as well.
** More likely, they were being manipulated by the Dai Li themselves. Long Feng probably had given them orders to keep the war a secret and to lead the Earth Kingdom's armies at his command rather than the Earth King's, ''or else.''
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** And? Zuko's a firebender; the people in the village have been at war with firebenders for a century, and he's the declared son of who they perceive to be the root of all the misery in their lives. Their response is exactly what you'd expect from people who've spent generations suffering due to the Fire Nation.
** The ''village'' yes, I can see that. It's the ''boy'' and his ''mother'' who bug me. They met him, got to know him, ''they'' should have at least realize that not ''all'' firebenders are evil especially the one who saves your life!
*** [[CompletelyDramatically Missing the Point|That's the point.]] Hatred and enmity for the Fire Nation is so deeply ingrained in these people that merely ''being'' a firebender is enough to be result in being hated. The fact that Zuko saved the boy was irrelevant; he's a ''firebender''. You're acting like hate, racism, long-term warfare, and generational ethnic conflict can be undone by one good act. Its ''not'' that easy. The entire point behind that scene was to reinforce just how horribly the war the Fire Nation began is affecting people.
*** Right. It's just like in the episode ''The Painted Lady''. After it's revealed that it was Katara all along that was helping the village, the villagers are angry and start ganging up on her because she's a water bender and she tricked them by dressing as a character from their legends. It isn't until Sokka gives his speech that they realize that no matter who she is, she did save them on multiple occasions, and only then do they come to their senses and thank her. Because of the war, hatred between the different nations are running high and cloud judgement.
** I can't help but think that things would've gone better if he didn't give a speech about how he's the son of the firelord
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*** Except that the Northern Water Tribe did just that during the day of the first battle, going out in small boats to freeze up the ships. We have no reason to think that they can't do more from the safety of their walls under the full moon and even if they couldn't that still doesn't explain why they don't launch attacks during the night when the Fire Nation would have a hard time just trying to see them. Heck, the strike team sent out on the second day showed no problem locating and attacking Zhao even though they clearly didn't know the first thing about Fire Nation soldiers. But even if we assume that for some reason they can't do that it ''still'' doesn't answer why they didn't repair the walls.
*** Yes, they went out in small boats against ''one individual ship'', which was ''being attacked by the Avatar'' at the time, and it took dozens of waterbenders to neutralize the ship. Not the entire Fire Nation navy, assembled in one solid formation and ready to return fire with artillery, firebenders, and other weaponry. There is absolutely no evidence that the Northern Tribe could strike at the Fire Nation navy from behind the walls, especially considering they have to be up close to even attack the Fire Nation vessels in their boats. The moonlight provides plenty of light to see by, and you can bet the Fire Nation will have plenty of sentries on watch to make sure the Northern Tribe doesn't get close. The strike team was able to infiltrate the Fire Nation fleet because it was a very small force operating in the middle of the main assault when things were confused and they could slip in among the confusion.
*** We've seen waterbenders surf around on water using nothing but their powers, and fairly quickly. There's no real reason the fire nation should ever win a sea battle against an army of waterbenders without them specifically using some sort of technology that gets around the fact that they're, you know, sailing on their enemies' weapon. Zhao's plan made sense on paper, but the fact that it required him to fight to the back of the city to take away their power sort of defeated the purpose. The waterbenders should have had no trouble replacing the walls on the fly, like we saw them do to create an entrance for Aang and his friends. Not to mention, boats are pretty dependent on water. The waterbenders should never even had to get close to the ships. All they should have had to do is line up on the walls and create a massive tidal wave to knock all of the ships over (or worse).
*** We've seen a very, very small number of waterbenders surf around on water without boats, and those are masters. The vast majority of waterbenders in the series use boats exclusively. There is plenty of reason why the Fire Nation can win against waterbenders on water: they have greater numbers and more firepower, and waterbenders need to devote dozens of benders to disable a single Fire Nation ship. The FN navy has hundreds of ships and thousands of sailors, not counting marine infantry, that can strike at far greater ranges than the waterbenders are capable of striking, as evidenced by the fact that they had to be within fifty meters to assault the individual Fire Nation ship that Aang was attacking, and the FN navy is in a tight formation with interlocking fields of fire. If they can put out more fire (literally and figuratively) than the waterbenders can match, at greater range than they are capable of, they have fire superiority. Demonstrated capabilities of the Northern Water Tribe show that the Fire Nation can indeed do this; the Fire Nation simply has that much more weaponry to bring to bear. In naval terms, they're able to achieve a greater concentration of force than the waterbenders can manage. Replacing the walls appears to require group effort and precise motions, which will be difficult when you're being constantly bombarded by hundreds of flaming catapault shots; battle damage inflicted on the city on the second day of the siege came from the bombardment on that day, and there are signs of repairs (while Zuko is infiltrating the city, you can see sections of the walls that had taken hits the previous day - they have been repaired) The waterbenders ''do'' have to get close to the ships, as demonstrated by the fact that the ''only time they attacked a Fire Nation ship they had to get right on top of it.'' They couldn't line the walls because of artillery bombardment that was suppressing them and pushing them backward; this was a common tactic in warfare all the way back to the Romans to clear archers off walls and it appears to have worked here as well.<br />In conclusion, the Northern Water Tribe was outnumbered, and overpowered by superior FN technology, which had superior range and ability to inflict damage. Demonstrated Water Tribe capabilities, coupled with what we see of other waterbenders elsewhere in the series, indicates that they simply don't have the range to match the FN navy, or the numbers to do any serious damage to their ships once the main fleet arrives with concentrated force. There's nothing ''wrong'' with this; the benders are very powerful on water, but the FN simply has a greater industrial base and technology, allowing them to achieve greater concentration of force.<br />If the invasion force was a single flotilla, maybe consisting of a dozen or so ships, I would agree with you. The waterbenders ''should'' be able to take such a force. The fact is, though, that the Fire Nation force sent against the Northern Water Tribe consisted of ''hundreds'' of ships. That's simply too much firepower, even for a tribe of waterbenders atop their own element, to match.
*** Keep in mind also that is is actually completely consistent with what we've seen elsewhere in the series, with the Fire Nation fighting the Earth Kingdom. If anything, the Fire Nation should be in an even worse position fighting the Earth Kingdom, as they're constantly fighting on terrain that, quite literally, favors the Earth Kingdom - and they've been continuously winning over a century of constant warfare, to the point that they've got the EK armies besieged in their own home cities. Just like with the Water Tribes, the Fire Nation's armies/navies are just that much more powerful and capable due to the immense technological and engineering advantage they have.
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* I wasn't quite sure where to put this because it bugs me on so many levels, so here goes: what the hell was going on at the end of "The Chase"? So Azula "surrenders" (and no one sees through it), then she hits [[Badass Grandpa|Iroh]] with lightning, who so far was the only person in the series to stand up to her and redirect her lightning, a technique only he knew. When he falls, Aang, Zuko Katara and Toph bend their elements at her(which for Toph really doesn't make much sense). So Azula shields herself with... fire? How does that work? Then the whole [[Captain Planet]] nightmare explodes(?!?), Azula disappears, [[You Fail Physics Forever|and the whole town is on fire]]. So, uh, what part of this makes sense?
** I'm pretty sure Azula shot Iroh with her regular (blue) fire, not lightning, so he couldn't have redirected it. And my impression was that ''she'' created the explosion as cover to duck away under- Jeong Jeong does something similar in "The Deserter".
** Azula shot Iroh when he glanced aside at Toph. He was distracted for an instant, but Azula is so damned good at exploiting weaknesses that she seized the fraction of a moment she got to hit him. That distracted the rest of the group for the instant she needed to whip up a shield of fire. Firebenders' flames have consistently been shown to have concussive force to them, demonstrated multiple times throughout the series. This is most notably in Jeong-Jeong's case, but there have been other instances where fire being created by a firebender can smash rocks, divert water, and disrupt air or other flames, so there's no reason why Azula can't whip up a shield with bent fire. In Toph's case, she was sending a shockwave of rock at Azula, which is also demonstrated elsewhere in the series, most notably when Long Feng does a similar move against Jet that hits him with enough force to kill him, so what Toph was doing actually makes perfect sense. Azula appear to create the explosion with her shield to cover her escape. The town was already on fire before they attacked her, due to all the fire Zuko and Azula had been slinging, and the flames that were generated and cast about by the explosion after the combined attack on her.
*** But where did she go? She was cornered, and clearly didn't jet-pack away or anything. I think they realized some of the problems with this when they made fun of it during the play.
*** She moved at the speed of plot.
*** Avatar is wuxia. Azula could easily have simply jumped over the wall; she's demonstrated similar jumping feats before. E.g. the intro to "The Southern Raiders," for example, has both Zuko and Azula making leaps that are pretty much impossible in real life.
*** Lets not forget that Azula can fly, not very well, but she can rocket herself forward with her flames. That should have given her plenty of distance in short time.
* Why does the Shell Game Master pick Toph to play? Since he's running a con (and he is running a con, or he wouldn't switch the rock halfway through), he would want to fix the odds so that the player has a 0% chance of guessing correctly. But a blind person would automatically have a 33% chance of guessing correctly, regardless of other circumstances. (Relatedly, why did he bother swapping the rock the first time she was playing? Or did he expect her companions to help her?)
** It wouldn't matter if she was blind or not, because he didn't plan on her having ''any'' chance to win. He wasn't swapping the rocks. The first game, he loaded ''all'' of the shells with rocks so she would win, and then the second, he was in the process of putting all of the rocks in his sleeve so she would lose. Toph just tricked him because she's an earthbender.
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* In "The Puppetmaster", how did Hama build a prison cell, complete with a metal door and chains, in a cave under a mountain?
** With a hammer, nails, wrench, possibly a screwdriver... Look, if they have refrigerators (used for torture) and steam-powered jet-skis on this show, One lady can put a door on a cave and build a few cages. She had a lot of time. She was 30 tops, when she escaped, and had to have been there for some thirty years.
** I assumed that she found this old, abandoned prison and decided to use it for her own purposes.
** She may as well have scared some of her prisoners so badly that they are willing to do slave labour for her to avoid her wrath. They think that she is a witch who can make them cut their own throats at any time, after all.
** WITH A BOX OF SCRAPS!
* Season 1, Episode 9 - "The Water Bending Scroll", How in the world did they get those boats UP THAT WATERFALL in the first place? There is simply no way they had the manpower and time to haul a steel boat and a massive Junk up a waterfall of that size.
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*** Plus, YMMV, but Azula and Zuko DO seem to care for each other. Some people interpret her treatment of him in the beginning of Season 3 as rather decent (aside from the whole "Avatar still alive" thing)...
*** Definitely. Even if Zuko was determined to defeat Azula when he challenged her to the Agni Kai, she's such a pathetic, completely broken mess at the end of the fight that punishing her wouldn't have any meaning. Given that Zuko let his father off with imprisonment instead of execution, it's likely that he sent Azula to an asylum or some-such.
*** 1. He ''did'' send her to an asylum, the Avatar site confirmed it. 2. Zuko definately cares about Azula. He was prepared for the possibility of him having to kill her, sure, but Bryke outright say in the finale DVD commentary that "he didn't want to kill her" and is "not happy" about having to even fight her like this at all.
** Zuko doesn't ''need'' to tell Azula that she is messed up. She already ''knows'' she's messed up and says as much to Zuko during "The Beach." Telling her she's nuts would be redundant and likely only get a "Well, ''yeah''." response from her.
* You know the whole Azulon ordering Zuko dead thing? Let's assume, for simplicity's sake, that both Azula and Ozai were telling the truth (hard to believe, I know). How the heck would that version even have worked? How would Ozai have killed Zuko and gotten away with it? How the hell could Ursa kill Azulon? Why did nobody get suspicious of Ozai? And if Ozai hated Zuko so much, why didn't he just kill Zuko during the Agni Kai that he challenged him to?
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* In "The Boiling Rock part 1" the warden threatens Zuko with revealing his identity to the other prisoners, reasoning that since he "let the Fire Nation down" he would be targeted and attacked. Between the war prisoners and ordinary criminals, who in the entire inmate body would give a rat-somethings ass about Fire Nations politics? If anything, it would garner some respect for making problems for the authority.
** Zuko was (once) prince of the Fire Nation; he represents the government. You know who's responsible for putting people in jail? The government. You know what would happen if a bunch of big, sweaty male prisoners knew that a little, scrawny, son of a government official was in jail with them? [[No -Holds -Barred Beatdown|This]] if Zuko's lucky. And if he [[Prison Rape|isn't...]]
** Just because someone's a criminal doesn't mean they aren't still loyal to their ''country''. The country is not necessarily the same as the government. Remember, the warden calls Zuko "the '''traitor''' prince" (emphasis mine). The ordinary criminals might well hate him for being a traitor, even if the war prisoners would respect him for it
 
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{{reflist}}
[[Category:Avatar: The Last Airbender (Animation)/Headscratchers]]
[[Category:Avatar The Last Airbender Miscellaneous]]
[[Category:Headscratchers]]
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[[Category:Avatar: The Last Airbender Miscellaneous]]
[[Category:Avatar: The Last Airbender (Animation)/Headscratchers]]