Angel Cop: Difference between revisions

Everything About Fiction You Never Wanted to Know.
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* [[Dubtitle]]: Since the original Japanese dub was deemed antisemitic and impossible to market in the west, the English sub and dub toned down the Jewish plot.
* [[Dubtitle]]: Since the original Japanese dub was deemed antisemitic and impossible to market in the west, the English sub and dub toned down the Jewish plot.
* [[Dull Surprise]]: Hacker has this problem. A lot.
* [[Dull Surprise]]: Hacker has this problem. A lot.
* [[Don't Make Me Destroy You]]: Freya whenever she's using her powers. When she's got a terrorist cornered they are screwed, but when innocent people or authority figures are in the crossfire, she tries her hardest not to harm them and even warns them away.
* [[The Eighties]]: The whole anime didn't [[Red Scare|age]] [[Outdated Outfit|very]] [[Japan Takes Over the World|well]], but [[Eighties Hair|Asura]] and Raiden got the worst of it.
* [[The Eighties]]: The whole anime didn't [[Red Scare|age]] [[Outdated Outfit|very]] [[Japan Takes Over the World|well]], but [[Eighties Hair|Asura]] and Raiden got the worst of it.
* [[Enemy Mine]]
* [[Enemy Mine]]

Revision as of 01:32, 26 March 2019

Angel Cop is a six-part original video animation directed by Ichiro Itano, but due to the content of the anime, it's usually considered that the driving force of the anime is actually the writer Sho Aikawa. A manga adaptation written and illustrated by Taku Kitazaki was serialized in Newtype Magazine and reprinted as a Newtype 100% collection in 1990.

Plot in a nutshell: Jewish bankers (Americans in the dub) plot to turn Japan into a nuclear waste dump.

To elaborate: Twenty Minutes Into the Future, Japan's economy is so strong that it's linked to the global economy. This angers a communist terrorist group called "The Red May," who decides that the best way to make the world a more equitable place is to blow up as much Japanese infrastructure as possible. To combat these terrorists, a bunch of elite law enforcement officials licensed to kill are assembled. They include the title "Angel," a buff dude called Raiden, a couple of other token stereotypes, and Da Chief. Things take a turn for the bizarre when Raiden goes missing after one encounter with the terrorists, and then the terrorists themselves are being attacked and murdered by three powerful psychics called "Hunters." Raiden shows back up as a cyborg courtesy of a local friendly Mad Scientist, it turns out most of the government is evil, two of the Hunters join Angel and her team when they realize they're the unwitting pawns of a government conspiracy to somehow profit off of Americans dumping nuclear waste in Japanese territory.

The real reason to watch this anime is for the gunplay, the cars, the gruesome kills, the awesomely-animated displays of telekinetic power being thrown about by the Hunters, and the hilarious profanity in the dub.

Along with other "masterpieces" such as Mad Bull 34 and Urotsukidouji, is it directly responsible for the widespread belief in the early 90s that all anime was just "Gorn and Porn."

Tropes used in Angel Cop include: