An American Werewolf in London: Difference between revisions

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'''''An American Werewolf in London''''' is a [[The Eighties|1981]] [[Universal]] comedy/horror film written and directed by [[John Landis]]. (It was advertised with the [[Tagline]], "From the director of ''[[Animal House]]'', a different sort of animal.") Starring David Naughton, Griffin Dunne, Jenny Agutter, and John Woodvine, the film featured special effects by master make-up artist Rick Baker. (Frank Oz also made a cameo appearance, as did [[The Muppet Show|Kermit the Frog and Miss Piggy]]—not -- not to mention Landis himself.) It was shot on location in the UK, with Wales standing in for the Yorkshire moors, and "The Black Swan" pub in London for "The Slaughtered Lamb." The background music consisted of a number of cannily deployed popular songs (all of which have "moon" in the title), bolstered with some eleven minutes of moodily atmospheric music by [[Elmer Bernstein]].
 
 
''AWiL'' was not particularly successful in its initial run. Critics were reportedly confused about whether to regard it as a comedy film with horror elements or a horror film with comedy relief, though Landis himself regards it as entirely in the vein of the old Universal [[Universal Horror|monster films]] of the Forties. (There are also striking similarities between the Landis film and a 1941 British film, ''The Night Has Eyes,'' starring James Mason.) Since the Eighties, the film has [[Vindicated by History|come back from the dead]] (so to speak) as a [[Cult Classic]]. Naughton and Dunne handled their "buddy-body" banter excellently (the film really might have been entitled ''[[Road To|Road to Lycanthropy]]''); Jenny Agutter as [[Hello, Nurse!|sexy nurse]] Alex Price is supremely enticing; and the acting throughout is generally well-handled—thehandled -- the characters come across as both interesting and sympathetic. It is true, however, that Landis does not seem quite to know what to do with such engaging characters; the initial parts of the film are both thrilling and funny, but about two-thirds of the way through, the plot seems to lose direction, and merely piles gory scene on gory scene in massive confusion until the film abruptly—stopsabruptly -- stops.
 
''AWiL'' has infuriated some Britons, particularly [[Oop North|Northerners]], with its somewhat cartoonish and stereotypical depictions of life in the UK; it is possible that this was a deliberate echoing on Landis's part of the [[Did Not Do the Research|sketchily researched]] versions of Britain found in the Universal horror cycles of the Thirties and Forties.
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* [[Evil Feels Good]]: David awakens from his first transformation feeling fantastic and re-energized.
* [[The Florence Nightingale Effect]]: How Nurse Price falls in love with David. She finds him handsome and "sad." Another nurse admits to checking out his penis, which hints that his [[All Girls Want Bad Boys|being a werewolf]] may be inspiring these feelings as well.
* [[Ghostapo]]: Because he is a nice Jewish boy, David's nightmares naturally involve hideous monsters—wearingmonsters -- wearing SS uniforms.
* [[Hand or Object Underwear]]: David goes through a few of these after waking up naked in a wolf cage at the zoo.
{{quote|"A naked American man stole my balloons."}}
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* [[To Serve Man]]: The werewolf cuisine of choice, though venison is apparently David's dream-food.
* [[Town with a Dark Secret]]: East Proctor.
* [[Transformation Trauma]]: One of the most famous werewolf [[Transformation Sequence|transformation sequences]], courtesy of Rick Baker—andBaker -- and this is ''without'' CG.
* [[The Undead]]: Those killed by a werewolf haunt him in the form of rotting, but sentient corpses. It is left somewhat uncertain whether they are actual material beings or not.
* [[Urine Trouble]]: "Those sheep shit on my pack."
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[[Category:Film]]
[[Category:Werewolf Works]]
[[Category:An American Werewolf in London{{PAGENAME}}]]
[[Category:Cult Classic]]
{{DEFAULTSORT:American Werewolf in London, An}}
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