Gunslinger Girl/YMMV

"Triela: I'M CYBERNETIC!!! And I was beaten by HUMAN HANDS!!!"
 * Angst? What Angst?: Most cyborgs have their memories or their pre-Agency lives erased in order to remove the pain of past traumas (or make them easier to control, if you're cynical). Rico is unique in that she has full recollection of her time before she was given over to the Agency - which was not in itself a happy experience, with years crippled by birth defects and beset by quarreling parents - and is not at all troubled by years wasted in a hospital bed or being possessed by the Agency.
 * Crowning Music of Awesome: The opening theme to season one introduced many viewers to Scottish band The Delgados.
 * The ending credits music, Apres un Reve by Gabriel Fauré.
 * Ensemble Darkhorse: While Henrietta is ostensibly the focus character and the Henrietta-Guiseppe-Jean-MemoryOfEnrica plotline is the main narrative thrust of the work, fans at large have noticed over the years that the emotional impact, narrative depth, and generalized awesomeness of the series tends to get turned up to 11 any time Triela is involved in a scene or plotline.
 * Worth noting, Triela is the first of the girls we see "on the job".
 * She was also the only character who had her own PVC made by Good Smile Company.
 * In season 2 of the Anime, Triela is promoted to the lead.
 * Funny Aneurysm Moment: Remember when Jean mentioned maintaining a Jerkass Facade toward Rico because he doesn't want to get too attached to someone with a short lifespan? Well, guess what?
 * Germans Love David Hasselhoff: In America, the first season was a modest success on DVD. In Japan, it was sold as a pack-in bonus for the licensed video game.
 * Harsher in Hindsight: The earlier deaths of helped foreshadow the deaths of.
 * Moral Event Horizon: Averted. When Pinocchio decides to kill Aurora for walking in on his affairs once too many (and given that he's falling in with some pretty shady people, he had every right to be concerned),
 * Played straight by Ski Mask Guy in chapter 83, who crosses it just by showing up in front of Henrietta. The poor girl had lost her family to a couple of guys in ski masks, and just his appearance brought back those troubling memories and
 * Dante was already established as a very bad man, but his personal MEH was.
 * Narm: From Il Teatrino:


 * Paranoia Fuel: The Agency is trying to develop conditioning so it works safely and cheaply on adults. Do they intend using it for widespread civilian control in a country currently torn by violent internal divisions?
 * The Scrappy: Allesandro and Petra in the eyes of some fans, due to the Teacher-Student Romance aspect of their relationship.
 * Sequelitis: Despite being based on what is generally agreed to be the best parts of the manga, Il Teatrino has been very poorly received in Japan and abroad for extremely poor animation quality, very low or incorrect details on the guns (in a series generally obsessive about firearms detail) and inferior music to the original animation (not to mention a complete swap-out of the entire vocal cast in Japan, which lead to some fairly intense debates). The choice to make it more action/thriller oriented than the first season was also criticized or praised.
 * Tear Jerker: The whole blasted thing. Special mention goes to the Claes-focused episode in the first season.
 * And then there are the events in chapters 83 and 84. Holy schlamoly.
 * Values Dissonance: Any Italian would find all of the relationships unspeakably cold and distant since the author, in a classic case of cultural projection, has depicted the characters with Japanese reserve instead of Italian brio -- even to the extent of them bowing on occasion.
 * This becomes a bit of Fridge Brilliance for the relationships between the girls and the handlers/staff because it represents just how uncomfortable everyone is around these walking killing machines. And the distance between Giuseppe and Jean is part of the point, though many of the more background characters are straight examples.
 * The Woobie: As a consequence of being an Ill Girl, Angelica excites a great deal of sympathy from many readers - to the extent that many were actually dissatisfied with her appearance in Il Teatrino. Although Angelica was alive at the equivalent point in the manga, the first series of the anime ended with her implied death and many considered her reintroduction to have spoiled a beautiful tragedy.