Buffy the Vampire Slayer/Recap/S6 E7 Once More With Feeling



""Last night, did anybody, um...burst into song?""

Hilarity Ensues when the residents of Sunnydale start randomly breaking out into song and dance. Things get more serious when people start going up in flames, Dawn is kidnapped by the demon responsible for the chaos, and their songs raise issues the Scoobies would rather keep private.

Buffy the Vampire Slayer's Musical Episode. Being a musical, it has its own tropes found nowhere else in the series.

"Xander: It's a nightmare. It's a plague. It's like a nightmare about a plague!"
 * Art Shift: This is the only episode shown in the US in the widescreen format used for Seasons 4-7.
 * Bait and Switch Comment: Spike hauls in one of Sweet's puppet minions and orders him to "sing". There's a grand orchestral swell and the Scoobies wait for the minion to burst into song...then he just speaks normally.
 * Be Careful What You Wish For: Xander summons the demon hoping to be reassured about his upcoming marriage. He's not. When Dawn puts on the talisman, her desire for attention and to be treated like an adult leads to her being offered the position of Queen of Sweet's realm.
 * Big Damn Heroes: Spike interrupts Buffy just as she's starting to burn up, with his song on why she has to go on living. In fact what happens next could plausibly be called a Rescue Romance.
 * Blatant Lies: Buffy tells Giles she can't remember what she sung in the graveyard. Willow and Tara have to go get the mmm-nnn-rmmmph report. Dawn 'found' the talisman on the floor while cleaning up.
 * Bread, Eggs, Breaded Eggs

"Buffy: "It's alright if some things come out wrong / We'll sing a happy song" (looks at camera) "And you can sing along""
 * Breaking the Fourth Wall: "Something To Sing About"

"Dawn: Oh-my-god. You will never believe what happened at school today.
 * Or Willow's line in "Walk Through The Fire", "I think this line is mostly filler."
 * Or Anya's blink-and-you'll-miss-it line "It's like there were three walls but not a fourth."
 * Buffy-Speak: Willow and Tara go looking for the volume-y text. Spike is acting all bad-moody.
 * Bugger This, I'm Outta Here: Spike walks out on the final song before it's finished.
 * Dodge the Throwing Knife: Giles throws knives at Buffy during her training, which she dodges or knocks out of the way.
 * Call Back: Willow's theory, "Some kid is dreaming, and we're all stuck inside his wacky Broadway nightmare," is the plot of a much earlier episode if you leave out the "Broadway" part.
 * Can't Live with Them Can't Live Without Them: Spike re Buffy. "I hope she fries / I'm free if that bitch dies / I better help her out" and "First he'll kill her, then I'll save her / No, I'll save her, then I'll kill her!"
 * The Cast Showoff: Inverted, if that's possible, with Willow having almost no singing lines on her own (Alyson Hannigan specifically requested she be given as few lines as possible, because she considers herself a bad singer). Played straight with the others, particularly Anthony Stewart Head, who get to show off their impressive pipes, and Michelle Trachtenberg who shows off her dance skills.
 * Chirping Crickets: Heard during the Scooby Gang's silent response to Anya's theory that bunnies are responsible.
 * The Coats Are Off: Buffy slips off her coat for her final dance/battle with Sweet.
 * Comically Missing the Point

Buffy: Everybody started singing and dancing?

Dawn: (sourly) I gave birth to a pterodactyl.

Anya: Oh my god, did it sing?"

"Buffy: Dawn's in trouble. Must be Tuesday."
 * Continuity Nod
 * Buffy turns down the offer of a drink from Spike after her hangover in "Life Serial".
 * "His penis got diseases from a Chumash tribe!" is from "Pangs", when Xander caught syphilis from a vengeful Native American spirit.
 * Tara singing "You know I've been through hell" is a reference to Glory driving Tara insane with her Mind Rape in "Tough Love".
 * Conversation Cut: Tara and Willow in the middle of "Under Your Spell" move from the park to their bedroom. Easily justified due to the magical effects of the spell or Willow's teleportation powers.
 * Counterpoint Duet: The combination reprise of "Under Your Spell" and "Standing". Not to mention Spike and Buffy in the "Coda".
 * Creator Cameo: Writer David Fury is the guy starting off "The Mustard Song", and writer Marti Noxon is the lady lamenting her parking ticket.
 * Credits Gag: Even the Mutant Enemy monster sings.
 * Crowd Song: Parodied. "They got...the mustaaard...oooooooouuuuut!"
 * Cure Your Gays: Conversed. "Oh my God, I'm cured! I want the boys!"
 * Damsel in Distress: Lampshaded with the quotable line...

"Anya: Beady Eyes is right, we're needed! Or we could just sit around and glare. ♫"
 * Which, since "Buffy" was broadcast on Tuesdays in the US, was also an example of Leaning on the Fourth Wall.
 * Death Glare: Anya and Xander do a lot after their duet.

"Sweet: I love a good entrance."
 * Death Seeker / Nietzsche Wannabe: Buffy nearly dies because of her indifference to life; ironically she's saved by Spike, who'd said in "Fool for Love" that on the day that happened he'd be the one to kill her.
 * Dramatic Shattering: Spike hurling his bottle of booze against the wall during "Rest in Peace".
 * Dark Reprise: "Under Your Spell". Parts of "Going Through the Motions" and "I've Got a Theory" can also be heard on "Walk Through The Fire".
 * Dance Battler: Buffy obviously, but also Dawn in her struggle to escape the puppet minions after waking up in the Bronze.
 * Dynamic Entry: Buffy kicks the door to the Bronze off its hinges.

"Xander: "She is the one, she's such wonderful fun,
 * Edited for Syndication: The episode ran 50 minutes compared to the standard 42.
 * Epic Song / The Song Before the Storm: "Walk Through the Fire".
 * Evil Is Stylish: The demon wears a red (then blue) suit with matching tap shoes and he's an excellent dancer. Given that he's portrayed by Broadway legend Hinton Battle, this is only to be expected.
 * Feet First Introduction: When Sweet meets Dawn -- justified as the demon is wearing tap-dancing shoes which he puts to use right away.
 * Finding Judas: What villain called up the undefeatable, lethal, musical demon, and what dark scheme were they plotting? Xander Harris, and he just wanted a musical-comedy ending to his marital woes.
 * Foreshadowing: Sweet isn't afraid of the Slayer but does leave after Willow threatens him, sensing her power. The songs themselves foretell Xander/Anya and Willow/Tara breaking up, Giles leaving, and the tumultuous Spike/Buffy relationship.
 * Gag Echo: During the "I'll Never Tell" number Xander sings "[Anya's] toes are kind of hairy" and Anya sings "his eyes are beady". In the next scene when ranting about the situation both of them shout at the same time "my eyes are not beady"/"my toes aren't hairy".
 * And later on Anya says, "Beady Eyes is right!"
 * Getting Crap Past the Radar: Par for the course in Buffy the Vampire Slayer, but takes on new life through the possibilities of fun with rhymes.
 * Several in "I'll Never Tell," given the combination of Xander singing his thoughts and No Fourth Wall.

Such passion and grace.

Warm in the night when I'm right

In her tight--embrace, tight embrace!"

. ..

Xander: "You're the cutest of the Scoobies

With your lips as red as rubies

And your firm yet supple--tight embrace!""

""Lost in ecstasy / Spread beneath my Willow tree / You make me coooooome (plete)."
 * Tara's final lyrics of "Under Your Spell", implied to have been sung while an off-camera Willow is performing oral sex on her.

""I've got a hundred.""
 * Joss's commentary: "Yeah, this is basically porn."
 * Ho Yay: When Xander is revealed as the man who summoned Sweet, he fears that he'll be taken away as Sweet's queen. Sweet eyes him and says, "It's tempting".
 * Hypocritical Humor: Spike's "Rest in Peace" is all about how he wishes Buffy would get the hell away from him as his unrequited feelings for her are tearing him up. When Buffy flees at the end of the song, Spike calls out pitiably, "So, you're not staying then?"
 * Hypocritical Singing: Anya and Xander's "I'll Never Tell." And Spike's "Rest In Peace" is a variation. He sings of wanting Buffy to leave him alone, but he wants the exact opposite of that.
 * I Have You My Sweet Thing: Sweet plans to take Dawn away to the underworld and make her his Queen.
 * Incredibly Lame Pun: Plenty -- "Nothing seems to penetrate my heart" (as Buffy stakes a vamp), "It's do or die / Hey I've died twice." "I guarantee you a great big smile" (Sweet removes his mouth and offers it to Dawn). "I'm here strictly by your Invocation." "She came from the grave much graver". "She needs backup!" "Not quite the fireworks I was hoping for."
 * Instant Costume Change: Sweet has this power, changing his clothes from red to blue, and Dawn's clothes to her ball gown.
 * Ironic Echo: "What can't we face if we're together?"
 * "The hardest thing in this world is to live in it". Buffy's parting advice to Dawn in "The Gift" is repeated back to her by her little sister.
 * "I Want" Song: "Going Through the Motions" is referred to as this by Whedon himself in the commentary. Also, "Something To Sing About".
 * I Have Many Names: The Monster of the Week (unnamed in the episode, but called Sweet in the credits)

"They got / the mustard / ouuuuuuuuuuuuuuuuuuuuuuuuuuuuut!"
 * Incredibly Long Note

"Xander: Willow and Tara? You see the way they were with each other? The get-a-roominess of them? I'll bet they're (realises Dawn is there) ...singing."
 * Invisible Backup Band: "That would explain the huge backing orchestra I couldn't see and the synchronised dancing from the room service chaps"
 * Karma Houdini: The Monster of the Week came to town, killed several people through spontaneous combustion, made the Scoobies reveal a bunch of secrets about themselves, nearly killed Buffy and left town without getting a scratch on him. Enough said. Also, Xander.
 * Last-Second Word Swap: See Getting Crap Past the Radar.

"Where there's life [grabs pool cue from minion, hits him] There's hope / Every day's [elbows second minion] A gift / Wishes can [kick] Come true / Whistle while [punch] / You work [blow with pool cue] / So hard [blow] All day [throws pool cue, impales third minion]"
 * Let's Duet: Xander and Anya in "I'll Never Tell".
 * The Lonely Piano: The bridge of "Something To Sing About".
 * Lingerie Scene: Anya in red underwear for "I'll Never Tell".
 * Lyrical Dissonance: "I'll Never Tell"
 * Massive Multiplayer Ensemble Number: "Walk Through the Fire" and "Where Do We Go From Here?"
 * Mood Whiplash: Dawn starts to sing, then suddenly has a Bag of Kidnapping thrown over her head by Sweet's minions.
 * Musicalis Interruptus: "I've got a --" (Anya sings "The Bunny Song")
 * Also when Dawn reveals her sister is the Slayer, the music comes to an abrupt stop.
 * Music for Courage: "If We're Together" -- subverted as Buffy is actually singing of her indifference to what happens.
 * The Music Meister
 * My God, What Have I Done?: The look on Willow's face when she found out.
 * Not Himself: Buffy wonders why Spike is trying to hustle her out of his crypt. Then he starts singing.
 * Oh Crap: Spike when he starts singing to Buffy. Dawn when her attempt to frighten Sweet with the Slayer only makes him eager to see Buffy burn.
 * Oh My Gods: Xander exclaims, "Merciful Zeus!" when he's pretending to be surprised at what's happening.
 * Of Corsets Sexy: Tara. No wonder those boys were checking her out.
 * Ooh, Me Accent's Slipping: Spike sings without an accent.
 * Punctuated Pounding: Buffy killing Sweet's puppet minions.

"She'll get pissed / If I'm missed / See my sister's the Slayer."
 * The Power of Friendship: "If We're Together"
 * Power Walk: "Walk Through the Fire"
 * Precision F-Strike: From 15-year old Dawn, no less.

"Everyone: "We are caught in the fire / the point of no return. . ."
 * Rescue Sex: Averted as Buffy barely glances at the hunky open-shirted man who's eager to show his gratitude for Buffy saving his life. It's clear that only a certain Evil Is Sexy vampire "brings the fire back".
 * Retraux: The Title Sequence and The End.
 * Ring Ring CRUNCH: Averted; Buffy is so filled with ennui she just picks up her alarm clock and stares at it, letting it ring.
 * Rule of Symbolism: In the opening sequence Buffy is sketching, filling in the entire pad with black. Depressed, anyone?
 * Screw Searching Through Books, We're Going to Screw: Inspired by the lovely weather and all the singing and dancing, Willow and Tara make an excuse to Get a Room.
 * Sealed with a Kiss
 * See You in Hell: Bet you never thought you'd hear this line sung.
 * And it's pretty sweetly sung!
 * Serenade Your Lover: "Under Your Spell", subverted in that the audience knows she literally is under Willow's spell. "Rest in Peace" starts off this way, causing Buffy to roll her eyes in anticipation, but it's averted when Spike instead sings of his frustration with Buffy's Master of the Mixed Message response to his feelings.
 * Shout-Out: To a number of musicals, appropriately.

Spike: "The day you suss out what you do want, there'll probably be a parade. Seventy-six bloody trombones.""

"Xander: It could be witches / some evil witches [Death Glare from Willow & Tara] Which is ridiculous 'cause witches they were persecuted. Wicca good and love the earth and women power and I'll be over here."
 * Also, that shot through the vampire dust during "Going Through the Motions" is lifted right out of "Part of Your World"
 * Shutting Up Now

"Giles: Spike, if I want your opinion... (looks at him in contempt) I'll never want your opinion."
 * Silence, You Fool

""We kissed, you and me, all Gone With the Wind with the rising music and the rising...music.""
 * Smash Cut: From Tara singing, "You make me--" to Xander wondering what Tara/Willow are up to.
 * Happens literally when we cut from Sweet's song to a closeup of Buffy smashing a board during martial arts training.
 * Something Else Also Rises: The end of "Under your Spell".
 * Also implied by Spike in the next episode when referring to the Big Damn Kiss.

"MAYHEM CAUSED. MONSTERS CERTAINLY NOT INVOLVED, OFFICIALS SAY."
 * Suspiciously Specific Denial: The headlines of Xander's newspaper.

"So I will walk through the fire
 * Special Edition Title: A mellowed version of the theme song playing over a shot of the night sky, with each actor's face appearing on the moon as he or she was listed in standard credits order.
 * Spontaneous Choreography
 * Spontaneous Human Combustion: A side-effect of Sweet's power, and what he hopes will happen to Buffy.
 * Subverted Rhyme Every Time: Refer back to Getting Crap Past the Radar again.
 * There's a harmless example in "Walk Through The Fire", where line "and let it burn" is always cut off before "burn" until the last verse.

'Cause where else can I turn?

I will walk through the fire, and let it--"

"Giles: "She needs backup. Anya, Tara." (Anya and Tara get behind Buffy and start dancing)"
 * Suggestive Collision: At the end of Spike's "Rest in Peace" song, Buffy hauls him off a priest he attacks and they fall into an open grave. Buffy lies on top of Spike wide-eyed before getting to her feet and fleeing.
 * Summon Backup Dancers
 * While singing "Under Your Spell" Tara passes near two other girls resting by the pond who are compelled to rise to their feet and start dancing behind her.
 * Parodied in "Something to Sing About."

"Buffy: Deal's this. I can't kill you? You take me to Hellsville in her place.
 * Take Me Instead!: Buffy offers herself in Dawn's stead. Not quite the Heroic Sacrifice as Buffy doesn't care any more if she dies.

Sweet: (scoffs) What if I kill you?

Buffy: (deadpan) Trust me. Won't help."

""Songs, dancing around...what could be wrong with that?" (Description Cut to Man On Fire)
 * Tempting Fate: It's Dawn's turn to violate this principle.

"Yes, the fifteen year-old can spend half an hour alone in her locked house." (Cue abduction by Puppet Minions)"

"Spike: "So, that's it then. You just wanna pump me for information."
 * Spike says that happily, he remains unaffected. Moments later, he starts singing.
 * That Came Out Wrong

Buffy: "Why else would I pump you for?" (beat) "I really just said that, didn't I?""

"Demon: All those secrets you've been concealing/Say you're happy now - once more with feeling."
 * This Is Something She's Got to Do Herself: Giles insists that Buffy save Dawn on her own as she is becoming too dependent on his support. Buffy however just sees herself as being abandoned by the others, and Giles later changes his mind anyway.
 * Title Drop: Keep in mind that this and "Conversations With Dead People" are the only BTVS episodes where the title is shown in the opening.

"Buffy: I'm worried our training's gonna turn into a montage from an '80s movie.
 * Training Montage: Lampshaded when Buffy and Giles are training (averted when Giles sings "Standing In The Way" instead).

Giles: If we start to hear inspirational power chords, we'll just lie down until it goes away."

"It isn't right, it isn't fair / There was no parking anywhere / I think that hydrant wasn't there ♫"
 * Trashcan Bonfire: During the "Walk Through the Fire" song, Buffy holds her hand up to a trashcan bonfire when singing "I touch the fire and it freezes me."
 * The Trouble with Tickets: A Funny Foreground Event is a lady (played by Marti Noxon) singing her excuses to a parking inspector.

"Xander: She clings / She's needy / She's also really greedy / She never --
 * Unusually Uninteresting Sight / Funny Background Event: People singing and dancing while Xander, Anya and Giles are walking down the street. A Throw It In moment is an off-screen Tara bumping into a pillar during the Summon Backup Dancers gag.
 * Played for Drama when Giles sings "Standing In Your Way" and Buffy doesn't hear a word of it.
 * Villain Song: "What You Feel".
 * Villain Teleportation: Once Dawn puts on the talisman she stole from the Magic Shop, Sweet's minions appear in her bedroom and abduct her.
 * Volleying Insults / Hey, That's My Line!: In "I'll Never Tell"

Anya [interrupting] His eyes are beady!

Xander: This is my verse, hello!"

"Buffy: I thought you didn't want me near you. Isn't that what you sang?
 * What Do You Mean It's Not Awesome?: "The Mustard" and "The Parking Ticket". Sung respectively by David Fury and Marti Noxon.
 * What Measure Is a Non-Human?: Spike's "Rest in Peace" song claims that Buffy only talks to him because confessing to a "dead man" isn't real to her. Buffy looks away guiltily, confirming his accusation.
 * What Now? Ending: "Where Do We Go From Here?"
 * Woman / Vampire Scorned: When Giles tells the Scoobies not to go with Buffy, Spike offers to go in their stead.

Spike: Fine. I hope you dance till you burn. You and the little bit."


 * You Look Familiar: The vampires in "Going Through The Motions", the puppet minions and the dancing street sweepers are all played by the same 3 actors.