The Princess Bride (film)/Headscratchers

Then someone finds him on the brink of death, and the man can only choke out the names of the three dangers, but doesn't last long enough to describe them in enough detail for people to avoid them.
 * The reason Westley, Inigo, and Fezzick team up at the end is because Inigo hears Westley's death scream, assumes it's because Westley is heartbroken over his true love marrying another, realizes they share the common goal of stopping Humperdink, and decides to find Westley and team up. But... how does Inigo know that Westley is Buttercup's true love? Inigo never found out the "Man in Black's" identity, and even if he had, how would he know that Westley loved Buttercup? Humperdink did everything in his power to hush it up by sending Westley to the pit of despair, and who would Buttercup have told? How would Inigo ever make that connection?
 * "The man in black was after the woman we captured... the prince, who I hate anyway, is marrying the woman we captured... someone is screaming so loudly I can hear it from here... It must be that the man in black is heartbroken that his love is marrying the prince! We can use this to our advantage!" This is the sort of conclusion he jumps to all the time. Remember, Westley was screaming because he was hooked up to a machine that was so painful it took off fifty years of his life in one go. It's coincidence that Inigo happened to be right about the man in black's relation to Buttercup. People tend to know things they shouldn't all the time in this movie.
 * The book does a somewhat better job of explaining it, but the above line of thought is pretty much what happens, with Fezzik bringing Inigo up to speed being played out over several pages and Inigo, being smarter than Fezzik, putting together the connection between the story told to the public regarding Princess Buttercup being kidnapped by pirates working for Guilder (Prince Humperdink allowing this much to be said publicaly as a smokescreen to obscure the fact that Westley is his captive) and The Sicilian Trio being hired to kidnap Buttercup.
 * In fact, the book doesn't mention True Love at all during these scenes! Inigo logically guesses that Humperdink - being the total bastard he is and having just had his plans to have his fiance murdered and Guilder framed for it foiled - would keep the Man in Black (he who did the foiling) as a captive for torture, rather than being turned loose as the rumors claim. Inigo further reasons that if he and Fezzik can rescue him, he will be in a better position to bargain for The Man In Black's aid in coming up with a plan to go after Count Rugen. Inigo's recognizing the Sound of Ultimate Suffering and equating that to The Man In Black is due to his reasoning that "who else would have cause for suffering on this festival day?"
 * It also helps that the Theory of Narrative Causality runs this universe.
 * Also, there's that Fezzik apparently filled him in while he was nursing Inigo back to health...though that leaves the question of just how Fezzik knows about it.
 * Fezzik worked for the brute squad, so it's possible he saw the Count and guessed that he was the six-fingered man (Inigo was Fezzik's friend and made his quest no secret, so even the giant would probably remember that much).
 * As best as I can figure out, Buttercup told everyone in the castle about the four letters, including the members of the Brute Squad, who told Fezzik.
 * According to the story, the Dread Pirate Roberts would always kill his captives. Westley explains that it's to prevent people from disobeying him. In reality, wouldn't killing everybody you captured just give your targets an incentive to always fight to the death? Historically, pirates would usually just kill people who resisted, to give them a reason to surrender without a fight.
 * Westley says that Roberts was intrigued by Westley's lack of begging, which is why he didn't kill him. Maybe Roberts would threaten to kill people just to find out if they had any dignity-- and was disappointed by everyone except for Westley.
 * This had to be an exaggeration. If the Dread Pirate Roberts and his crew actually killed everyone on the ships they captured, then there would be no one to tell tales about the Dread Pirate Roberts. Either not all captives are killed or some people are allowed to get away. Westley lies about other things; so why take his word on this?
 * This has bothered me for a long time. Another problem with it is this: If Roberts takes no prisoners, your only hope is to fight back as hard as possible on the chance you would win, rather than handing over your stuff in terror without a fight. The only reason for Roberts to take no prisoners is that it makes the character sound really scary and terrible to the reader.
 * If you think about the whole point of the Dread Pirate Roberts turns this Fridge Logic into Fridge Brilliance.
 * You could probably get away with the whole thing without killing anyone. Say at the beginning, a heavily ladden ship doesn't make port. Happens all the time. The first Roberts starts a rumor in one port about a pirate who kills everyone and takes their treasure. If anyone asks how a no-survivor pirate is known about, Roberts would just say that one person survived long enough to tell his rescuers before dying of his injuries. The rumor spreads and anytime a ship doesn't make it in for whatever reason (sunk, lost in storm, lost in direction, mutiny, other pirates, etc.), Roberts is blamed. Roberts builds up a crew under the Dread Pirate Roberts name. Anytime Roberts comes across a ship, Robert pretends to strike a rapport with someone on board. He offers them a deal: in exchange for their silence and all the stuff aboard, he'll make a small concession and let this crew live. He threatens to track down and kill anyone who speaks. No one risks his wrath, no one hears, no one dies, and Roberts makes an unliteral killing.
 * Remember, "Takes no prisoners" is not the same thing as "kills everyone." If you resist, you are not captured, you die. If you don't resist, you're just robbed blind. The problem is that not everyone makes this connection, so the reputation makes people think that it's either a kill or be killed situation, and therefore do resist, which leads to their deaths...and the vicious cycle.
 * If I'm remembering properly, the idea is that "Everyone knows that the Dread Pirate Roberts" takes no prisoners, which sets up the mythos around the man, and then the rest of Westley's story shows that the mythos simply isn't true.
 * In fact, it's quite likely that the first Dread Pirate Roberts spared a lot of people early on upon the condition of their going back and telling everyone about him, but instructing them to leave out that they survived an encounter with The Dread Pirate Roberts... or else. Turning himself into an urban legend would be easy enough a feat in those times.
 * Don't forget about Roberts' crew(s) themselves - the way pirates operate is that they go out, score a lot of loot, then immediately go to the nearest port and blow it all on booze and hookers (since pirates tend to die young, there's no sense saving it). The pirates could come into town with a big score, getting everyone attention by tossing money around, then brag that they're part of the Dread Pirate Roberts' crew and they just slaughtered a whole mess of traders, because their fearsome captain leaves no survivors. True or not, it'd get people talking.
 * Just before Inigo duels the Man in Black, Inigo describes how the six-fingered man (who we later learn to be Count Rugen) commissioned a sword from his father, Domingo Montoya. When Rugen went to pick up the sword--one of the finest ever crafted--Rugen offered only one-tenth the previously agreed price. Domingo refused, and Rugen killed him. Why didn't Rugen take the sword after killing Domingo? How is it that Inigo now has the sword?
 * In the book, it says that Inigo's father gave back the deposit to the Count and verbally gave the sword to Inigo before he was killed. Inigo's screams brought twenty men from the village before Rugen could even touch the sword. Rugen claimed Domingo attacked him with the sword (even though the town knew it was a lie) meaning it wasn't his to begin with. The Montoyas had no money in the house so Rugen couldn't claim to have purchased it. Rugen would have had to kill twenty-one people plus the villagers who heard that fight if he wanted to leave with the sword. As he's leaving Inigo takes the sword and challenges/insults Rugen. Rugen wins and scars Inigo who then passes out. It's one thing to beat an opponent who has threatened and insulted you and quite another to pry a sword from the hands of an unconscious 10 year old orphan surrounded by people who know you're the one who made him an orphan.
 * It's relatively clear that Rugen didn't actually care about the sword itself at all, and only ordered the sword in order to deliberately waste Domingo's time making it only to insult and reject it. It's all part of his grand scheme to torture people in the most sublime and complete way he possibly can, which, as is common for a Princess Bride character, is the one and only thing he cares about.
 * You mean he didn't really want a sword to fit six fingers? That'd be a useful thing to have, wouldn't it?
 * Well, it's not like a set of brass knuckles, is it? Would it really be so hard to find a sword with a grip long enough for that one extra finger?
 * Actually, it's not the length of the grip that's the problem, a long grip is easy to make. The problem is making the longer grip that doesn't throw off the balance of the weapon. This is specifically addressed in the book and glossed over in the movie.
 * Of course, he might not actually fight with his six-fingered hand. Just because he has six fingers on one hand doesn't mean that hand is his main hand. It's just a distinguishing feature for Inigo to recognize Rugen.
 * Domingo, I know something you don't know--I * am* left handed.
 * ZING!!!
 * What, you've never seen someone point out all the flaws of something they're interested in buying? Rugen was just going to extremes because he was an ass. The book made it clear that Rugen was just trying to haggle with a poor craftsman by setting the price really low, and that since Domingo was a true artist he became enraged at Rugen treating his masterpiece as if it were a loaf of bread or something. Domingo even says, I believe, that he didn't care about the money and probably would have done the work for free if he'd just been asked (because it was challenging and interesting work), it was the attempt to haggle that enraged him.
 * Am I the only one bothered by the fact Buttercup ISN'T bothered by the fact that Westley has apparently become a ruthless slaughtering murderer during his time as the latest Dread Pirate Roberts since she last saw him?
 * Once Westley reveals his true identity, she probably assumes that he didn't really do any of the things the DPR was reputed to have done, because she knows he's incapable of such things.
 * Inigo and Fezzik are also both professional murderers. It's a pretty grim book if you think about it, in that respect. The part that separates the good guys from the bad seems to be that the villains torture their victims first - like, a lot - or kill just for fun, as opposed to revenge or money.
 * Inigo makes a distinction between "revenge" and "justice". Part of it is that he insists he must defeat Count Rugen in a fair fight, rather than killing him just to kill him. Both Inigo and Fezzik are partially redeemed by the fact that they give Westley the dignity of fighting for his life in a fair match rather than just killing him.
 * She also isn't apparently bothered by all the vile things he said to her, the mocking, etc. before the reveal.
 * To be fair, this one can and is clearly explained by the fact that he thought the woman he was in love with and had gone through a lot of bother to find and see again was getting married to another man, and a rich asshole at that. He's a bit upset and bitter by this, hence saying the nasty things to her. Note how said nasty things stop being said when, upon talking about the day she found out the man she truly loved her was dead, she screams "I died that day!" at him and tries to push him off a cliff in rage at thinking he's the guy who killed him. After this, he's satisfied that she genuinely did and still does love him, while she's just overjoyed that he's alive and thus is willing to forgive a few mean things being said.
 * The idea of the Dread Pirate Robert's mantle is to be so ridiculously terrifying that no one would dare take up arms against you. In the movie, you see how they scare off the guards instead of kill them? That's what Westley did for the past few years.
 * No, you're not.
 * Arguably, he didn't kill anybody, any more than the previous Roberts did. He just coasted on the reputation.
 * That XKCD bugs me. The Spaniard is also a professional killer.
 * Does Buttercup know this? She knows he helped to kidnap her but Vizzini was the one talking about killing her and Inigo may have even said something while she was conscious about how he wasn't comfortable with the plan. Sure, his part in that plot wasn't good but it's not the mass murder Robert's is supposedly guilty of either.
 * Not really. Maybe it is because I am a rather amoral person, but if someone dear to me whom I thought had died was revealed to be alive, the fact that they had killed a bunch of people I don't know or care about during that time period wouldn't bother me too much (except if they were on the run because of it or something, but that would be more of a practical concern than a moral issue).
 * By the time Wesley takes over the mantle of Roberts the legend is so infamous that he doesn't have to kill anyone at all, simple run up his colors and any ship will simply send over their valuables without a fight. Although he does seem quite willing and able to kill when nessecary (Vizzini) he doesn't seem to take any pleasure in it.
 * You're probably not, but frankly if Disney can make one of the most successful trilogies of movies ever by making pirates the heroes, let alone sticking some vague acts of piracy in a hero's past, you're probably better off not bringing it up unless you want to look like a fussy Moral Guardian.
 * Was it not already obvious that Buttercup's not exactly the sharpest tool in the shed?
 * Once Westley explained he only became the DPR five years ago and there were several men who passed the title on, she would have realized he never killed all the men Roberts was supposed to have--other men did that. The only time he could have been killing people was during those five years. She likely believed he killed as few as possible. Or she forgave them because she knew he had to do it as part of his cover, to keep the pirates from killing him, until he could make it back to her.
 * Haven: This is more of a Real Life complaint than one with the book, but: someone took the idea that there was an older book of which this was an abridgement literally. Someone took that at face value. A friend of mine. And couldn't be convinced otherwise, although maybe that's my fault for not being a very strong debater. "Possibly there was another joke you're not getting? Possibly this is a recurrent theme in literature and was used here as an homage to older chivalric tales? Possibly it was even riffing off of this device in the same manner that Cervantes was, and also, it's kind of gullible to think someone actually used the phrase "good parts version" seriously, not to mention the Anachronism Stew aspect and... No? Okay." This especially Just Bugged Me because I'd just read Don Quixote. Anyway, just needed to vent somewhere.
 * The framing device in The Princess Bride isn't just a riff on Cervantes; in many ways, it's the point of the entire book.
 * If I read your comment right, it seems that your friend thought that there was an older book, and that the film is the abridged version, and you were trying to convince this friend otherwise. Actually, it's true. The Princess Bride was originally a very long and tedious book, which William Goldman's father condensed into "The good parts" to read to him as a kid. When William grew up, he located the book, and was disappointed to find it so dull. He therefore wrote an abridged copy, which was then turned into the film we know and love today.
 * No, Goldman wrote it himself - the "abridgment" was a joke. S. Morgenstern was made up. All the stuff about it being read to him as a child is as fictional as the rest of the story. (Actually, the adventures of Westley, Buttercup and co. arguably qualify as a Show Within a Show.)
 * GAH! so, I can believe there's than one person to whom my original comment applies - the law of probability dictates it - but for it to come up like this is just...argh! Please tell me that you're just a brilliant troll? -Haven
 * Sadly this is a really common belief. I can only assume people zip through the book enjoying it on face value and don't bother to apply critical reasoning to it until they end up having this conversation. Once you start pointing out the anachronisms and things, they'll usually facepalm and wonder why they didn't notice on first reading. Some people just read differently to me, I guess.
 * One of my friends also believed this for a while immediately after reading the book. Fortunately, he is a reasonable person and realized he had fallen for the joke.
 * Haven again: after trying to explain this to a friend, his response was, inexplicably, "so you didn't know there was a book?" Which is even more inexplicable than the response above because he was there at the time I was having this discussion with my other friend, and we were looking at a copy of the book, and...Even though the entire point is that I did and I said that and...GOD. I am now in some kind of freaky Stable Time Loop where I am destined to try to explain this, only for that to lead directly into the same misinterpretation happening again. RAAAAGE.
 * I just had this exact conversation with my boyfriend and his brother, both of whom believed that S. Morgenstern's "version" was real. I think it's because we've been conditioned to believe that anything in a Forward or Intro are real notes from the author ala Stephen King. The fact that such a Forward is just as fictional as the rest of the book is unheard of and, actually, is one of the coolest things about the book.
 * Uh, that's a lot Older Than You Think. Henry Fielding did this in Shamela, off the top of my head, and I'm sure there are more.
 * Not to mention plenty of things by Vladimir Nabokov, Mark Z. Danielewski, Milorad Pavic, Jorge Luis Borges...
 * And the intro to Lord of the Rings, explaining how it was based on the Red Book of Westmarch.
 * Personally, while I really do, in the end, understand that there was no previous, unabridged version, I really don't care. Since I'm fully capable of truly believing something which I know is false, I've simply decided to render this little bit of information "Irrelevant" and move on with my life, completely aware of the fact that there truly was an unabridged version, which just so happens to be as difficult to find as the author says. (I've also avoided learning anything at all about Goldman, in fact, in an effort to make it harder to sort everything out, and while I'm pretty sure that he wrote a script called "Butch Cassidy and the Sundance Kid," I don't really know for sure). Yay for self-delusion.
 * Well, the fictionalized "William Goldman" who narrates the "abridgement notes" in the novel is deliberately designed to be very similar to the real William Goldman in a number of ways -- his background of being a Hollywood writer, jaded at the relative shallowness of his film career, and doing the "abridgement" as a way to get back in touch with the roots of real storytelling is, at heart, true, and the trueness of it is what makes the book such a sincere, moving effort despite the layers and layers of fakeness surrounding everything about it.
 * If you want to stay deluded, though, don't read up too much on the real Goldman's family -- the family members in the story are all fake and completely different from the real Goldman's real family.
 * I don't know why you'd want to stay deluded, though; to me, the story of The Princess Bride * is* the story of the fictional William Goldman and how he came to write this story, and the story loses much of its point if not seen through that lens. I continue to be amazed that others don't see it this way. Seriously, those "abridgement notes" are NOTHING like author's notes in other stories -- they repeatedly break up the narrative and go on and on about "Goldman's" own life and inner struggle for literally dozens of pages. Did everyone just skip past them, thinking that they were the result of an annoyingly self-indulgent "abridger", and read only the non-italicized pages? Because then you MISSED THE WHOLE STORY.
 * This Troper (being the one originally commenting on purposely deluding himself) payed very close attention to it. I completely recognize that the point of the story is fictional! Goldman, which is kinda why I allow myself to be deluded when I read it. The story loses something, I think, when you step away and remember "But in the end, it's all just fiction." I suppose you could say that it's basically just restricting what information I look up (such as Goldman's real family) in order to better make use of the Literary Agent Hypothesis.
 * This troper got fooled when he first read the book. Of course, I was eight years old at the time.
 * This troper was told by a friend in high school that said friend was reading "the real, unabridged Princess Bride in history class." This friend also said that it was "incredibly boring" and that the abridged version with Goldman's commentary was "much funnier and easier to read," and "only includes the good parts," and so on. Looking back on that conversation, and reading this thread, is ... disorienting. The conversation must have been a leg-pull, but ... to what end? My reaction at the time was probably a bored "uh-huh." Was the history teacher in question playing a prank on the class, perhaps? If so, what the hell?
 * The history teacher wasn't playing a prank, your friend was. Specifically, he was having a good quiet laugh to himself that you believed him about the book.
 * Before the movie came out, and the book was only available in paperback, I wanted a hardback yummy cover, so I rebound my paperback as a hardback. As long as I was writing a title on it, I wrote "by S. Morgenstern". A friend saw it sitting on my shelf and gasped "You got a copy of the original?"
 * OK, so what I understand from reading other Goldman works is that the whole Morgenstern subplot (superplot?) was put in so that Goldman could hand-wave around the incongruous five-year jump from Buttercup and Westley's romance to the kidnapping. Then why did the movie A) give no indication that Grandpa Peter Falk was abridging (except of course for skipping The Reunion Scene) and B) not suffer for this? I never questioned the five-year jump, and I don't see how one could.
 * Where did you hear that? I've never heard that explanation before, and it doesn't even make sense.
 * "Which Lie Did I Tell", paperback edition, page 23: "I remember doing the first chapter about how Buttercup became the most beautiful woman in the world. And the second chapter, which is a rather unflattering intro of Prince Humperdinck, the animal killer in his Zoo of Death. But then I went dry. . . . all these moments had already happened in my head--the sword fight on the Cliffs of Insanity, for example; Inigo and his quest for the six-fingered man, for example; Fezzik and his rhymes--but I didn't know how to * get* to them, had no way to string them together." (emphasis in original)
 * Well, a movie adaptation of a novel is generally going to be an abridged version of the original. The audience forgives parts being skipped or fast-forwarded when the plot has to be fit into less than two hours rather than an undetermined number of pages.
 * Does it mark me as a bad person that I find it absolutely delightful that some people actually believed that there was a full, unabridged book somewhere?
 * There's no indication that he's abridging because the humor of the abridging is letting the reader know, in brief, what sort of inane stuff is being skipped. There wouldn't have been a way to put that into the film without bogging it down, and it fits with the novel's framing story: Goldman, in 'verse, never knew his father was 'abridging' it until he was an adult. Thus, the grandfather doesn't tell the kid that he's 'abridging' it.
 * I fell for it too, and I am a careful critical reader most of the time. In this case I think it is a combination of a) assuming all the anachronisms were things Goldman included in his abridgment to spice things up and make them funnier/more relatable and b) how skillfully and sincerely he did the writing so as to make his supposed travails and family life and the background of the book convincing. It was when he started suggesting there was a second book, "Buttercup's Baby", which Morgernstern's estate wasn't letting him finish abridging, and when he brought Stephen King into it as a supposed Florinese native and Morgenstern expert (in other words when he tipped his hand by being too audacious) that I figured it out. It also helps of course that I knew nothing about Goldman and his real life and family, it being the first book of his I read.
 * It Just Bugs Me that Buttercup could be replaced with a small potted plant without materially affecting the story. Despite being the title character.
 * Oh, and what about Westley striking her?
 * Yep... We call that Eighties Heroine Syndrome where I'm from.
 * Honestly, I liked the fact that Westley struck her (or threatens so). It's a character flaw that humanizes him. She's annoying as all hell, and getting frustrated with her is entirely realistic even if it's not admirable. Plus, I hate the Knight in Shining Armor who Wouldn't Hit a Girl. If you'd smack an obnoxious male, then you should smack an obnoxious female. But that's just me, your milage may vary.
 * At the time he was threatening to hit her, he was also pretending to be the Dread Pirate Roberts (which he was, actually, but you know what I mean), so I think the threat was just part of his act and he never actually intended to hit her. Of course, as stated, hitting a female should be no different from hitting a male, but I still think hitting one's Love Interest, regardless of gender, might be in bad form.
 * At that time he thought she actually broke her promise and ran off with Humperdink as soon as he was out of the picture. He was heartbroken and felt betrayed and his Dread Pirate act is either his way of taking revenge or his way of testing her true loyalties. Granted, that's all pretty fucked up too if you think about it, but hey, people do crazy things when they think they've been dumped.
 * He also tells her "where I'm from..." That's either a subtle clue and a reminder that she should think "oh, right, we have rules like that where I'm from, as well... But is there the same rule for guys? Wait, why am I thinking about feminism when I've got Eighties Heroine Syndrome? Whatever, back to non-confrontational potted plant time," or it's all for his Dread Pirate Roberts act and he'd almost definitely never hit her anyway.
 * He threatens to hit her because she was 'lying' about him not having loved anyone as much as she did. The hell? Even if she was wrong about that, she wasn't lying. She just didn't know that he had loved anyone. Even if her love had been shallow, she had no reason to think that Robers had ever loved anyone even that much. And when he's been supposedly dead for five years, it's kind of unreasonable to expect her to stay devoted to him. I mean, they weren't even married!
 * True Love supercedes things like marriage and death. That was sorta the point explained later. And the 'lying' part wasn't about whether Roberts had known love. It was about Buttercup's love. The slap (or threat of it) was his way of saying, "Oh, so you loved him soooooo much, then why the hell are you marrying another dude?''
 * In the book, he does in fact strike her. Actually, the exact line is: "He slapped her."
 * That would have to be one annoying potted plant to convince the Prince to kill Wesley.
 * Very good point. Buttercup was useless and helpless most of the movie, but the way she stood up to Humperdinck was one of her best and most powerful scenes, even aside from the fact it compelled Humperdinck into rushing off and killing Westley.
 * She's supposed to be a satire of fairy tale girls, the kind that are pretty but naive and don't do much of anything.
 * Twilight. That is all.
 * "You keep using that word. I do not think it means what you think it means." Great line, often quoted to great effect. So what bugs me? The word "inconceivable" DOES mean what Vizzini thinks it means! It's not unusual to say "Unbelievable!" or "Incredible!" when something you're not expecting happens, so what's the problem here?
 * See, the thing is that Vizzini keeps using a word that means "so impossible as to be beyond serious consideration" to describe things that are happening or have already happened. Despite the fact that he is often using it figuratively to show his amazement, his companion Inigo chose to make believe he thought his boss was confused as to the word's definition, to make said boss the subject of fun. This is called a "joke".
 * Thanks for the condescension and all, but I thought of that, and it doesn't work. Inigo has no sense of humor. But what Just Bugs Me isn't that bit itself, it's how people are always using the quote at face value, forgetting that Inigo is wrong (or joking, if you insist).
 * Inigo does have a sense of humor. He thinks it's funny to speak in rhyme with Fezzik, and to pretend to be left-handed. It's not much, but he does have a sense of humor.
 * Inigo isn't the one making the joke, per se. The author is. Inigo is genuinely puzzled that a man as smart as Vizzini would continue to so radically misjudge the improbability of things that are already happening or have already happened. He thinks Vizzini can't possibly be that stupid as to think all these bad events that keep happening to him are * literally* inconceivable when they just keep happening again and again, so he thinks Vizzini must have just misused the word, which Inigo understands because Inigo himself misuses words quite often. It's from the * author's* -- and the audience's -- perspective that Inigo's innocent attempt at a correction becomes a giant upraised middle finger to Vizzini's arrogance, overconfidence, and blind, denial-ridden tendency toward self-destruction. In that context -- the * original* context -- the line is, indeed, very funny. I will wholeheartedly agree with it being overquoted, though.
 * Wow -- that is a really, really good answer. It all makes sense now.
 * I always thought that Vizzini used that word a bit to much like a swear. When Inigo said IDTIMWYTIM to him, I interpreted it as "you keep using that word like a swear ... and it's not."
 * This troper heard it as Inigo interpreting Vizzini's use of the word as in the old joke with the translator who means to say his wife is barren, but accidentally says she is unbelievable. Vizinni using the word "inconcieveable" as a word in itself, and Inigo puzzling it out from the root word, as English or Florentine may not be his original language.
 * Yet another possible explanation: Inigo is a great fencer, but he hasn't spent much (if any) time studying anything else since the age of ten or so. Maybe the word "inconceivable" doesn't mean what he thinks it means. But in his Book Dumb simplicity, he can still act as the author's device to mock Vizzini's arrogance.
 * Well keep in mind that Inigo says "I don't think it means what you think it does". He himself isn't sure that he's right about Vizzini being mistaken, he just suspects it.
 * Hi, i'm the bloke who wrote the first sarcastic response, and first of all, sorry for being a jerk. Guess I was having a bad day or something. However, I do stand by my answer. In the book, it's much more clear, as Inigo goes on a mini-rant, saying how no matter how many times Vizinni claims something to be inconceivable, it has happened, and therefore must be conceivable. So he does know what the word means and is making fun of Vizinni.
 * This troper thought that maybe Inigo had just recently learned English. He has a strong accent, he occasionally uses odd words to convey his meaning, and he's unusually pedantic about correct usage (Let me 'splain...no, is too long, let me sum up) in a way that a native speaker wouldn't be. If he had just learned precisely what inconceivable means, he would be more bothered to hear a smart man like Vizzini using it to express his annoyance at something that, having happened, obviously was conceivable by someone, if not by Vizzini.
 * The height of Buttercup's absolute uselessness would have to be when she is kidnapped by Vizzini, Inigo and Fezzik. SHE'S SITTING ON A FREAKIN' HORSE! RIDE AWAY, YOU IDIOT!
 * She has all of about two seconds between realizing that Vizzini & company are trying to kidnap her and being knocked unconscious by Fezzik. Her thoughts probably ran along the lines of: "Oh my god, these guys are going to - " before falling asleep.
 * Also, her being an idiot is kind of the point.
 * I'm no doctor but wouldn't leaping from a huge ledge onto a horse be all sorts of bad news when you are stabbed a lot? Inigo was in bad shape after he did his thing and he was running amok just like he was fine. At that point, the adrenaline should be wearing off and the hysterical screaming from the agony should begin. Or at the very least, stumbling and fainting from holes and or blood loss.
 * His wounds reopened at the end of the book, making him fall from his horse.
 * Also, he probably didn't jump directly onto the horse. We can infer that Fezzik probably caught him and Westley as he did Buttercup.
 * I thought that too; it seemed very clear that both Westley and Inigo were caught by Fezzik (remember Westley was still recovering too and might not handle the landing well), and they only showed Buttercup for the "pretty damsel" and flowing wedding dress bit.
 * The 'Oh look, I have the magic sheet you need' bit bugs the crap out of me.
 * It's explained in the book. Sort of.
 * It's explained in the movie, too. Fezzik says that Miracle Max gave it to him. Plus, him pulling it out of nowhere is the joke.
 * Iocane powder is odorless, colorless, and tasteless. Yet a character picks up the vial, sniffs it, and declares, "Iocane powder."
 * Maybe it was the fact that he smelled nothing that tipped him off. It was clear that a man had been poisoned, and iocane powder could have been the most likely colorless, tasteless, odorless poison to be used.
 * It was. In the book, this troper is fairly sure either the dialogue or the narrative said something about Humperdinck smelling "absolutely nothing" and then declaring it to be iocane powder.
 * Plus, the full line is, "Iocane powder; I'd bet my life on it." He doesn't actually say he identified it by smell, or even explain himself at all.
 * While the first explanation is quite plausible, I've always seen the line as a deliberate joke.
 * Fridge Logic: Why is iocaine powder so commonly known to be tasteless, yet it is "inconceivable" for a man using iocaine powder to have intentionally developed an immunity to it? If it kills in seconds, who would have been suspicious of food or drink that tasted perfectly normal? (Unless it was explained in the book, such as only Westley knowing it was tasteless, it's been too long since I've read it.)
 * You can figure it's tasteless by putting some on the tip of your tongue and not swallowing. Or just take a very small amount, maybe enough to make you ill but not enough to kill you.
 * Fridge Brilliance, maybe? If I recall correctly, Westley doesn't say anything about it being "commonly known" to be tasteless. He just says that it is. So the pertinent question for Vizzini to ask is "How does he know that it's tasteless?" Stupid Westley for giving Vizzini a clue, stupider Vizzini for not picking up on it.
 * The Prince was described as a master tracker, able to follow a falcon's trail on a cloudy day. His senses are so developed that he can smell the odorless.
 * Humperdinck knew all about Vizzini's plans and methods because he hired him. He knew in advance it was iocane, then pretended to identify it in order to look cool. You can even tell he's doing a "dramatic" voice.
 * Yes, but he * always* does a dramatic voice!
 * The iocane belonged to The Man in Black. He showed it to Vizzini, explained what it was and what it did. There's nothing in Vizzini's reaction to suggest that he was already familiar with iocane.
 * Vizzini is familiar with iocaine. He knows it comes from Australia. (And he also knows that you suspected he would be aware of the fact that you knew he knew it.)
 * He * says* he knew those things....
 * Well, Westley didn't correct him, so I think we should assume he knew where it came from unless there is a reason not to.
 * Still, the point is that it wasn't Vizzini's iocaine powder. The Man in Black was the one who brought it and used it, and even if he'd heard the name and knew it was from Australia, Vizzini clearly didn't know what it was at first.
 * Why would Westley acknowledge anything Vizzini says as true? He just sits there and lets Vizzini rant without interruption for a long time; it wouldn't serve any purpose to correct him, except to spoil the show. He's mostly finding Vizzini's verbal thrashing to be amusing.
 * Yes, but why would Vizinni have just made up that it was from Australia? It was Wesley's iocane and there was every chance he knew where it was from. If he had said 'It's from America!' then Wesley would have corrected him and he'd have appeared stupid. If Vizzini had not said anything about the origins, he would not have appeared stupid and randomly guessing had a very high probability of guessing wrong and then looking stupid. Vizzini may have read about iocane powder andn so when it was identified he knew where it originated from at least.
 * The point is that even if Vizzini did know of iocaine and its origin (as revealed by Westley not contradicting him), that still wouldn't allow Humperdinck to have known of it via Vizzini, not unless he'd somehow mentioned it to the prince, or was in the habit of showing his prospective clients his records/library in which he had written down something about iocaine. However, assuming the line wasn't a joke, a great tracker and hunter like Humperdinck would surely know about many poisons, including that one.
 * Why did Vizzini use a Poisoned Chalice Switcheroo? If he felt sure that the poison was in his goblet, he could have just taken the other one openly according to the rules of the game.
 * Because then he'd miss the opportunity to gloat while his opponent, convinced he won, suddenly felt the icy grip of death overtake him. Pity for him, The Man In Black wasn't playing by the rules he laid out.
 * Now hold on there. He never said only ONE cup was poisoned. Vizzini could at any time have refused to play the game; after all, he had the upper hand.
 * What upper hand? They were at an impasse. He may have had the princess, but he didn't have any way of getting away with her as long as the Man In Black was there.
 * Indeed. All Westley says is, "All right. Where is the poison? The battle of wits has begun. It ends when you decide and we both drink, and find out who is right... and who is dead." He never says only one cup is poisoned. Vizzini assumes that's the case.
 * The way I saw this scene was; they both cheated. The game was to discern where the poison is and choose the goblet that wouldn't kill you. DPR however is immune to the poison and poisoned both goblet. Vizzini's ploy was no to gloat but to see if DPR would hesitate to drink from "his" cup; if he didn't then the ploy worked, if he did then he had a plan b in store I'm sure. He is a Sicilian after all, and death is on the line.
 * Westley didn't cheat, Vizzini just assumed that one and only one goblet contained the poison; Westley stated nothing of the sort. If Vizzini had been a true genius instead of just Feigning Intelligence, he would have either determined that no one would enter a battle of wits when they had a 50% chance of losing simply from random chance, or he would have known that it's possible to develop an immunity to iocaine powder. Vizzini lost because he saw rules in the game that weren't there. I guess that actually makes him a Scrub.
 * Actually, if Vizzini had been a master of wits then he wouldn't have accepted * anything* offered to him by a known enemy, especially in such a tricksy situation.
 * Also, it wasn't a battle of wits based on random chance. The point, from Vizzini's perspective, was not to guess, but to figure it out based on logic. Which it kind of was, but the correct answer was "I'm not drinking either of these, you wanker.
 * "Where is the poison? The battle of wits has begun." No mention of one and only one poisoned goblet.
 * I always thought he was guarding against cheating. If he chose correctly, the Man In Black could simply refuse to drink the poison, and jump across the table to kill him. He had to choose right while making his opponent think he had chosen wrong. Thus, Vizzini was a bit smarter than he appeared. Unfortunately he was gullible and arrogant, so he believed the MIB really fell for his transparent "look over there" ruse.
 * It's not established for certain that the Man in Black * didn't* fall for the "look over there" ruse. It just doesn't make any difference one way or another.
 * Watch the scene again. Vizzini waits for the MIB to sip first, then drinks happily. Vizzini thinks the MIB thinks he's drinking from the unpoisoned chalice, so Vizzini thinks he's drinking from the unpoisoned chalice. I supposed Vizzini would have refused to drink if the MIB had hesitated
 * On that subject: "We shall have a battle of wits. Let us say... To the death? Here, sniff this." Does anyone else think Westley should possibly have won right then, and then revealed the poison-both-goblets gambit as his main plan since it's unlikely (but possible) that anyone really would be that stupid or arrogant? It wouldn't have been very honorable at face value, but nor was the very specific wording he gave to allow the poison-both-goblets gambit (though the correct answer for Vizzini would be to drink from his own wine pouch if he had one, or the bottle if he could be sure it hadn't been tampered with, or even failing that a nearby stream- that way, there would be zero risk of choosing the poisoned goblet rather than 50/50, and would be perfectly within the rules set), and Vizzini had ordered Fezzik to ambush Westley and kill him with a rock. Anyway, it would have been using Vizzini's hubris against him slightly more directly, and provide for an interesting twist, though I don't know if it would have been better for the story (Vizzini being punished by the narrative for the stupidity of smelling something handed you by a person trying to kill you), worse (because it would have altered Westley's character even slightly in a way readers might like him less), or simply different (and not really comparable beyond personal preference, They Changed It, Now It Sucks not being available to anyone without Ripple-Effect-Proof Memory).
 * There is an interesting piece of Fridge Brilliance in the iocane powder scene. In the book you have Vizzini ranting along the lines of "Because of X I can't take the goblet in front of me. Because of Y I can't take the goblet in front of you. But because of Z I can't take the goblet in front of me. But, because of N I can't take the goblet in front of you..." and so on. And at first you think it's all just for the joke, showing Vizzini talking out of his ass and actually not knowing what he was doing at all. But, in the book it also describes the MIB as getting more and more nervous and impatient and demanding Vizzini stop delaying and choose already. So why is the MIB nervous? Because if you follow Vizzini's circular logic to its ultimate conclusion, it leads to the conclusion that Vizzini should not drink from either cup! The MIB was getting nervous because he was worried that Vizzini was appearing to be gradually seeing through his trick! (And there would be risk of harm to Buttercup if Vizzini picked up on the trick).
 * Well, obviously the way to win Russian Roulette is to never pick up the gun... This troper always read that scene as Westley playacting to toy with Vizzini, not exhibiting genuine nervousness.
 * Could be, but in the film, watch where he swallows from nervousness. It happens to be (could be coincidence) right when Vizzini is explaining that "you could have put the cup in front of you, relying on your strength to save you". He seems less nervous after Vizzini moves onto the next random arguments.
 * If anything, he's nervous because the longer he sits around wasting time with this guy, the less time he'll have to escape with Buttercup.
 * Yes exactly! I had that bit of Fridge Brilliance myself! Basically Vizzini kept coming up with reasons not to drink either goblet; he was merely trying to trip the MIB up into revealing which one he'd poisoned, but if he had kept going and followed his thoughts to their logical conclusion (or just known better than to drink anything his enemy gave him), he'd have realized he shouldn't drink from either goblet. Also note that aside from the nervous swallow, at the point where Vizzini starts talking about trusting in his strength to save him, the MIB clenches his fist. Vizzini was very close to the truth, albeit for the wrong reason, but his overconfidence and allowing his assumptions about the rules to overcome his logic were his undoing.
 * Why is Westley a better swordsman than Inigo, when Inigo has had 20 years of dedicated study while Westley had, at most, five years of learning from pirates?
 * Basically, Westley is effectively a Canon Gary Stu, but thats to be expected given its effectively a fairy tale.
 * Not only that, but Westley benefits from The Power of Love. He's almost unstoppable in large part because he's trying to save Buttercup. As said above, this is a fairy tale setting; that kind of thing is practically a genre convention.
 * It's explained slightly more in the book that Westley is only a superior swordsman when they're in an open area, but Inigo could take him if they were fighting around obstacles. Also, Westley's been fighting on pirate ships for the past few years while Inigo has been getting drunk in the gutter. He might be a little rusty.
 * The terrain was critical. It is stated outright that Inigo was superior in 2/3 possible terrains, but it just so happened that the lay of the battlefield allowed Westley to keep the fight within the one type of terrain where he was superior.
 * Wouldn't learning to fight on a pirate ship make it easier to fight around people and obstacles?
 * In the book, it's suggested that Inigo is undone by his overconfidence. As he is waiting for Westley to climb the cliff, before offering to help him up, he asks God to give him a true challenge and to make this Man in Black a master worthy of his skills. He then starts out fighting with his weak hand (the left one), thinking this will make the fight more fair. Inigo is thrown off-balance psychologically and begins to lose after he discovers that not only is The Man in Black a worthy opponent who can match him technique for technique but he also does the same hand-switching trick to challenge himself ("I'm not left-handed either.") In short, Inigo loses not because Westley is better but because of Hubris.
 * Inigo is using a sword perfectly crafted for a six fingered man. He has only the normal five. Fridge Brilliance.
 * Actually, he has mastered that sword.
 * It wouldn't matter the book makes it quite clear that in a fight between two sword wizards (masters) having a sword made to fit a different type of hand would be a crucial disadvantage, Wesley is a mario, he is always second best at everything, but Inigo and Fezzik(Fezzik because he got used to fighting groups)are at a very slight disadvantage when they fight, meaning second best is good enough.
 * First, anyone who knows anything about fighting or any other human skill knows that there's no law of the universe stating that it's automatically impossible to beat someone with more training and experience than you. It's unlikely, but it does happen. Other factors influence the outcome of a fight, a whole shitload of them, including inherent skill; the fighters' current physical, mental, emotional, and spiritual conditions; luck; split second decisions and other matters of simple human fallibility; the particular combination of fighting styles between the fighters; the conditions of the environment, etc. Second, Inigo had just said that he's been spending more time in pursuit than in swordfighting studies.
 * I always thought it was because Inigo was just fighting for a job - Westley was fighting to save the life of the woman he loves.
 * The book actually makes this slightly more confusing; Inigo travels to become a Master in swordfighting by basically learning from every Master he could find. He returns to Spain to find Yeste, a friend of his father's who helped him first learn the sword. Yeste tests him and decides that he is better than a Master; he is a Wizard. However, as Inigo tries to find the six-fingered man, not only does he become a heavy drinker, he becomes bored of fencing. Hence Westley, who has more on the line, has been practicing more intently and is probably less rusty than Inigo wins.
 * Westley is significantly more intelligent than Inigo. This means he learns faster and is a better tactician. Also, there's a point in skill development where you can't get any better, only keep your skills sharp.
 * Actually, the book never outright states that Westley is more intelligent than Inigo; he is just a faster learner. Having studied only one thing for twenty years, Inigo is probably as smart or even smarter than Westley in regards to swordfighting, Westley just has a wider range of intelligence.
 * If Death can't stop True Love, what makes you think Inigo can?
 * If no one's ever survived the fire swamp, how do they know there are exactly three dangers? At least the three I could understand, from myths and legends if nothing else, but what about the hypothetical clan of invisible dragons that lives in the middle, or the razorvine trees?
 * It's possible that people have left the fire swamp alive but with mortal wounds. Thus, technically speaking, the fire swamp DID kill them, just not immediately. They just happened to have lived long enough to tell the tale. Or perhaps they documented their travels through the swamp and someone found their documents.
 * Was it that no one had ever survived entering the Fire Swamp, or that no one had ever survived crossing the Fire Swamp? If it's the latter, people could've tried to cross it, then been forced to turn back by the three perils.
 * That ignores the point of the original question. If someone was undone by the three (known) perils of the Fire Swamp, but managed to make it out alive but mortally wounded, that's slightly more evidence that there's something in the swamp better at killing people than lightning sand, fire bursts, or ROUSs. On your other point, I only recall that Buttercup says "we'll never survive!" and the man in black replies "you're only saying that because no one ever has," and not exactly what the man in black says prior to it (whether living in the fire swamp, crossing it, or merely travelling through part of it).
 * Not necessarily. If someone made it out alive, but mortally wounded, certainly he'd mention what it was that mortally wounded him, eh? Perhaps he was walking along, and saw a fire spurt in front of him--he avoids it, but doesn't make the connection to the farting sound right before. A little later on, he's walking, and sees some white colored sand, but before he steps there, something falls in and immediately disappears, so he makes note not to step there. Then, just as he's about to leave, he's jumped by an ROUS, which mauls him to within an inch of his life, but he barely manages to escape, with the ROUS retreating back into the forest.
 * But you (and Westley) are assuming that since three dangers are known, there are only three dangers. Look at it this way. I'm holding four cards in my hand, three folded out like a fan. One card is behind them, on its side so you can't see it. That card is, metaphorically, the hypothetical invisible dragons. It's possible that Westley was just saying three specific things since he'd seen three so far, and that the one Buttercup hadn;t seen was just a myth in case they didn't actually encounter it, but it really sounded like the Three Dangers of the Fireswamp were a common legend (especially with Buttercup bringing up the ROUSes).
 * Well, there are two entrances/exits from the swamp. Going in one direction, you encounter A)the fire spurt, B)the sand, then C)the ROUS. From the other direction, it's C, B, A. So, someone from one side manages to tell someone else before dying that they encountered A & B, someone form the other side does the same with C & B, it's all put together eventually by the people who never go into the swamp. Easy as ABC. (Sorry)
 * Didn't the book say that once in awhile an RUS would crawl to the very edge of the forest and die? So people could know about that. Plus, the Fireswamp could just have an overblown reputation, like the Dread Pirate Roberts. When telling about the swamp after all, saying "no one's ever survived" sounds a bit more interesting than "almost no one's ever survived, except for that one fellow from the next town over, his sister, the crone who may or may not have been a witch, and the fellow who also said he turned into a dog".
 * Although, this completely misses an important detail- Westley is not infallible. He could have easily just not known and been arrogant.
 * Anybody want a peanut?
 * AAAARRGH!
 * That off-rhyme (the short I sound is not the same as the short U sound) was improvised by Andre the Giant. It wasn't in the script.
 * Well, this is unnecessary and off-topic before I even got here, but I can't let that go. Plenty of people pronounce "peanut" to rhyme with "mean it," including Andre in that scene. Your accent isn't the universal pronounciation guide.
 * Any poetry student will tell you that a slant rhyme is just as viable as a hard rhyme in most situations. Plenty of esteemed poets, including Shakespeare, have relied on them.
 * Just occurred to me: How in Florin did Westley know that Buttercup had been kidnapped in the first place, and how was he waiting there when it happened, and where did he get his little sailboat? He parked the Revenge dozens of miles away and then sailed back, just in time to see the three grab Buttercup?
 * It's possible, being that he's a pirate, that he's privy to the same sorts of circles and information that someone like Vizzini is, and therefore heard either that someone was looking to kidnap her, or even specifically that Vizzini was. Or, I suppose you could just chalk it up to True Love leading him to her.
 * It's not inconceivable to believe that the Dread Pirate Roberts would maintain spies in the Thieves Quarter. The spy saw the transaction between Humperdinck's agent and Vizzini, then told Westley.
 * In the book, Westley is actually in the town square in disguise as Humperdink is announcing the engagement and presenting Buttercup, who has been in hiding for the last three years training to be a proper princess, to the public for the first time. It is likely Westley was afraid he had been forgotten in the past five years (he does ask Buttercup why she didn't wait for him later) and was waiting for a chance to confront her and tell her everything he eventually tells her in the Fire Swamp. He was moving to do so when she was kidnapped by The Sicilian Trio, at which point he went back to town, told his men on The Pirate Ship Revenge to sail to an agreed upon point in Guilder (the far side of the Fire Swamp, perhaps?) ahead of him, stole a ship that one man could pilot and cut off The Sicilian Trio as they were heading for the Cliff's of Insanity, having overheard their plans as Vizzini explained things to Inigo and Fezzik, while he was putting the fabric from a Guilder Army Officer uniform on the saddle of Buttercup's horse.
 * Three years in the book, five years in the movie. Try to avoid confusing those who haven't experienced this story.
 * Why, exactly, is this story called The Princess Bride? Buttercup was a commoner. She wouldn't have become a princess unless she really had married Humperdink, which never happened.
 * Or a bride.
 * In the book, Buttercup was given the title "Princess of Hammersmith" (some small lump of land on the back of Florin's holdings) after being discovered by Humperdink, in order to shut-up those nobles who would protest Prince Humperdink marrying a commoner. This happened after Humperdink went looking for the most beautiful woman he could find, following a brief and disastrous flirtation with an ugly princess after it was decided he needed to marry.
 * Actually, the princess was described as being perfectly lovely... it just turned out that she was as bald as an egg.
 * Funny catch. It could be an analogous construction to phrases like "the Queen Mother" or "the President-Elect." If I read a book called The President-Elect, I'd be surprised if the title character actually became President.
 * The author wrote the story for his two daughters. One wanted a story about a princess, the other wanted a story about a bride.
 * It's yet another subversion of fairy-tale themes. The heroes are fighting to prevent Buttercup becoming the Princess Bride.
 * Because The Princess Bride is a more memorable, succinct and cooler fairy-tale style title than The Commoner Who Isn't A Princess Yet But Will Be When She's Married Bride.
 * Why is The Pirate Ship Revenge waiting for Westley and Buttercup on the far side of the Fire Swamp? Even if you assume that Westley managed to find out Vizzini's plans as well as where they were heading (possible, as discussed in the scenario above) and stole another ship one man could pilot so he could give chase, his plans didn't include going cutting through the Fire Swamp and he had no way of getting word to his men on The Revenge to rendezvous at another point.
 * It could be that a natural cove near The Fire Swamp was a routine hideaway for Westley and his men between jobs. He could have been planning to cross overland AROUND the Fire Swamp to "the usual place" but Buttercup's pushing him into the ravine forced him to change plans and take the riskier path since the ravine was steep enough that he couldn't get himself AND Buttercup out of it before Humperdink caught up with them.
 * If you read the book, it mentions that the original plan was to go around the fire swamp, but they fell into the ravine (more accurately, Buttercup pushed DPR, found out he's Westley and jumped after him.) After falling in, there wasn't enough time to climb back out before Humperdinck caught up to them,even if Buttercup had the physical ability.
 * Having been through Count Rugen's life-draining machine, and having had 50 years drained away, won't Westley's happily-ever-after with Buttercup be incredibly, depressingly short? After all, he's about the equivalent of 70-something years old.
 * The Miracle Pill's got that covered.
 * And even if not, Miracle Max could always whip something * else* up.
 * Even ten or fifteen years being happy with each other is a much better ending than her being married to someone else by force and both being killed on that day. Think of it as a bittersweet ending, if you will, but everybody dies eventually.
 * The Machine is obviously still in the testing phases. Count Rugen couldn't have possibly done the required scientific testing to know with that degree of accuracy how much life he was draining away. Take what he says as hypothetical.
 * Or, if you'd like, Buttercup lost that many years off her life out of her own grief. "A part of me died that day!" anyone?
 * Or, draining his life away is completely different from rapidly aging him, since he obviously didn't age. Perhaps it's a life-reversing machine, and so if it sucks away more years than you are old, it kills you?
 * Is the Miracle Max's miracle pill actually magic, or is it just a massive dose of caffeine that knocks Westley out of a coma? The "Do you think it'll work?" / "It'd take a miracle." exchange between Max and Valerie certainly seems to suggest that they don't think he's got any magical powers at all.
 * Well, the exchange may be referring to the pill, or it may be referring to their plan (it comes right after "Have fun Storming the Castle!", after all). As for what it's made of, the book has a sequence where the editor mentions Inigo and Fezzik having to fetch the ingredients, but he cut it for being boring.
 * The "it would take a miracle" comment was in reference to their plan to rescue Buttercup. That was blatant. Miracle Max had lost his confidence in his abilities, yes, but he lit up like a Christmas tree upon the prospect of getting revenge on Humperdinck for firing him, and the only reason he had lost confidence in himself was because he had developed a psychological block. An expert gunslinger who fails his team and gets kicked out by the tyrant who pulled rank and took over may no longer believe he can shoot straight anymore, but that doesn't mean he suddenly disbelieves that his bullets themselves work.
 * I'm going to have to get it out of my system. I know that the setting is fictional and the year undefined, but the legal requirement for both parties to say "I do" was championed by Queen Victoria in the 1800s to combat sham marriages which were being used as a cover for selling women into slavery.
 * Westley is progressive.
 * Mm...intentional anachronisms, first off (Goldman spends several paragraphs hypothesizing on why the book says, for example, "this was before Europe" but "after France", and "after taste, but only just", etc.). Second, if you look at some of the things, it does look like an...interesting world, the only way to explain everything is that it's an AU. Therefore, it is possible that social stuff moved forward quicker. Alternatively, Westley's even better than one would think, and a specific law was made in this timeline for noblewomen so they could not be forced into marriage. Buttercup became Princess Buttercup, so either she has the right or she's common and can't marry him anyway. But I digress.
 * The book is set "after America", and assuming that Europe's non-existance didn't screw up linear time too badly, than the story could very well take place in the 1800s (America, after all, was founded in 1776.) In fact, the lack of Europe doesn't nessisarally mean the countries therein don't exist, only that the continent hasn't been named--meaning it's perfectly plausable for Victoria to be ruler of England and champion the concept of "I do". So basically, all that is required for this bit to make sense is for you to assume that it is the 1800s and that Europe, the continent, is not given that name.
 * Alternatively, Westley is going with the spiritual definition rather than the legal one.
 * Why does Westley love Buttercup? She wasn't nice to him when they met, she's dumb as a doornail, she doesn't have any real personality at all; really the only thing going for her is that she's pretty. There doesn't seem to be anything to love but a pretty face. Westley is smart, handsome, charming, daring, athletic and really deserves better. Is he just shallow?
 * The heart wants what the heart wants, and True Love is blind.
 * She's a satire of your average princess in your typical fairy tale; for example the personalities of the pre-renaissance Disney Princesses were not all that interesting anyway. If nothing else I thought Robin Wright did a great job bringing out life to a slightly unwritten character.
 * They spent their adolescence together. Anyway, Buttercup must have something going on in her head if she can whip off that True Love speech on the spur of the moment.
 * After Fezzik revives Inigo, he tells him that the castle gate is guarded by thirty men. "How many could you handle?" Inigo asks. "I don't think more than ten." Inigo then counts on his fingers to figure out that that leaves 20 for himself. Yet later, when Inigo, Fezzik and Westley scout the castle gate, Inigo looks over the wall and says, almost immediately, that it's guarded by sixty men.
 * Watch the movie again. Shortly after Inigo and Fezzik discuss the 30 guards, there is a scene where Humperdinck demands that the number of guards be doubled, as part of his fake efforts to protect Buttercup's life.
 * Still doesn't explain why Inigo had to count on his fingers to figure out the 30-10 and yet can count almost immediately 60 men.
 * He might still be a little drunk in the first scene but sober by the second.
 * The first case, he's doing subtraction. In the second case, he's just counting people.
 * When they arrive at the gate, Fezzik actually points out, "There's more than thirty!" Inigo responds, "What's the difference? We've got [the Man in Black]!"
 * I always took the bit with Inigo having to spend time counting down from 30 to 20 to be a joke at his expense, underscoring his lack of intellect/education, while later at the gate he has more time to count and the people right in front of him. The fact he was still recovering from being drunk in the first scene and not the second also helps.
 * Am I the only one who has a problem with Humperdinck's murder plan? It relies on everyone assuming Guilder is responsible by way of Guilder insignia to be found on Buttercup's corpse! Does he really think he rules a country full of idiots?!
 * What, are you expecting that he was going to let all of the citizenry examine the corpse? The Guilder insignia was part of the excuse; all he'd really need to do, for his people, is say, "Agents of Guilder kidnapped and murdered the Princess." It's not like he was going to call in CSI.
 * Also, in the movie, the whole idea of going to Guilder to kill her was so that her body would be found far from where she was supposed to be, murderered, in the kingdom of an enemy. It's the difference between stabbing someone and writing a confession for an enemy and killing them in the enemies house with his own gun.
 * Plus since Humperdink was going to do the deed himself, he could just say he actually came into the room and saw the Guilder assassin leaping out the window or somesuch, providing his own eyewitness testimony. Who'd argue? He's the prince.
 * From the fact that Guilder is described by Vizzini as the "sworn enemy of Florin" and that Humperdinck was convinced Buttercup's death by Guilderians would make the people "demand they go to war", it seems to me that even if the people had gotten to see the uniform/insignia, their irrational hatred of Guilder and love for Buttercup would have overridden any doubts they might have had about the prince's story.
 * Anyone else notice that Morgenstern's original version fits the JRPG genre to a T? Lots of fighting for Westley as DPR on his ship, Westley and Buttercup spend days in the Blood Swamp, Inigo and Fezzik have to crawl their way through the five floor Zoo of Death filled with monsters, Miracle Max sends them to fetch a bunch of ingredients to revive Westley, they actually have to fight a lot of the guards when they storm the castle, and it's implied that there was a lot of further fighting that was cut for not progressing the plot.
 * You know, I did always think the movie bore a resemblance to something from Final Fantasy.
 * Wesley says he doesn't think that the ROUS's exist... but about thirty seconds before, he was looking right at them.
 * Pretty sure he was just trying to reassure Buttercup.
 * Yes, he was. This is explicit in the book.
 * When Rugen runs away from Inigo and locks a door behind him, Inigo tries in vain to smash the door, and desperately asks Fezzik for help. Fezzik props Westley up on a suit of armor, holds Inigo back, and smashes the door open. He couldn't have been apart from Westley for more than a minute or two tops, but when he goes back, Westley is gone. How in the world could he have gotten into Buttercup's bedroom ahead of her, when he had no strength?
 * Rule of Cool.
 * In the book, Westley could already walk feebly and Fezzik had to hit the door thre or four times to knock it down and then had no idea which corridor Westley had gone down. In the movie, Westley may have had Fezzik carry him and then given him a distracting quest so that he could face Humperdinck and reunite with Buttercup alone.