Once Upon a Time in America



"You see, I have a story too, Mr. Bailey. I had a friend once. A dear friend. I turned him in to save his life. He died. But he wanted it that way. Things went bad for my friend, and they went bad for me, too."

Once Upon A Time In America (also known as C'era Una Volta In America) is a 1984 crime film directed by Sergio Leone, loosely based on the novel The Hoods by Harry Grey, starring Robert De Niro, James Woods, and Elizabeth McGovern. The film centres around a Jewish-American gangster, David "Noodles" Aaronson, spanning five decades (and nearly four hours), and is framed as an elaborate flashback sequence.

Executive Meddling led to the US version of the movie being over an hour shorter, and rearranged for the scenes to be in chronological order. It ended up being a flop at the box office, but thanks largely to the original version helping popularize the concept of the "director's cut", it is now widely regarded as a cinematic masterpiece.

This film contains examples of:
"Noodles (speaking to his best friend Max): Today they asked us to get rid of Joe, tomorrow they ask me to get rid of you. Is that okay with you? Because it's not okay with me!"
 * American Title
 * Anachronic Order
 * Bank Robbery
 * Berserk Button: Max really, really hates being called crazy.
 * Genteel Interbellum Setting
 * The Danza: By coincidence, Danny Aiello as Police Chief Aiello.
 * Et Tu, Brute?:
 * Gainax Ending: What does that garbage truck mean?
 * The alternative view is
 * Leave the Camera Running: Used very, very frequently. It is a Sergio Leone movie, after all.
 * The Mafia
 * Manipulative Bastard: Max
 * Mind Screw
 * One Last Job: Noodles
 * One-Scene Wonder: Jennifer Connelly as the young Deborah.
 * Opium Den
 * The Power of Friendship: Between Max and Noodles, with their neighborhood buddies Cockeye and Patsy as a four-man mob squad. Arguably the theme of the movie:
 * Mind Screw
 * One Last Job: Noodles
 * One-Scene Wonder: Jennifer Connelly as the young Deborah.
 * Opium Den
 * The Power of Friendship: Between Max and Noodles, with their neighborhood buddies Cockeye and Patsy as a four-man mob squad. Arguably the theme of the movie:


 * Rape as Drama:
 * Re Cut: The film was recut so much for its first release in America that Sergio Leone was left heartbroken because of it, and never made another film.
 * He was planning on directing a film about the siege of Leningrad, and wanted to work with "America" star Robert De Niro again in the lead role for this film. Too bad he died two days before he was too have officially signed on to do the film.
 * Shown Their Work: Leone spent over a year achieving the look of Manhattan in the early twentieth century.
 * Silence Is Golden: Like most of Sergio Leone's films, it's pretty sparse when it comes to dialogue.
 * The Cameo: Joe Pesci puts in a minor appearance as a guy employing the gang. Burt Young, of the Rocky movies, also appears at one point.
 * Apparently Pesci's role was a lot bigger in Leone's script but was cut down considerably, which explains him completely disappearing in the last 3rd of the film.
 * The Roaring Twenties
 * The Sixties
 * The Thirties: The main portion of the film is set in 1933 as Max and Noodles' operations have made them powerful mobsters. With the end of Prohibition threatening their backroom empire and driving Max into thinking bigger... like hitting the Federal Reserve Bank...
 * Villain Protagonist
 * Villainous BSOD: Noodles' reaction after he pours his heart out to Deborah and she turns him down flat, telling him she's going to Hollywood. Cross-pollinates with Leone's trademark Leave the Camera Running moments, as Noodles just stares for several minutes.
 * What Happened to the Mouse?: Leone's original six hour cut is apparently Lost Forever, and even the four hour restored version has a couple dropped plot points, most notably Joe Pesci's character. The camera pans over to him apparently waiting for someone in a hotel lobby with ominous music playing...and he's never seen again.
 * With or Without You
 * Yiddish as a Second Language