Crusader: No Remorse



""No pity. No mercy. No regret.""

The Crusader series was an early entry into the Third-Person Shooter genre. Developed by Loose Cannon Productions and published by Origin Systems as Crusader: No Remorse (1995) and Crusader: No Regret (1996), they told the story of a Silencer, one of the World Economic Consortium's (WEC)'s most elite soldiers.

Made of roughly equal parts Syndicate, Nineteen Eighty-Four, RoboCop, and Star Wars, the story is as follows: in No Remorse the Silencer's team is betrayed by the WEC after refusing an order to kill unarmed civilians, identified by their commander as rebels. The rest of his team is killed, so the Silencer betrays them and comes to the aid of the Global Resistance, who are trying to remove the WEC from their position of system-wide dominance. The WEC is getting close to tightening their grip further by completing the orbital bombardment platform Vigilance, which would allow them to bombard any point on Earth into rubble on a moment's notice through centralized control of nuclear-armed satellites and would itself remain safe by being a very small target well out of reach of conventional attack.

Naturally, as the first member of the Silencer Corps to ever defect, the Captain is greeted with suspicion, mistrust, and even outright hatred from the Resistance. This cannot be helped by the fact that the Silencer never speaks in game. Nonetheless, he uncomplainingly takes on missions it would normally take a team of Rebel operatives to finish, with only the equipment he can scrounge off bad guys, buy off an arms dealer, or steal from around the Rebel base and the trademark red armor of the Silencers to do it. (Presumably, the Rebels' quartermaster doesn't trust the Silencer enough to let him requisition stuff.) Complicating matters is a fairly well done subplot concerning a possible traitor in the Silencer's Resistance cell—which the Silencer himself is vocally accused of being on more than one occasion. No Remorse ends with the destruction of the Vigilance platform and the Silencer floating away in an escape pod.

No Regret opens 48 hours later when a supply freighter heading for the moon is diverted to search for survivors of the Vigilance platform's destruction. They of course find the Silencer, adrift in his lifepod and presumably getting the shakes having not killed someone in two whole days, who proceeds to come capture the freighter, blow it up from the inside out, escape to WEC's lunar base, and break out of his dejected funk. There the player learns how critical the moon is, as Di-Correllium (or Di-Cor), a radioactive mineral with half of all known deposits found on the Moon, is responsible for most of the Earth's power supply.

With the Silencer's help the Resistance takes over the Di-Cor mines, kills a major WEC executive and puts a stranglehold on the WEC's supply of Di-Cor within a week, threatening their control of Earth. Follow-up games were never produced, though depending on which source you talk to anywhere from one to four more were planned.

Both Crusader games used a modified version of the engine developed for Origin's own Ultima VIII, providing an isometric 3rd-person view on the Player Character not unlike that of Diablo. The game featured pre-rendered sprites instead of 3D accelerated polygons generated on the fly. These graphics still hold up nicely today, especially when their age is taken into account.

The Silencer has a vast array of weapons he picks up (or, in the first game, buys from Weasel, an arms dealer sympathetic to the Resistance), from assault rifles, shotguns and grenade launchers to lasers and UV projectors to, in the sequel, inventively vicious weapons like the liquefier and the crystallizer. While the graphics aren't high resolution enough for it to be truly horrifying, the Silencer's more exotic weapons were delightfully gruesome when used against humans. No Regret in particular was somewhat notorious for the number of ways humans could die—which included being shot, set on fire, frozen (and then, if you wanted, shattered), blown apart, melted, reduced to a puddle of non-differentiated grey-green goo, and having the flesh burned off one's skeleton. Ruptured high-pressure chemical lines could also freeze people or light them on fire if they wandered into the leak.

Combat was done with weapons only, though a skilled player could make use of demolitions equipment in a pinch. If in the harder settings you ran out of ammo, energy, or ordnance, you couldn't kill anyone until you found some more. This could be very difficult, as most of the Silencer's supplies were either stripped from dead opponents or taken from storage areas that were heavily guarded. It was also somewhat strange, as literature from the second game indicated Silencers were highly skilled martial artists, and the character could certainly pick up the equipment to survive to close combat range.

The controls were good—though they took a little getting used to, the system was perfectly logical—allowing for an impressive array of diving, rolling, strafing, and just plain walking and running (though jumping was pathetically hit-or-miss) and it was easy to see where you were aiming, thanks to a targeting reticle drawn on the screen. Hitting things that were off screen was a problem, and you often found yourself wishing for a way to move the camera independently of the Silencer. On the other hand, enemies that shouldn't have been able to see you generally didn't react until you scrolled into their screen, but could still be killed by you if you knew they were there.

Cutscenes used a mix of live actors and computer animation, though never at the same time. The budget for the live action was apparently somewhat small, as among other things the costumes for the WEC soldiers are laughably bad when seen on real actors. As with most FMV, the acting wasn't particularly good—in fact, in No Remorse, it was pretty horrible, though No Regret was at least not embarrassing for those involved.

The game was knocked for omitting multiplayer which, while not yet easy to use, was becoming commonplace by 1996 (when the second game was released). The next game in the series was supposed to have addressed this, and in fact the only known promotional screenshot features multiple Silencers, each in a different color of the familiar armor in the way of deathmatch shooters at the time, running around and killing each other (one of which was using a new weapon, apparently a flamethrower).

The games' music was rather advanced for its time, consisting of high-quality .MOD files, a step or two below CDs or .mp3s in quality. The game also had an all-but-undocumented "jukebox" feature, allowing you to switch through the games' tracks in the midst of gameplay. The tunes themselves were generally well-done rock/techno.

The first two games have become available from gog.com for a nicely cheap price.

Crusader provides examples of:


 * Absent Aliens: Humanity seemingly hasn't left the solar system, though.
 * Aesoptinum: Doesn't exist for a single reason, but there is the fact that at the end of the second game "terrorists" control half the world's energy supply in the form of a mineral found mostly on the moon...
 * Artificial Limbs: One of Torch's arms is replaced with a drill because it decayed due to di-cor poisoning.
 * Artificial Gravity
 * Artificial Stupidity
 * As Long as There Is One Man: Propaganda distributed to members of the Resistance makes note of this when considering the idea that the Resistance as it exists now might well fail—specifically, if the Resistance is wiped out, that tyranny will still be its own worst enemy and eventually collapse, one way or another.
 * Authority Equals Asskicking: Usually subverted, but there's the boss of the second game...and then why is everyone so terrified of the President?
 * Badass: The Silencer, natch
 * Bonus Dungeon
 * Boring but Practical: The three round burst machine gun is not very flashy but its fairly powerfull and nearly every enemy carries a clip of ammo for it. This one should probably stay in your inventory troughout the game once you get it.
 * Boss Battle
 * Bottomless Pits: Rare, but made more teeth-grinding because they seem to appear at random and jumping is so damn...jumpy.
 * Broken Pedestal: The whole WEC, to the Silencer.
 * Cloning Blues
 * Containment Field: Inverted, with No OSHA Compliance.
 * Cool but Inefficient: Neat as the death effects are, is there any point to creating things as inaccurate and with as little in-game ammo as the Liquifier when one already has a perfectly serviceable rocket launcher with a lot more ammo and destructive power, and a rapid-fire shotgun that doesn't destroy enemy equipment?
 * Justified in-game though, as one of the most potent weapons a Silencer has is terror - and many of the exotic weapons seen in game are pure terror weapons. There's a reason civilians run screaming from the sight of you.
 * Corrupt Corporate Executive
 * Critical Existence Failure: Justified, as the manual mentions that Silencers are trained to ignore injury and stay functioning at 100% up until the point of death.
 * Cruel and Unusual Death
 * Cutscene
 * Cutscene Incompetence
 * Deadly Gas
 * Deflector Shields
 * Death Seeker: Denning in No Regret.
 * Did Not Do the Research
 * Elements Do Not Work That Way: Silencer armor in one instance is referred to as being made from polonium. Yes, that polonium.
 * Die, Chair, Die!
 * Difficulty Levels
 * Do Not Run with a Gun: Applies to the Silencer as well.
 * Does This Remind You of Anything?: See Aesoptinum, above.
 * Dronejam: Easily remedied by killing said drone; anyone too stupid to move out of the way of a guy with a gun deserves it.
 * Easter Egg: In No Regret—the most prominent occurs when entering the "enable cheats" code for the old game results in the message, "Of course we changed the cheats. Duh." and the Silencer is teleported to a room with zero cover surrounded by a dozen of the ending boss; this level can also be reached if the game is run on Christmas day, with background music consisting of techno remixes of Christmas carols.
 * Elaborate Underground Base: The Resistance base in the first game is not particularly large, but certainly elaborate from a production standpoint as most of its floor and wall tiles were custom-textured. The mining areas on the moon fit the largeness criteria more.
 * Emergency Weapon: Only present in the lower difficulties, as your initial weapon will run out of ammo on the higher ones.
 * Energy Weapon
 * Eternal Prohibition
 * Everything Trying to Kill You: Getting progressively worse as the game gets harder... but from the very beginning there are vending machines that randomly dispense grenades.
 * Evilutionary Biologist
 * Exploding Architecture
 * Exploding Barrels
 * Exploding Hallway Traps Of Doom
 * Exploding Instrumentation
 * Exploding Lair: Are we sensing a pattern yet?
 * Expospeak: Rare, but present
 * Faceless Goons
 * Fake Difficulty: The highest difficulty level, No Remorse/Regret, gives the weakest enemies heavy weapons...but their corpses still give ammo for lower-tier weapons.
 * Fake Memories
 * Feelies: Fake WEC newspaper and other goodies; they were mid-90s Origin games, so it was to be expected.
 * Five-Man Band: Though you only ever see the Big Guy really in action.
 * The Hero: The Silencer
 * The Lancer: Sheperd
 * The Big Guy: Torch
 * The Smart Guy: Ely
 * The Chick: Sekada
 * Frickin' Laser Beams
 * Game Level
 * Gameplay and Story Segregation: The Disrupter is supposed to be a one-shot munition, telefraggnig anyone incoming on the trapped Telepad before destroying the pad itself. In actual gameplay the Disrupter won't do a thing to the Telepad and it will continue to frag anyone incoming on it as long as it's armed nearby.
 * Global Currency: Justified by the one world government which also happens to be a corporation.
 * Gorn: While the game was not a complete bloodbath, bloodstains could be generated easily, and there were many, many different and elaborate death animations for the various exotic weapons and hazards, from being gibbed by explosives to being frozen and then shattered.
 * Gravity Sucks: Again, all the worse for the piss-poor jumping.
 * Guide Dang It:
 * Handy Remote Control: Computers allowed the Silencer to take control of mechs, turrets, and security cameras, all from the safety of rooms or even floors away.
 * Heal Thyself
 * Heroic Mime
 * Hide Your Children: The Silencer's coming and he's not taking prisoners.
 * Highly Visible Password: The WEC facilities have doors locked with access codes, which change regularly, but in the vicinity of every one of them is an unsecured computer with an email to the effect of "In accordance to our security policies, the code to the computer lab has been changed. The new code is 382." on the monitor. This practice makes getting into said 'secured' areas a trivial exercise.
 * Hit Points
 * Hyperspace Arsenal: The Silencer ends up carrying a ridiculous number of weapons in the second game; at least in the first game, he was limited to five weapons, though there were few other practical limits on equipment.
 * I Am Not Shazam
 * Idiosyncratic Difficulty Levels
 * Impossibly Cool Clothes: WEC guard uniforms.
 * Incredibly Obvious Bug
 * Incurable Cough of Death: Denning, though the game lit makes it clear from the start he has leukemia.
 * Infinite Supplies: Except ammo.
 * Insurmountable Waist-Height Fence
 * Invisible Grid
 * Invulnerable Civilians: Subverted so incredibly hard: you can massacre them with glee. (And if you don't, they run and call in a Red Alert about half the time, so maybe you should.) Some of them are also armed, usually with sidearms, though in the second game some have pistol versions of the cryo or liquifier rifles. In that case you have to kill them in self-defense. The fact that they will, if nothing else, carry money doesn't help them, and the fact that these people are pretty much explicitly high-ranking executives, the tiny fraction of the population who can live comfortably and do what they want because of money, makes it oh-so-satisfying.
 * It's Up to You
 * Kill Sat: The No Remorse final mission consists in destroying one.
 * Kleptomaniac Hero: Justified: the Resistance is fairly unwilling to just give the Silencer equipment so he has to make do with what he can get. In addition, you only ever steal from the guys whose facility you just trashed.
 * La Résistance
 * Lego Genetics
 * Life Meter
 * Limited Advancement Opportunities: The protagonist is still a captain?
 * A Captain in the Silencer Corp itself. Defecting to the Resistance isn't good for promotions.
 * Literally Shattered Lives: You can smash any poor enemy who got frozen by a supercooled weapon or leaking coolant vent.
 * The Man Behind the Man
 * Man On Fire: Can be inflicted by various gas vents and explosive weapons.
 * Mega Corp: They run the world. And it's mentioned In The Manual (or maybe the official strategy guide) that income tax has reached an "all-time high" of 92%.
 * MOD: used this format for its music.
 * The Mole:
 * Mooks: Guards, Soldiers, LMC Guards
 * Elite Mooks: Stormtroopers and Elite Stormtropers
 * Mecha-Mooks: The mechs and androids
 * Praetorian Guard: Enforcers and Headquarters Elite Guards are nearly as well-armed and -armored as you.
 * Mook Maker: Encountered rarely
 * In No Regret this is pretty much the main function of the teleporters which you can't use
 * Multiple Choice Past: The Silencer seems to think he was a normal person before he joined the Corps—and, indeed, ads in the Feelies indicate anyone can apply. However, he later finds out that he may have been genetically engineered, and still another source claims that Silencer candidates are identified through mandatory testing for adolescents and taken away as children.
 * Nanomachines: Limited use, second game only
 * News Travels Fast: To be fair, most of the Silencer's actions result in explosions. (Specifically, big explosions—damn near everything will explode when shot at enough times.)
 * No Kill Like Overkill: Sure, you could use a machine gun or pistol to gun down the low-level Mooks, but it's nowhere as *fun* as using a grenade round.
 * No Name Given: The Silencer is never named; he's just "The Silencer" or Captain to everyone (and Tin Man or Red to those few he gets along with). Even he may not know his own name, but he doesn't seem to care.
 * Nonstandard Game Over: At least one mission in each game was timed, and if time ran out...
 * No OSHA Compliance: Justified in that because a Mega Corp rules the world, there is no OSHA.
 * One-Man Army
 * One World Order
 * People Jars
 * Percussive Maintenance: Used only once, thankfully.
 * Perfect Health
 * Protagonist Without a Past: This is a subplot point in the first game.
 * Recurring Traveller
 * Red Alert: Not just for ships anymore!
 * Red Herring: The Mole is
 * Revenge: The entire point.
 * The Revolution Will Not Be Vilified: Generally averted by the game's backstory
 * Rewarding Vandalism: Rather heavily subverted, considering the destructibility of the game's environment was a selling point: if you aren't careful you can lose powerups and/or healing stations via wanton destruction
 * Robo Speak: Only for androids
 * Run, Don't Walk
 * Science Marches On: It's not so bad... yet...
 * Sci Fi Name Buzzwords: Di-correllium, etc...
 * Shiny-Looking Spaceships: Used and subverted
 * Sociopathic Hero: The Silencer is a ruthless killer that can murder anyone affiliated with his enemies (even unarmed workers), and he's mostly in it for vengeance.
 * Some Kind of Force Field
 * Sorting Algorithm of Weapon Effectiveness: In both games one can acquire weapons that are perfectly useful to the very end of the game... But most of the time later weapons are somewhat more effective.
 * Space Clothes
 * Space Is Noisy
 * Standard FPS Guns
 * Standardized Space Views
 * Streaming Stars: Look carefully out the viewports during the first mission of the second game...
 * Subspace Ansible
 * Suicidal Overconfidence
 * Super-Powered Robot Meter Maids
 * Super Soldier: The Silencers, though no one you meet seems to know exactly what they are or how they're made
 * Take Your Time: One supposedly Timed Mission doesn't actually have a time limit...
 * Always Close: Until you get to the final screen, just for dramatic effect.
 * Tele Frag: In No Remorse, . Earlier in the game, the same effect occurs if you use a telepad which various sources in the game tell you, in no uncertain terms, not to. In No Regret, one of the munitions you can obtain is the Disrupter, a device that attaches to a telepad and deliberately scrambles an incoming signal, instantly killing anyone who comes in on that telepad—including you. Flavor documentation states that the Disrupter also destroys the telepad on activation but this isn't actually depicted in-game and thus you're usually encouraged to leave it on the pad to mulch enemy reinforcements...unless of course you know you'll be using that telepad later on.
 * Teleporters and Transporters: Key to both gameplay and story
 * Teleporting Keycard Squad: Used sparingly but consistently
 * Third-Person Shooter
 * This Is a Drill: One of Torch's arms is replaced with a drill.
 * Time Bomb
 * Timed Mission
 * Unbreakable Weapons: Oddly, some are explicitly described as such, while others aren't.
 * Unobtainium: Di-correllium, which is apparently such a good fuel source that—well, imagine if the petroleum market were applied to everything outside of personal transportation on Earth.
 * Unusable Enemy Equipment: You can loot ammo, medikits, and power cells from dead enemies, but not weapons. Not to mention the ammo you get is not necessarily the ammo of the weapon the mook was carrying.
 * Use Item
 * Video Game Cruelty Potential: See all these guns you have that invoke all manner of horrible deaths? See all those helpless scientists and engineers? Get experimenting. We put a lot of work into it.
 * Weak Turret Gun: Both used and subverted. Starting from those laughable turrets that do almost no damage to you, to those annoying thresher cannons with invincible shields which can kill you in a couple of hits even in lower difficulty settings.
 * We Can Rule Together: Not so much "we can rule together" but "Want to run part of the government? If you'll just let me go..."