Only Sane Man/Film

"George Taylor: It's a madhouse! A madhouse!"
 * In Kick-Ass Damon's old police partner, Marcus Williams qualifies as this. He's the only one to point out to Damon that his plan of he and Mindy dressing up in costumes and carrying out vigilante justice is insane.
 * Dave also has a moment of this, but doesn't give up being Kick-Ass though.
 * In horror scifi thriller Sunshine, Chris Evans' character Mace is the only guy who seems to have common sense and an idea of the bigger picture. Makes you wonder why he wasn't captain instead.
 * Planet of the Apes. George Taylor has the only rational response to a world where apes rule over men.

"Robert: He knows the song too? I've never heard this song before! What the hell is it?!"
 * Graham Chapman in two Monty Python movies, as King Arthur in Monty Python and The Holy Grail and Brian in Monty Python's Life of Brian (although Lancelot appears sane for most of the former, turning Ax Crazy later on).
 * Ironic in that it was Chapman who frequently played the zaniest Cloudcuckoolanders in the series.
 * Chapman has also been cited as the funniest of the Pythons by the others, although hampered by alcoholism. He was certainly the edgiest: his writing contributions to the series are easily discernible by their being markedly more unpleasant, mean-spirited and of general poorer taste then the others (a notorious example being the undertaker sketch where Chapman's undertaker is suggesting they eat the corpse of Terry Jones' dead mother, "and if you feel guilty later we can dig a grave and you can throw up in it"). One theory as to why series 4 was so much nastier than the first three is that John Cleese - Chapman's traditional writing partner and moderating influence - had left the group.
 * In the Death sketch in Monty Python's The Meaning of Life, the Grim Reaper gets this role. He comes in to claim the souls of a bunch of people in a dinner party but it takes five minutes for them to understand that he's not there to reap the hedge, doesn't want wine and won't discuss philosophical topics with them.
 * In Enchanted, when the Refugee From TV Land starts singing in the middle of Central Park, a Crowd Song breaks out around her. Defrosting Ice King Robert, the one being sung to, is the only one who wonders how that is even possible.

""Am I going completely mad?!!" [silence]"
 * Arsenic and Old Lace (1944), with Cary Grant as Mortimer Brewster, the token Only Sane Man surrounded by his rather... quirky family. Insanity can be contagious, if only because we as humans derive our idea what is sane from the people around us.
 * Nicholas Angel in Hot Fuzz, surrounded by a lazy police force who don't take any of his suspicions seriously.

"Kritzinger: It is night in Moscow already. Soon it will be dark here. Do you think any of us will live to see the daytime?
 * Francis, in The Cabinet of Dr. Caligari, is the only person who realizes that the incredibly sketchy Dr. Caligari and his Brainwashed and Crazy servant Cesare are murderous psychopaths. Subverted when
 * Shaun of the Dead: Nobody, with the possible exception of Yvonne, begins as this--they can't even comprehend the idea that the dead are rising up and trying to eat them, and fall back on pretending there's nothing wrong. However, Shaun evolves into this when he finally decides to fight back. Of course, 'sane' is relative as his plan to hide in a pub gets most of them killed (the other survivors we see flee in the opposite direction and do much better).
 * In I Robot, when Doctor Calvin calls Detective Spooner insane after he shoots a (blank and mindless) robot in the face, he replies "Does thinking you're the last sane man in the world make you crazy? Because if it does, then maybe I am."
 * Mittens the cat, in regards to Bolt and Rhino, in Bolt. "How do you say 'There is no way I'm doing this!' in Crazy?!"
 * An incredibly depressing one in HBO's Conspiracy, which is a dramatization of the real life Wannsee Conference (when the details of the Final Solution are worked out and the various relevant individuals notified) comes in the form of Dr Kritzinger. He tries to make a moral stand (everyone else is concerned with bureaucracy or power-play), and is shot down and eventually goes along with it. It is summed up by this exchange at the end of the film:

General Hoffmann: Come spring we will be on the move again. Keep your spirits up."

"Robert E. Lee: If he is there tomorrow, I shall attack him.
 * Gen. Longstreet is portrayed this way among the Confederates in the Ted Turner film Gettysburg. Except for the unfortunate John Bell Hood, no one else seems to be bothered by Lee's suicidal battle plans, or else they're too caught up in redeeming their names to care.

Longstreet: If he is there tomorrow, it is because he wants you to attack him."

""Is there anything we can do to help you, Sergeant?"
 * Sgt. Howie in The Wicker Man:

"I doubt it. Seeing you're all raving mad.""

"Mr. Furious: That's because Lance Hunt is Captain Amazing.
 * Parodied/subverted in The Big Lebowski: one scene has Walter shouting "Has the whole world GONE CRAZY?!" while doing probably the craziest thing in the whole movie.
 * Group Captain Mandrake in Dr. Strangelove.
 * In Mystery Men, Roy "Mr. Furious" is often the Only Sane Man. Too bad he lives in a comic book world where the rules are different than Real Life.

Blue Raja: Oh, here we go.

Shoveler: Oh, don't start that again! Lance Hunt wears glasses. Captain Amazing doesn't wear glasses.

Mr. Furious: [Long-suffering] He takes them off when he transforms.

Shoveler: That doesn't make any sense. He wouldn't be able to see!"

"Kevin Sandusky: Tugg. Tugger. You're the last piece of the puzzle buddy. We need you! Your men need you. Are you with us?
 * Colin Powell, in the movie W.
 * Part of Mugatu's Motive Rant / Villainous Breakdown in Zoolander is his claim that all of Derek's looks are identical. (See the quote on the works page.) This is enough to spur Derek into creating a new look that involves.
 * Even then,.
 * Subverted by Truman in The Truman Show as he slowly figures out that he is living in an artificial world; of course, the other actors are already aware of it, so they try to disabuse him of the notion when he explains his concerns to those around him.
 * Buck in Uncle Buck, especially during the second half.
 * A famous example is Zeppo Marx from the Marx Brothers films. In a group of comedians with defined by distinct comedic styles (The comedy of Groucho, Harpo and Chico came from wit, slapstick and double-entendres, respectively), Zeppo was defined only by his lack of a "quirk". His roles were the definition of a straight man.
 * ... though interestingly, all of the Marx Brothers and many of their colleagues are on record as saying that in real life, Zeppo was easily the funniest of the brothers, and certainly the only one to be able to reduce Groucho to tears of laughter. Zeppo even stood in for Groucho on-stage when Groucho was ill, but didn't like performing and left the act as soon as he could. Fifth brother Gummo admitted he was no performer, and only ever appeared on-stage a few times, and never on film... his non-status in the family act was such that he volunteered to be drafted into the army so that none of the other brothers would be forced to join too...
 * The Bridge on the River Kwai ends with Major Clipton looking around at the carnage and destruction surrounding him, and declaring, "Madness! Madness!"
 * Tropic Thunder: Kevin Sandusky and to a lesser extent Alpa Chino spend much of the film trying to rein in their unhinged costars. Their success is limited.

Tugg Speedman: [pause] I'm a rooster illusion.

Kevin Sandusky: Fuck it. We'll deal with him later."


 * Kirk Lazarus has flashes of sanity, usually to contrast with Tugg. As a general rule within the film though, the sanest person in any room will be the one with the lowest status. (For instance, Kevin is most sane because he's the least famous actor.)
 * Mom and Dad Save The World: General Afir, who is even more put together than the two heroic "normal" protagonists, Dick and Marge, let alone a a planet full of morons.
 * A few characters in the Austin Powers film series take turns passing the Sanity Ball around; Scott Evil is usually the Only Sane Man among the card-carrying, trope-following villains, while the heroes have no specific character designated as sane.
 * Wouldn't Basil Exposition count?
 * Laurie and her school newspaper staff in The Wave, among the few students who are trying to stand up to the quasi-fascism sweeping their school.
 * Jaws: Matt Hooper tells Chief Brody that he will be "the only rational man left on [Amity] island" after Hooper leaves the next day to join a shark research vessel.
 * Ted in Burn After Reading. A former man of the cloth, he now works at the Hardbodies gym. He is practically the only normal character in the entire film, which is filled with delusional characters who are mostly Too Dumb to Live. Ted nurses an unrequited crush on his colleague Linda, and she is blissfully oblivious to his quiet affection.
 * In Dagon the only sane man is the town drunk. Uh-oh...
 * Played with in What About Bob? At first Dr. Marvin is the only one who sees anything wrong with Bob's obsessive, manipulative, stalker-ish behavior.
 * Duncan, sort of, in Mystery Team. Although still maintaining his childish personality, he is slowly revealed to be more and more normal than we are led to believe.
 * Lt. CDR. Charlie Madison (James Garner) in The Americanization Of Emily.
 * Chef in Apocalypse Now was described by Captain Willard as being "wrapped too tight for Vietnam; probably wrapped too tight for New Orleans."
 * In El Arca, everyone seems to be totally in love with the female panther Panty, all of them singing and dancing to her song "I will Survive", none of them seeming to notice she's talking about MURDERING AND EATING THEM except for the pig, who is clearly uneasy and suspicious, while everyone else, including the other prey animals, is completely oblivious to the actual words of the song, only really seeming to pay attention to Panty's...um...assets
 * Smith in Sleeping Dogs attempts to stay aloof as civil war breaks out, but is caught up with it despite his best efforts. He spends the rest of the film vainly trying to escape the madness, without success, until the end where he seems to bitterly accept his fate.
 * Peggy in The Woman is the only one who really criticizes her father Chris' idea of trying to "civilize" the feral woman he captured, what with her mom Belle being too henpecked to stand up to him, her brother Brian being too much like his dad, and her little sister Dawn being too young and naive to know any better.
 * Alan is this in American Dreamer, due to "Rebecca's" antics even getting the police to believe her over him.