Look Both Ways (film)

Meryl's dad's just passed away. She's stuck in her job and life, unable to make any real progress. Nick's diagnosed with testicular cancer, and it has already spread to his lung. Andy's recently divorced, and his new girlfriend, Anna announces that she's pregnant. There is also Julia, whose partner was killed in an accident, and the Train Driver, who was the driver of the train that killed Julia's partner. Behind the story, a larger tragedy is also occurring, the Arnow Hill train accident, which killed many people and left many suffering.

The film has quite a serious undertone, dealing with issues like grief, tragedy, death, dissatisfaction, loneliness, uncertainty, danger... and exploring how the characters go through their problems and manage to escape from the darker side of life. Despite so, the director manages to keep the film quite light, rather than getting all bogged down into the philosophical or psychological. She keeps balance between the two sides of life, bright and dark, through focusing not only on the main characters but also on the side characters, justaposing the tragedy with the urban, common happiness, as well as through using techniques like animation, photomontage, body language to show the characters' emotional turmoil, rather than indulging in wangst dialogues and existential discussions. The film's setting is also chosen wisely, a sunlit typical Adelaide suburb, with typical people and typical Australian laid-back way of life. The film, therefore, has a very Australian feel to it, rather than trying to conform to Hollywood standard.

"Train Driver: I'm the train driver... I'm sorry.
 * Cannot Spit It Out: The problem of pretty much every characters, and for good reason.
 * Everyone Calls Him "Barkeep": The Train Driver
 * Five Stages of Grief: briefly mentioned
 * Never Got to Say Goodbye: Meryl to her father
 * One-Book Author: This was one of only two films Sarah Watt directed before her death in 2011.
 * Photo Montage
 * The Stoic: Every character tries to be one, though it turns out to be counterproductive. The film deconstructs this character type.
 * Suddenly Voiced: for symbolic effect, Julia and the Train Driver

Julia: It wasn't your fault."


 * The Voiceless: Julia and the Train Driver
 * A World Half Full
 * Your Days Are Numbered: Nick, or so he thinks