A Confederacy of Dunces/YMMV


 * Anti-Sue: Ignatius J. Reilly approaches this, as he is basically a collection of any and all negative personality traits that cannot directly result in one's arrest. However, he is a deep enough character that he manages to avoid this.
 * Black Hole Sue: Wherever Ignatius J. Reilly goes, the world warps around him, and not just because of his enormous mass. Myrna tends to have a similar effect.
 * Fetish Retardant: The scenes in which we read about Ignatius choking the chicken, as it were, would be bad enough just in principle. What he thinks about while he's doing it makes it about ten times worse.
 * Then again, that was probably intentional
 * Idiot Plot: Most of the people in the book have a difficult time thinking rationally for extended periods of time, though this becomes doubly true any time Ignatius is around.
 * Hell, if anyone in this book had any degree of self-reflection at all, most of the plot wouldn't happen. Ignatius' constant references to Fortuna demonstrate that he doesn't believe any of his problems are his own fault, though nearly all of them are. If it weren't so funny, it would be infuriatingly stupid.
 * Iron Woobie: Mancuso. No matter what is thrown at him, he doesn't back down.
 * Jerkass Woobie: Reilly is perhaps the prime example of a non-functional human being in modern society, but he doesn't deserve all of the bad stuff that happens to him. Indeed, the more naive reader might at first mistake him for just another "sensitive" young Sixties activist - one who's a bit strident, but definitely well-intentioned. However, this characterization is undercut by the fact that Ignatius is only getting involved in social causes to stick it to his holier-than-thou girlfriend.
 * One True Pairing: Myrna and Ignatius are pretty much destined to get together from the get-go.
 * Squick: Anyone who stands still long enough will get a lecture on Ignatius' valve. When it closes, he tends to fart and belch a lot.
 * Values Dissonance: As this was written at the height of the Cold War, there is obviously a little bit of this.
 * In the end,
 * Toole paints his characters in very broad strokes, mining New Orleans stereotypes to their fullest in a way that would be considered insensitive today. Burma is a pot-smoking, sunglasses-wearing, Jive Turkey-spouting black man. Dorian Greene and his retinue of Camp Gay men and Butch Lesbian women are another example. However, Toole is going for Rule of Funny rather than putting anyone down.
 * Moreover, the whole story was seen through the warped viewpoint of Ignatius
 * In the beginning, Ignatius goes into a rant on how corrupt New Orleans has become, listing off all the vice and crime going on there. In among things like drug addicts, prostitutes, and gamblers, he lists "sodomites" and lesbians.