Break the Cutie/Live Action Films


 * Sara Goldfarb from Requiem for a Dream. And for that matter, the other three protagonists. This is not a feel-good movie.
 * This is pretty much the entire plot of Precious. Just when you think Precious has taken a single step out of the muck, life sends her crashing down three whole flights. It gets so bad that the character's otherwise minor victory at the end  is downright triumphant.
 * It seems this trope happens to a fair number of women in action movies. A textbook example is Sarah Connor from The Terminator. Consider the hapless, adorable waitress she was in the first movie and compare her to the flat-out psychologically unhinged Action Mom of part two.
 * The Dark Knight:
 * Lars Von Trier's Dancer in The Dark brings this trope to a truly unsettling level.
 * As does Dogville by the same director.
 * What Dancer in the Dark does to Selma goes way beyond Tear Jerker worthy; be prepared to burst into tears and stay that way for the last forty minutes.
 * Dancer in The Dark is the final entry in what's termed von Trier's "Golden Heart trilogy". All three films, the other two being Breaking The Waves and The Idiots, use this trope heavily.
 * Emily Watson, who made her film debut in Breaking The Waves, has essentially forged an entire career out of this trope.
 * Gregg Araki seems to be fond of this trope in his films. Jordan White in "The Doom Generation" and Brian in "Mysterious Skin" definitely qualify.
 * Alice from Last of the Mohicans goes through an entire movie like this. All her scenes exist to basically show the gradual breakdown of her innocence, so no dialogue is needed to explain why.
 * The entire backstory to The Ring. Sadako was Oh, and while she was visiting him at the sanatorium,  To top it all of, she got smallpox.
 * The movie... didn't go quite so far. The entire second half of the paragraph is left out, and Most consider this Adaptation Distillation.
 * The prequel movie, Birthday, which shows Sadako's sweet, Yamato Nadeshiko, non-demonic side is a heartbreaking example of the trope. To list everything that was done to her (none of which was her fault, and none of which she really deserved,) resulting in that final snap that made her accept her dark half, would result in a summary of the entire film.
 * In the Made for TV Movie, Intensity, Edgler Vess takes pleasure in specifically putting all of his efforts into "breaking" any victim whom he happens to kidnap.
 * Forget about survival horror. Dismiss any thoughts in your head of zombies, or teamwork, or social commentary. Watching Cillian Murphy totally snap in 28 Days Later is so much more entertaining. It's not so much a journey from innocence to adulthood as it is getting so far, far broke that you come out the other side.
 * Well, if you find a cutie in the cast of a horror movie...
 * The entire final sequence of Sweeney Todd: The Demon Barber of Fleet Street is a Break the Cutie for . The first  . The other.
 * The title character is the greatest Broken Cutie of all! Back when his name was  After all this, when he arrives in London as Mr. Todd, he has been completely broken down and twisted into an extremely (justifiably) bitter psychopathic killer.
 * Going on the concerts on YouTube:  Everyone remotely sympathetic is broken, tenderized, ground into tiny bits and burnt to ashes.
 * Repo! The Genetic Opera has Shilo. Given it's directed by the guy who did most of the Saw franchise, you just know she'll be broken by the end.
 * To wit: she started as an Ill Girl with a vaguely-defined blood disease. While visiting her mother Marni's tomb, she runs into Grave-Robber, who proceeds to call a whole platoon of heavily armed police down on them, then drags her into a cavern filled with the rotting corpses of repossessed victims. The stress makes her illness flare up and she collapses while surrounded by said cops, as well as the nightmarish Repo Man. When she wakes up, sick and weak in her bedroom, her father tells her it was all a bad dream, then yells at her for taking risks with her health. And that's just the beginning.
 * To whit more:  Aww... can I give you a hug, Shi?
 * In Police Story, we get to see what happens when Jackie Chan's typical happy-go-lucky character who is nevertheless a fearsome martial artist gets pushed too far. Chan has said it's his favorite of his action films.
 * All About Lily Chou-Chou does this to every single main character.
 * Amy Adam's character Sister James undergoes a mild form of this is in Doubt when she has to accept the possibility that a priest at their school molested a young boy.
 * Jamie Lloyd from the Halloween series. Her parents died when she was young, she was constantly bullied due to being the niece of an undying mute thing who shows up and almost kills her before briefly imbuing her with some of his evil, prompting paranoid citizens to regard her as some kind of devil child; after all that Evil Uncle Michael shows up again the next year, kills pretty much all her loved ones and after being captured he's sprung from prison by a fanatical cult which abducts her as well, apparently having Michael rape and impregnate her while the two are held captive. Though she escapes and gets the baby to safety, Michael still kills her via tractor.
 * Pretty much the entire Ludlow family in Legends of the Fall but hoooooo boy, Tristan. (Played by Brad Pitt in the film. Brad Pitt counts as a cutie, right?) Early on Col. Ludlow, the father, moves his entire family to Montana to get as far from the government as possible, sickened by what he considers constant betrayal after betrayal of Native Americans, with whom he has developed respect and close personal relationships from his time in the military. Tristan adopts everything he is able about Native American culture, even given a tribal name for cutting a claw from a grizzly bear at the age of 12.
 * Ellen Ripley of the Alien series of movies might seem an unlikely candidate, because it's easy to forget that, at the beginning of the first film, she was not the Action Girl that she later becomes famous as -- she was a bit uncertain and some other characters didn't entirely accept her as second-in-command. At the end of the first film, ; in the second film, she wakes up half a century later, and the aliens lay waste to a colony; in the third, aliens have killed , not to mention she discovers she is hosting an alien herself; finally, in the fourth, she wakes up as the scientific demon spawn of an alien, and it's no wonder she gets a little unhinged.
 * Of course, mentioning this trope and Alien, the most obvious character is Newt. Before the colony was taken over by aliens, she was apparently a perfectly normal first grader. After spending a few weeks fighting for her life against a ravenous, chitinous swarm of parasites, however, she is too scared to even sleep on top of her bed.
 * Parodied in the Police Academy series. Sgt. Laverne Hooks is a small, shy woman, seemingly completely unsuitable for her job as a cop, where she's supposed to act as an authority figure. The antagonists attempt to take advantage of this by driving her to a breaking point. Unfortunately, they invariably succeed, causing her to shout everyone to submission. She's always fine afterwards, though.
 * In the film Quills, the Abbé du Coulmier represents this trope rather well.
 * The entire premise of the film Martyrs. With torture, of course.
 * Lawrence of Arabia is essentially three and a half hours of this trope. The man you see at the film's end is a somber, quiet facsimile of the man we see at the start of the film after all the crap he goes through.
 * The Machinist.
 * Rescue Dawn has this to some degree with Steve Zahn's character. Considering the fact that he's been a captive of the Viet Cong for years, his cutie has presumably already been broken, but seeing this largely loveable character descend into madness before being is heart-wrenching.
 * In Galaxy Quest, Sarris forces Jason to do this to the alien leader Mathesar by admitting that the Show Within a Show is fiction.
 * Despite living with her stern grandmother and having an alcoholic father, Lewellen of Hounddog still manages to have a relatively normal life. She adores Elvis Presley and manages to find enjoyment in the simplest of things. Then, her father's girlfriend, who was like a mother to Lewellen, leaves, causing Lewellen to believe she herself needs to take over the "mother" role of sorts. AND THEN her father . Of course, you must be thinking by this point that her life can't get any worse than this, right? Wrong. Finally, she's talked into dancing nude for a much older male in exchange for Elvis tickets, in which she is.
 * Anne Frank: The Whole Story: Since this movie goes into the concentration camp, unlike the black and white Anne Frank movie, this trope is played big time. Anne's breaking point is very clearly shown:
 * The House of Yes does this with relish. Leslie visits her fiance's family for Thanksgiving, only to be bullied by his mother and twin sister. Then his younger brother tries to sleep with her and reveals that
 * Private Leonard Lawrence, a.k.a. Gomer Pyle, in Full Metal Jacket is put through utter hell during the first half of the movie. Overweight and mentally slow, Pyle quickly draws the wrath of the original Drill Sergeant Nasty, who reserves the worst of his abuse and invective for him. Eventually Pyle gets paired up with Joker, with whose help he starts to show some improvement. But then Hartman finds a jelly doughnut in his foot locker and decides to punish the entire platoon, resulting in the other members getting pissed and deciding to take it out on Pyle in the infamous "blanket party" scene. Pyle is never quite the same after this incident, and though he soon develops into a model Marine and an expert rifleman, he starts undergoing a psychotic breakdown in which he withdraws from the others and talks to his M-14. The first half ends with Pyle snapping out, murdering Hartman and then committing suicide in a nightmarish scene.
 * Nina, the protagonist of Black Swan, spirals through this from beginning to end. Bear in mind, this is from the director of Requiem for a Dream. So 'nuff said.
 * Pretty much the entire film of Tideland is an aversion. It features 8 year old Jeliza-Rose having horrible things happen to her. The difference from the norm is that, with a few rare exceptions, she remains a happy-go-lucky (although unquestionably not quite normal) kid. This was Terry Gilliam's reason for making the movie: Children Are Innocent, no matter what.
 * The Lair of the White Worm features a young British virgin woman being stalked by a Lesbian Vampire who wants to sacrifice her to an Eldritch Abomination. She remains pretty strong until the end where
 * Michael of The Godfather goes from being the one person in his family that could possibly go legit into a cold-blooded Mafioso who can lie to his wife's face and feel no remorse.
 * Moulin Rouge. The movie starts out as a romance with Christian, an innocent, naive, carefree poet, moving to Paris to write about love (except he's never been in love) and falling for a beautiful courtesan at the Moulin Rouge. From there the film gets progressively darker as Christian experiences love, loss, and betrayal. After his lover, Satine,, he is a heart-broken wreck, and the mini-epilogue shows him as a much sadder and more worldly man.
 * No, no, it's worse than that.  That's how you break the cutie.
 * The entire Mystery Team goes through this, but most notably Jason.
 * The Rape and Revenge genre is built on this.
 * Hick is this for Luli from beginning to
 * In Atonement Robbie Turner has the best evening of his life: He confessed his feelings to the woman he loves, she reciprocrates them, they have passionate sex in a library and when he finds the boys safe that were searched by a whole party, he feels like the hero of the day. So why's everyone looking so serious?.